Phyllis

Though the show obviously needed help with more creative plots and had too many 70's sitcom rejects, it did have some funny moments, and with recasting, could have had a nice run. Barbara Colby as (Julie Erskine), and Liz Torres as (Julie Erskine)were not funny and their character was unneeded. Phyllis' "generation gap" conversations with her daughter Bess (Lisa Geristien)were predictable and dry. The main reason I think Lisa Geristien was still on the Phyllis show was for consistent transition form the Mary Tyler Moore show. Her character was pointless. The real entertainment came with the dialogue between Phyllis (Cloris Leachman) and "Mother" Dexter. The caustic wit of "Mother Dexter" as she poked fun of Phyllis' troubled life was hysterical. Further, the dialogue between Judge Dexter (Henry Jones) and Audry Dexter (Jane Rose) as they tried to understand the antics of their "well meaning" but confused daughter-in-law Phyllis, was also extremely funny. Judge Dexter's stuffy monotone, yet patient voice countered nicely against Phyllis'scatter brained personality, thus highlighting Phyllis' bizarre logic.

Overall, the show did have potential, if they had just thinned out the cast and had more creative plots. It was funny though.

The sitcom Phyllis had some good moments and some good episodes but I found it odd that on Mary Tyler Moore Show we heard Phyllis joke about her never seen husband Lars and his family being Norwegian immigrants who spoke with heavy accents yet on this spin-off the Lindstroms were not immigrants and had no foreign sounding accents!

This was a funny spin off, not the best ever, but certainly memorable, and enjoyable. (The theme-song sequence is one of the best in TV history.) The show allowed the wonderful Cloris Leachman to really flesh out the Phyllis Lindstrom character. Unfortunately, despite good ratings, the show was canceled just when it was blossoming.

Phylllis was the flip side of Mary Richards. She didn't so much embrace her liberation as slip on it like a banana peel. In many ways her character and this show were precursors of the dysfunctional survivor school of situation comedy. Marge Simpson, Peg Bundy, Malcolm's mom, Lois, and many others owe a little tip of the hat to Cloris Leachman's put-upon Phyllis.

The character of Phyllis was not originally designed to be a leading role; rather she was a self-centered, opinionated, overbearing cameo character of sorts to add a zany counter to the tranquil Mary Richards. She was silly, but not really likable. Once the character had to stand on her own, she had to be toned down and made more appealing, thus losing the truly funny quality she added to the Mary Tyler Moore Show.

With the exception of Mother Dexter, her supporting characters did not do the necessary job of balancing the character of Phyllis, and the show often looked strained and weak. The show seemed to mirror the character of Phyllis in that it did not seem to know where it was going or what to do with itself after the pilot episode. The 'wacky' photography studio was dropped for the dull politician's office thereby dooming the show to current political topics and satire - but without the proper characters to pull it off. Nothing felt right and the second season was worse than the first.

I so wish Phyllis had stayed in Minneapolis!

Sure, this series didn't showcase Cloris Leachman's talents to any great extent. Sure, the comedy was more than often silly. Sure, the cast changes at the start of season 2 LOOKED like the desperate attempt that it really was to keep fresh story ideas alive. Sure, Jane Rose's performance was the equivalent of finger-nails on a chalk board. Sure, the character of Phyllis was extremely watered down after the pilot.

But for Mother Dexter alone, I'd have to disagree with the opinion that it's "unwatchable." ...And whatever happened to Lisa Gerritsen anyhow??