Survivors

This series was first shown on peak-time on Sundays on B.B.C. 1 (the prime channel) and regularly attracted audiences in millions including a precocious ten year old (me!) and his siblings. The reason was simple: it was the best adult oriented S.F. drama series the B.B.C. had ever made. They have never made anything better since. And it was very powerful, very realistic, completely believable, terrifyingly accurate and very scary on a psychological "what if?" level. Characters behaved in the way that people behave in real crises (such as civil wars) when the veneer of civilisation falls away: some try to grab power, some become natural leaders, some want to be led, others give up in despair and kill themselves. The series didn't flinch from showing all that or sugar coat the pill - and was much the better for it. The B.B.C. had the pick of the best T.V. and stage character actors around to cast it, plots never plumbed the depths of cliche, stories and themes were rarely if ever neatly resolved. It made a huge impact on the British national consciousness: episodes were being talked about in offices, factories and school playgrounds for days afterwards. If you consider that it was broadcast before anyone had ever heard of A.I.D.S., H.I.V., B.S.E., C.J.D. or G.M.O.s then I think it fair to say it was way ahead of it's time. And, sadly, like a lot of the finest T.V. produce of the B.B.C. and independent T.V. in Britain of the 1970s and 1980s - nowhere is it available on video.

The iconic opening sequence of this wonderful show was something I have never forgotten and, unlike many other series from this period, I actually have the three season box set on DVD and have watched it recently and - barring a few obvious age related issues - can confirm it is as good as it initially seemed back in 1975.

The post-apocalyptic mood is brilliantly captured and although the plot and stories do dip after Terry Nation gave up full control of the project, the sense of loss and foreboding is superbly carried forward.

The absence of one of Series 1 leading characters in series 2 and 3 is managed to reasonable effect although it is obvious the writers would have preferred to have carried on from where Season 1 left off. The attempts to shoehorn the missing person's back into the show from time to time is an obvious issue. Also, there are some plot lines that don't entirely work but 'Survivors' is really about characterisation and how you relate to these people in this world. Barely an episode goes by when the viewer doesn't wonder what they would do if it were them in the situation and this adds to the feeling of belonging and care for the survivors - it also adds to the sense of fear and desperation for the viewer.

As you'd expect, the age of the show does leave some reservations and some of the stories would never make the cut now - undoubtedly it is dated, of course - but it also has to be said that the slow pace and different requirements of mid-70's TV actually enhance some aspects with regard to tension and plot building. When they tried to recreate and update the show later, the increased pace and need to make sure something was happening all the time detracted from the atmosphere and understanding of the characters. In the original, you care about the people and what happens to them. There is never any point you don't believe in this post-apocalyptic world and this is the show's strength.

Some detractors have mentioned specific story lines where people don't behave as we'd expect them to do with second decade 21st Century glasses on. This is difficult to argue but, like listening to an old record from the same time, it is a pointless exercise to bemoan the different production values or to miss a modern trope. This is of its time, of course, but it shouldn't detract from the project. Don't forget, when they tried to remake it and modernise it, it was truly awful.

For anyone with an appreciation of classic TV and good story-telling this is highly recommended.

This speculative drama starts each episode with one of the greatest title sequence ever devised for television : A Chinese scientist accidentally drops a glass tube . Cut to the scientist collapse at an airport where planes are arriving then taking off again then the camera focuses on passports of Moscow , Madrid , Madrid , Paris and London being stamped as the picture dissolves . It doesn`t sound very exciting and it`s probably not but it is very very effective because it`s so simple . The whole premise of the series and its consequences of a lab borne virus escaping and being carried around the world sums up what has happened to humanity - the survivors - in the opening credits . Not a lot of programmes do that . And credit too for Anthony Isaacs title music which is understated , bleak and haunting

Written by Terry Nation the first couple of episodes introduce us to the main characters of Abby Grant , Jenny Richards and Greg Preston , three people who have survived a superflu like virus that has wiped out 99 % of the world`s population . The trio meet more characters on their travels , not all of them good . One thing season one was good at was showing us that a worldwide calamity will not bring out the best in people and in some episodes like " Garland`s war " and " Something of value " that people may have to turn to violence if they want to survive at all . One outstanding episode " Law and order " centres around the premise of how will people deal with someone within in the group who harms another person in the sanctum

Unfortunately as soon as Nation left to create BLAKES 7 at the end of the first season he took many of his Wyndham / Christopher inspired ideas with him . Seasons two and three are far less interesting than the first . Charles Vaughn who wouldn`t be out of place on a hippy or Greenpeace commune becomes the central character and SURVIVORS becomes a sort of BBC post apocalypse rival of EMMERDALE FARM with the only episodes worth watching being " Lights of London " , " Mad dog " and the absolutely outstanding " Last laugh "

All in all a fairly good mature intelligent drama series but it should have been an unforgettable masterpiece from the golden age of British television. And if only Terry Nation had been given more control I`m certain it would have been . So if you`re going to watch SURVIVORS make sure you watch the whole of the first season and the episodes I mentioned above . Ignore the rest

While apocalyptic tv shows like The Walking Dead and Z Nation are the vogue today, this show (remade in the 2000's) is absolutely terrifying because this could really happen. When a virus is accidentally released, it spreads world wide quickly and 90 percent of humanity is killed off. The survivors take one a few different ideas; banding together and attempting to recreate a civilization, becoming raiders on others, or simply dying off. A really brilliant and terrifying show.

A plague wipes out 99-point-something percent of the human race and the survivors have to start again from scratch. The quality of the episodes varies but for me it was never less than good and I'd really put the best ones up there with 'I, Claudius' and the original 'Upstairs Downstairs' at the very peak of classic British TV drama - most notably an episode from the first series revolving around capital punishment and one from the third that's like a cross between a western, a horror movie, The 39 Steps and a Breughel winterscape, with philosophical interludes.

It does have flaws. Some interesting characters are written out too soon, and series stars left without their characters being written out, leading to that unsatisfactory situation I remember from other 70s shows where there are rumours of sightings of them and hints that they may return eventually.

Personally I liked that there was a mix of different types of stories, from adventure to character clash to ideas-based to ones based around technical ingenuity and the resolution of simple problems of coping without infrastructure, even that in the second series there were episodes or portions thereof that were almost idyllic where the major conflict was competing visions of the future. Most of the core characters were middle-class, old-school British, optimists, can-do types, planners, builders, and their belief that they could pull things together again, determination to make the best of things, even excitement at the chance for a fresh start helped make things bearable. But there's plenty of tension, menace, challenge, it's downright harrowing at times, and the deprivations the survivors undergo are a salutary lesson in not taking for granted all the things you tend to. I remember the relish with which I ate an egg after watching an episode where they're an incredible luxury.

If you like (surely the wrong word) John Wyndham's apocalypses or are fascinated by Robinson Crusoe daydreams of 'What would I do if...?' this is especially for you. Avoid the remake like the plague.