La Chevauchée sauvage

If "Bite the Bullet" sentimentalizes the independence and force of ordinary men without glamor who have to struggle for a prize in a hard, bitter, and lonely environment, it also examines the cruel or inhumane treatment often inflicted on animals…

"Bite the Bullet" is an all-star Western about a 700-mile horse race that takes place in the middle of 'Nowhere, USA' at the turn of the last century, for a chance to win the grand prize of $2000…

At the head of the line is Gene Hackman, an ex-Rough Rider who believes in caring for lame animals, and despises cruelty to horses, ladies in distress, lost kids and lost causes…Hackman has got the heart, and at the film's climax, he is the sleeper—the one to beat…

His old-timer friend from fighting days at San Juan Hill is James Coburn, a natural-born gambler who certainly can't afford to lose… He just bet everything on this race, and got seven-to-one… Coburn and Hackman have a great chemistry together, and their friendly rivalry imposes the name of the game…

Also riding: Candice Bergen, who has 'two thousand reasons' to compete in the race; Ben Johnson who desperately wants to win the prize to be a man to remember; Ian Bannen, the tough Englishman who comes 5,000 miles to beat the best; Mario Arteaga, the cool Mexican who needs the money for his loving family in spite of suffering from unbearable toothache; and Jan Michael-Vincent who brings the lower calibrations of judgment, antagonism, and rage to his interactions... This punk kid certainly has a knack of provoking a man to violence… He soon will be in his own best way to learn some life lessons from 'real' cowboys...

Brooks' movie has the courage to show how beauty can flourish in our treatments for animals… He accomplished a film that is beautifully photographed and expertly put together… Brooks leaves a whole host of abiding impressions through his nine riders' true character

By the 1970s, the western genre was virtually exhausted and many of the westerns made around that time were either cheaply-made, badly-dubbed European offerings, or depressingly violent revenge westerns (e.g The Hunting Party, The Revengers, The Deadly Trackers, The Last Hard Men, etc.) Bite The Bullet, however, is a happy exception. Not only does it resist the '70s urge to show gore and brutality, it also manages to come up with a plot that is actually quite novel. It also marks an example of the "third-time-lucky" adage for Gene Hackman.... for this was his third western of the '70s, and the first of real quality (his previous two - The Hunting Party and Zandy's Bride - being pretty terrible if truth be known).

At the turn-of-the-century, various riders gather in a Wild West town to compete in an endurance horse race of some 700 miles or so. Among those seeking the glory and the romance are English gentleman Norfolk (Ian Bannen); young show-offy hot-head Carbo (Jan-Michael Vincent); a rugged old man in search of a final moment of honour (Ben Johnson); a poor Mexican with serious dental problems (Mario Ateaga); feisty female entrant Jones (Candice Bergen); former Rough Rider Luke Matthews (James Coburn); and introspective horse-lover Sam Clayton (Gene Hackman). As they ride through forests, deserts and mountains toward the finishing line, the riders get involved in various adventures and tragedies. Some lose their horses along the trail; others are even less fortunate and lose their lives.

Bite The Bullet is a very good western, with convincing performances from its all-star cast and luscious cinematography from the great Harry Stradling Jr. The opening quarter of the film is fairly slow, with time given over to the character introductions and a little probing into the motivations of each rider. However, this proves worthwhile later as the fate of each rider gains significant power because the audience has come to understand - to know, if you like - the various characters. On the whole, the period detail and the dialogue seem impeccable. Alex North's score is good, and adds an extra dimension to the proceedings. The only flaw worth mentioning is that the film's structure - perhaps inevitably - is rather episodic.... every few minutes, the narrative jumps to another rider and follows their adventures for a scene or two before jumping again to another character. There was probably no way to avoid this, but it is occasionally tedious and frustrating for the viewer (because just as they are "getting into" the plight of one rider the action cuts away to the plight of another). Aside from this minor flaw, Bite The Bullet is a highly impressive film and easily earns a spot on the top-ten-westerns-of-the-'70s list.

"Bite the Bullet" has a lot to chew on, and boasts a fine cast held firmly under control. Hackman gives his usual unobtrusive acting lesson, Coburn twinkles but not too much, and Bergen gives the first decent acting performance of her career (after Hackman chewed her out for her lack of professional skills and she requested his help).

Questions of greed, competition, teamwork, loyalty, betrayal and humanity are all given a good and non-medicinal airing. There's enough action here for the inert, and enough philosophy for the grownups.

There's been discussion in these reviews of the director's use of slow-motion. Slow motion is not used here to make intellectual points, it is an instrument of emotional expression. When one character in real time passes another in slow motion, it conveys to us how they both feel at that moment, and doesn't need to carry any other freight. As an expressive device, it works.

The question of animal abuse has also come up in these pages. In "Bite the Bullet" the horses are always photographed as heroes, often visually overwhelming their riders. Gene Hackman is shown from the beginning as a fighter of cruelty against animals, and every abuse he witnesses he then tries to remedy. The education of the Jan Michael Vincent character is a case in point.

Furthermore, this picture makes you care about the animals, unlike the traditional offhand Hollywood cruelty. Dozens of horses were killed to make the last reel of the Errol Flynn "Charge of the Light Brigade" and the film itself couldn't care less. You can see trip wires being used wholesale as late as in "Khartoum", and when those horses went down, they broke legs and were immediately shot, not pretend, for real.

Hollywood's excuse has always been that horses are expensive and they don't kill them thoughtlessly. Stunts are performed by circus horses, which presumably don't come to harm. We're told the only horses that get killed are old and already destined for the glue factory. Whether this justifies trip wires or not is up to you, but that's what they say.

"Bite the Bullet" comes off as sensitive and responsible by comparison. This is no snuff film. The Oscar-winning sound design makes you really care when the horses are supposed to be in distress.

A lot worse things happen to the human characters in just about every action-adventure film of the last twenty years. Is the "yuck" factor we're now trying to get used to more or less disgusting?

All in all, "Bite the Bullet" is a worthwhile film with content, humor and beauty. There's thousands of worse ways to spend your time than watching this movie.

In 1906, a 700-mile horse race in the Western wilderness is sponsored by a newspaper. The racers include two former Rough Riders (Gene Hackman & James Coburn), a part-time prostitute (Candice Bergen), a punk "Kid" (Jan-Michael Vincent), an aged cowboy (Ben Johnson), a Mexican with a toothache (Mario Arteaga) and an English gent (Ian Bannen).

"Bite the Bullet" (1975) was written & directed by Richard Brooks, who said the movie is based on several historical cross-country races subsidized by newspapers and cities from 1880-1910. The most well-known was a 1908 race from Evanston, Wyoming, to Denver backed by the Denver Post with a $2500 prize, which was his main inspiration.

While this was a big budget production with a kick-axx cast it's not often cited on Best Westerns lists, probably because the long race makes it a one-of-a-kind Western that's not about a suspense-building story, but rather an episodic adventure with character-defining vignettes. Speaking of which, it helps if you utilize the subtitles to keep up with the sometimes mumbled dialogues.

Unfortunately, the escaped convict subplot seems shoehorned into the last act. It's like Brooks tried too hard to concoct an "exciting" ending, but ended up almost ruining the movie.

The film runs 2 hours, 12 minutes, and was shot in Nevada (Carson National Forest & Lake Mead), New Mexico (White Sands) and Colorado.

GRADE: C+/B-

Bite The Bullet, a most unusual western from the pen and the direction of Richard Brooks. It concerns a rather strange camaraderie that develops between the seven participants in a horse race out west.

This is not a race for speed, this is a test of endurance for seven miles through the desert in the American southwest. The seven participants are Gene Hackman, James Coburn, Ben Johnson, Candice Bergen, Jan-Michael Vincent, Ian Bannen, and Mario Artaega.

All these people have their own reasons for wanting the $2000.00 prize offered by the newspaper sponsoring the event. Hackman and Coburn are old friends already and Coburn's hoping Hackman will throw the race his way because he's up over his head in bets he can't pay off should he lose. Ben Johnson's an old timer just wanting to be remembered for doing something important in his life. Ian Bannen is an English Lord who thinks it's all jolly good sport. Candice Bergen is both striking a blow for women and sending money to her jailed husband. She works for madam Jean Willes when not racing. Jan-Michael Vincent is a punk kid with something to prove and Mario Artaega is just a poor guy looking for a stake to feed his family.

It's about the animals as well, this is not the Kentucky Derby for a mile and a quarter. The horses have to be looked after if they make it through a rough 700 miles. They kind of bind the characters together in a strange way.

Bite The Bullet is not long on plot, but very deep in characterization and it works here just like it works in the Sam Peckinpah classic, Junior Bonner. Even those that don't endure develop wellsprings of character they never thought they had. It's a good film and the ending shows something about character and friendship.