Le désir et la corruption

Hello everyone, I know from searching the internet high and low both in the US and Europe that this film is very hard to find . Recently I was able to watch it in great quality with good sound from NetFlix . It's available at NetFlix as instant watching . No idea how they were able to source out a decent copy but they did . The film itself is a great reminder of times past especially if your in your 40's and you all know who you are :) The fashion, cars and constant cigarette smoking takes you all back . Btw I had to give it a 10 because I grew up in Austria . Hello everyone, I know from searching the internet high and low both in the US and Europe that this film is very hard to find . Recently I was able to watch it in great quality with good sound from NetFlix . It's available at NetFlix as instant watching . No idea how they were able to source out a decent copy but they did . The film itself is a great reminder of times past especially if your in your 40's and you all know who you are :) The fashion, cars and constant cigarette smoking takes you all back . Btw I had to give it a 10 because I grew up in Austria . Cheers !

It's really unbelievable, how Ivan Passer, director, who has proved his talent several times, could shoot so stupid movie and waste talents of the actors, composer as well as the writer of the original story. This film is a true example of how to mess up just ANYTHING that could have been done wrong on a film. Story is being told in a way that even a horror enthusiast kid would not believe any single situation. Actors are playing so poorly, that I was asking thousand times how the hell could any director let these particular actors act so bad. Don't waste even a single minute watching this stupid caricature of a feature film. What a shame for the director!

The ambiguity is the main virtue and sin of this film remarkable first for actors. The term film seems too much. In essence, it is a collection of scenes. Different genres, from thriller to dark comedy or horror , it works for large portions of cruel unrealism. In same measure, it reminds many other films. Short, just nice.

Although the film has many weak moments and the Bottoms character is obviously there only to fill some time (the dreadfully long driving and bedroom sequences), it has many curious elements.

The first part, right until Bottoms appears, is fast-paced and intriguing, with immoral and unpredictable characters that one can't help but be interested in.

The second part, although slacking the pace, turns into a surreal baroque fairytale with dark barons, killing masseuses, knights in armor and people being shot from cannons. The entire film is bathing in happy-go-lucky immorality that feels refreshing most of the time. Not the worst way to spend an evening.

'Ace Up My Sleeve' - or as it sometimes known, 'Crime and Punishment' - this Ivan Passer thriller stars Omar Sharif as man in financial strife who encourages his mistress to marry an elderly millionaire with the hopes of a lucrative divorce settlement, but the upper hand that the lovers think they have is not as it seems. The first fifteen minutes or so of the movie are quite enticing with Sharif and lead actress Karen Black getting into intimate plotting while their target, unbeknownst to them, watches on hidden cameras from afar. Starting with a bizarre, borderline comical patisserie scene, however, in which Black gluttonously overeats (to make herself more attractive to the old man who likes full-bodied women), the plot soon derails and manages to inject relatively little sense of danger and paranoia in the air later on even after Black discovers that the old man has killed every ex- wife who left him and as Sharif finds attempts on his own life. The role that Joseph Bottoms has in the film is also downright weird, becoming a third love interest for Black in a subplot that only seems to exist to suggest that Black is less honorable than Sharif first thought. Even if the story does not quite add up, Passer films the material so thoughtfully that it is a hard movie to overlook. One of the best touches is how Sharif's face is totally obscured by shadows as he watches the bride and groom cut the cake; there are also some remarkable shots that literally slide down a ski slope. Vangelis additionally provides yet another memorable composition that appropriately adds much tension at several key points.