Adiós Amigo

i found this movie for a very cheap price and thought,how bad could it be.right off,i could tell the budget was next to nothing.at least it felt that way.it is supposed to be comedy,but from what i watched,it was not funny at all.i also noticed that the same manufacturer and distributer were also behind "Dan Candy's Law".i think the production values are better on this film.at least the movement of the lips and the words matched,unlike "Dan Candy's Law"but i also thought the acting wasn't very good.Richard Pryor and Fred Williamson are the main characters,co the movie should have been funny,but to me it was not.i might try and watch it some other time,and maybe i will have a different opinion.but for right now,i didn't like it.

This is basically a series of vignettes with escaped prisoner Fred Williamson following conman/bandit Richard Pryor across the old west (Why?) and becoming the foil of Pryor's comedic schemes, after which he always takes off, leaving Williamson holding the bag.

Though not really funny in a laugh-out-loud kind of way, it's all pretty laid back and easygoing, with Williamson and Pryor fairly likable, making this entertaining for awhile.

About halfway through though, it starts to get a bit tedious, with a "plot" that's way too fluid and a budget that's too low to make this something I'd recommend to people who aren't already huge fans of the two stars.

The worse things about this are the repetitive use of the corny funk theme song and the fact that the legendary vocal group The Ink Spots make an appearance but aren't given a chance to sing.

Adios Amigo is one of Fred Williamson 's greatest misses. He is credited for writing, directing, producing and starring in this, so I would hold him most responsible for this abomination. This is a rare opportunity for him to team up with comedic genius Richard Pryor. I know this was low budget, but I fail to see if any of the money spent ended up on the screen. The film is a technical mess and was shot so poorly, it's hard to tell at times what is going on. There is zero chemistry between Fred Williamson and Richard Pryor. Basically, Richard Pryor is a con man and when his schemes go awry , Williamson has to step up to the plate and beat up a bunch of dudes in Pryor 's behalf. The film plays out in the same predictable fashion, until it ends. Nothing Pryor does here is funny and nothing Fred does on screen helps matters. The screenplay is 12 pages long and it shows. Fred's direction is atrocious and really fails to make much sense. Had I been entertained, I would not have minded. The film as a whole falls apart and falls flat. This has been on several dump bin cheapie DVD boxsets( The 50 movies for $5 variety). But don't be deceived, Adios Amigo is basically unwatchable and one of the stinkiest of cinematic turds that is out there.

Written, directed, and starring... Fred Williamson. That's never a good sign, when the same person does everything! He's Big Ben. Co-stars Richard Pryor as Sam Spade. This one also has veteran western actor James Brown. The white guy... not the singer. Ben and Spade get into various, crazy, adventures. Robbing the stagecoaches, starting trouble. It's a much later western, from 1975, filmed in new mexico, according to imdb. It's just silly. Almost blaxploitation, about the same time as all the foxy Cleopatra Jones films were being made. Entertaining. It's showing on (free) roku channel. No biggie. I usually like Pryor, but this one is just long. And boring. Should have hired someone to juice up the script. Skip it.

The ever-solid and charming Fred "the Hammer" Williamson stars as a rugged itinerant gunslinger who becomes the reluctant constant patsy for slick'n'shrewd con man Richard Pryor. The crafty duo experience a series of goofy misadventures in the Old West in this amiably inane and inconsequential piece of low-budget blaxploitation sagebrush fluff. Competently directed by Williamson (who also wrote the slight, but witty script), the rambling narrative saunters along at a pleasingly relaxed rate, the tone remains pleasant and playful throughout, and there's a winningly breezy'n'easy chemistry between the two leads, with Williamson engagingly playing the long-suffering straight man to Pryor's smartaleck joker. Moreover, Williamson stages the expected rough'n'tumble fisticuffs, heated shoot-outs, a daring jailbreak and frantic horseback chase sequences with a reasonable amount of skill and brio. Popping up in nifty supporting parts are Thalmus ("Blacula," "Cool Breeze") Rasulala as a rascally old coot with two hot daughters and former Tarzan Mike Henry as a dumb, ornery cuss. Both Luchi ("Friday Foster") De Jesus' cool soulful score and especially the funky R&B theme song really hit the groovy spot. Granted, "Blazing Saddles" this picture sure ain't, but it's a satisfyingly lightweight and good-natured diversion just the same.