Adieu poulet

Typical of what French novelist Raf Vallet wrote, see for instance MORT D'UN POURRI, the George Lautner's film also adpted from a Raf Vallet - Jean Laborde - 's book. Another very searing picture, "attack" against politicians in general, all stories involving rotten politicians ready to anything to achieve their goals. Even the nastier things. Here, you may expect the duo Lino Ventura and Patrick Dewaere, and yoou have it, but maybe not the way you hoped it to be. Patrick Dewaere was still "uploading" in his career, he was not yet the star he will become several years later, his role here would have been the same with any actor instead of him. He lacks his "true" personality, here. But his character is good, the face to face between two generations. But I repeat, any actor would have done the same. The same cast: Ventura and Dewaere in the early eighties, would have been terrific, because in this period, the latest had grown up in the meanwhile. Claude Brosset is terrific here as the villain, he partly steals the show. He co stars here Henri Lambert, another famous French villain whom I have always confounded with Brosset. Same kind of faces and supporting characters. Good entertaining political crime flick. Very strange and unexpected ending....

Cop movie was truly a big part of French cinema in the 60's and the 70's. And this one is true to the genre. Granier-Deferre is able to make us care for commissaire Vergeat, the cop who's ready to use unorthodox ways to catch the bad guy. But Vergeat's way of doing things gets him into trouble. He's got to play politics. Ah! poor Vergeat!

One last thing: Lino Ventura does a terrific job playing the commissaire.

Out of 100, I give Adieu Poulet 82. That's good for *** out of ****.

Seen at home, in Toronto, on September 11th, 2002.

This neo French Noir explores an usual matters where a crime clash against the powerful politician establishment, Lino Venture defying this corrupt system helped by a crazy partner at Paris, as they say "Starts a dream" this forgotten gem from the mid-seventies has a strong persona of the incorruptible cop the Commissioner Verjeat, when expose a politician at public space by vengeance over a death of a policemen from his department, aftermaths he is "promoted" by another precinct, actually it came front above, trying throw off the menace, aside Ventura a true French institution on a his apogee, has another highlight on movie his partner the odd Inspector Lefrevre (Patrick Dewaere) a sort of opposite of Verjeat, fabulous unknown Noir picture from Pierre Granier-Deferre, underrated!!!

Resume:

First watch: 2020 / How many: 2'/ Source: DVD / Rating: 8.5

In 1970 Jean Gabin, ranked 18th in the list of 'Greatest Frenchmen', appeared in 'La Horse', a lamentable opus by Pierre Granier-Deferre which even Gabin's presence could not save. A considerable improvement is this later film from the same director which stars Lino Ventura, who was destined to assume Gabin's mantle and is ranked 23rd.

Ventura plays Commissaire Verjeat, an avenging angel in true Dirty Harry mode whilst the inspired casting of Patrick Dewaere as his hot-headed assistant provides another fascinating variant on the tried and trusted filmic formula of established versus rising star. As well as possessing that indefinable something extra, both actors complement each other perfectly whilst the other side of the coin is represented by the morally vacuous characters that are played by Victor Lanoux, Claude Rich and Julien Guiomar.

This is one of the films generally credited with helping to establish the sub-genre known as 'neo-polar' which is characterised by punchy dialogue, taut editing, high body count, maximum machismo and minimal femininity. The basic subject matter is redeemed however by the typically French emphasis on character rather than plot.

Although 'La Horse' is pretty awful one must acknowledge the excellence of this director's other collaboration with Gabin, 'Le Chat'. The brilliant Dewaere went from strength to strength before his tragically early demise. Ventura is, as always, great value in this but to suggest, as one critic has done, that this film represents 'arguably his finest hour' is frankly, absolute nonsense, as this would mean overlooking 'L 'Armée des Ombres', 'Cadaveri eccelenti' and 'Garde a Vue'.

I saw this French cop/buddy film when it originally ran in New York City for a limited time. I still remember the basics. Lino Ventura was sensational as usual, his sardonic, mistrusting self, and Dewaere was great as his partner. They made an enjoyable team, something I can't say for most cop/buddy films. Dewaere took his own life just a few years later, a very sad finale for an excellent actor. I'd love to see this film again but it has never surfaced on tape or disc and never airs on TV. But no worries, with satellite, I have an endless pile of worthless crap movies to surf through while good films like this languish in a vault, forgotten.