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IMDbPro

Au fil des jours

Titre original : One Day at a Time
  • Série télévisée
  • 1975–1984
  • TV-PG
  • 30min
NOTE IMDb
6,6/10
5,6 k
MA NOTE
POPULARITÉ
3 477
893
Valerie Bertinelli, Bonnie Franklin, Pat Harrington Jr., and Mackenzie Phillips in Au fil des jours (1975)
Trailer 1
Lire trailer1:01
2 Videos
85 photos
sitcomComédie

Les mésaventures d'une mère divorcée, de sa famille et de leur concierge à Indianapolis.Les mésaventures d'une mère divorcée, de sa famille et de leur concierge à Indianapolis.Les mésaventures d'une mère divorcée, de sa famille et de leur concierge à Indianapolis.

  • Création
    • Whitney Blake
    • Norman Lear
    • Allan Manings
  • Casting principal
    • Bonnie Franklin
    • Pat Harrington Jr.
    • Valerie Bertinelli
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    5,6 k
    MA NOTE
    POPULARITÉ
    3 477
    893
    • Création
      • Whitney Blake
      • Norman Lear
      • Allan Manings
    • Casting principal
      • Bonnie Franklin
      • Pat Harrington Jr.
      • Valerie Bertinelli
    • 36avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 2 Primetime Emmys
      • 5 victoires et 19 nominations au total

    Épisodes209

    Parcourir les épisodes
    HautLes mieux notés

    Vidéos2

    Funny Women of Television
    Video 3:41
    Funny Women of Television
    One Day at a Time
    Trailer 1:01
    One Day at a Time
    One Day at a Time
    Trailer 1:01
    One Day at a Time

    Photos85

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 79
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    Rôles principaux99+

    Modifier
    Bonnie Franklin
    Bonnie Franklin
    • Ann Romano…
    • 1975–1984
    Pat Harrington Jr.
    Pat Harrington Jr.
    • Dwayne F. Schneider
    • 1975–1984
    Valerie Bertinelli
    Valerie Bertinelli
    • Barbara Cooper…
    • 1975–1984
    Mackenzie Phillips
    Mackenzie Phillips
    • Julie Cooper…
    • 1975–1984
    Glenn Scarpelli
    Glenn Scarpelli
    • Alex Handris
    • 1980–1983
    Michael Lembeck
    Michael Lembeck
    • Max Horvath
    • 1979–1984
    Boyd Gaines
    Boyd Gaines
    • Mark Royer
    • 1981–1984
    Nanette Fabray
    Nanette Fabray
    • Grandma Katherine Romano
    • 1979–1984
    Shelley Fabares
    Shelley Fabares
    • Francine Webster
    • 1978–1984
    Richard Masur
    Richard Masur
    • David Kane
    • 1975–1981
    Ron Rifkin
    Ron Rifkin
    • Nick Handris
    • 1980–1981
    Mary Louise Wilson
    Mary Louise Wilson
    • Ginny Wrobliki
    • 1976–1977
    Howard Hesseman
    Howard Hesseman
    • Sam Royer
    • 1982–1984
    John Putch
    John Putch
    • Bob Morton
    • 1976–1983
    Joseph Campanella
    Joseph Campanella
    • Ed Cooper
    • 1976–1982
    Charles Siebert
    Charles Siebert
    • Jerry Davenport
    • 1977–1979
    Scott Colomby
    Scott Colomby
    • Cliff Randall
    • 1977–1978
    Howard Morton
    • Hal Butterfield…
    • 1976–1983
    • Création
      • Whitney Blake
      • Norman Lear
      • Allan Manings
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    6,65.5K
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    Avis à la une

    Sargebri

    And They Didn't Call Him Super For Nothing

    This was one of my favorite shows, at least for the first few seasons that it was on. This was one of the first shows that dealt with divorce and more importantly how it effects the children. Bonnie Franklin did a wonderful job as Ann and Mackenzie Phillips and Valerie Bertinelli were great as Julie and Barbara respectively. However, the character that really made the show was immortal Dwayne F. Schneider played by Pat Harrington. He brought a wonderful sense of humor to offset the more serious moments of the show. However complaint I do have a few complaints about the show. One is that I think that once Julie was written out of the show it should have ended there. Another is that like so many other shows that struggled for ratings, they fell into the trap of bringing on the cute kid character in the form of Alex. Also, if Ann was truly trying to be the modern independent woman, why did she wind up getting married towards the end of the show?
    MattieEarp

    Bonnie Franklin is just a horrible actress

    I use to watch this when it was on TV. Recently its back on LOGO so I have been catching up on it. I forgot had bad Bonnie Franklin was in this show! Valerie Bertinelli was the reason I watched this show back when it was on she is still good in this show. They should have replaced the Bonnie Franklin with someone else.
    kaila1949

    Great show at the beginning - got old when the daughters did

    This is one of my all-time favorites except for the last couple of seasons. The early years were great, funny, insightful, and pretty original. Ann dealt with some pretty heavy problems with her kids, found work she liked, and became an old pro at the dating game. It was neat to watch the character mature along with her daughters.

    However, like a lot of shows with children/teenagers, they had to come up with a way to keep things going after the kids had grown too old for the story lines. In this case, they brought in a little boy with a pretty contrived plot line to be the new "son". It didn't work well.
    6zionadams

    Mixed Bag...Groundbreaking

    Even as a kid, I knew that I was watching something that had never been done before. It made me want to watch it more, if only to see my mother that uncomfortable with the messages conveyed; messages about birth control, the ERA, per-marital sex....can you see where I'm going here? Ann Romano was the divorced mother of two girls, one a potential beauty queen, one not so cute (but you got the idea that was her choice somehow). The chaos in their eyes was, we now know, genuine. The actors were in as much a state of flux as our nation. Women were emerging as independent beings who didn't need a man to make their way in the world. The entire sit-com was played out, probably 90%, in the Romano living room. I think they wore the same 5-6 outfits through-out the entire show. The mostly absent father was played as a philandering, abusive, schmuck and largely only used as a way to man-bash. The maintenance man, Schneider, made phallic gestures with his ever present hammer and was never really fleshed out as a character but at the end of the run he was suddenly more evolved and flirted around with Anne...never made any sense to me at all. I loved the complicated teenage angst, as I was approaching that age myself, and the questions that as a young girl I never realized I was even entitled to ask. It was the 1970's and women were cutting their hair, burning their bras, tossing their inhibitions to the wind...but at my military family household you would never have known it was happening. If I have one criticism of this show, and it's been a 'thing' with me for 30 years, it's the physical language used in the portrayal of Anne by Bonnie Franklin...I never understood her intense anger. She wasn't just driven to make it on her own, you got the idea she was capable of violence if her rights were challenged. It might have been because she was petite but her chin always seemed to be up and stuck way forward...unnauturally posed so that you could actually see her neck rather than her face, and during those shots she was typically photographed from the side...you'd never have seen her face-on otherwise...it was truly 'in your face' and she'd effect that pose while grinning...it was almost maniacal. Again, the actress and the character were both up against a wall. The show had it's critics but refused to back down. A lot was on the line and everyone was watching. There were moments where she seemed less frantic, less controlling, and had touching moments with her daughters...but they were few and far between. By far, the daughters were the central characters, especially Mackenzie Phillips character, Julie. She was too tall, too thin, had acne and was a perpetual wreck...she embodied the way a lot of teen girls felt back then. Everyone wanted to be Barbara; organized, clean, funny, beautiful. A lot went on in that living room!
    6SnoopyStyle

    struggles to go beyond the lead three

    Ann Romano (Bonnie Franklin) is newly liberated after divorcing her husband. For the first time, the 34 year old is in charge of her own life. She moves to Indianapolis with her rebellious daughter Julie Cooper (Mackenzie Phillips) and younger daughter Barbara Cooper (Valerie Bertinelli). The building has an intrusive super named Dwayne Schneider (Pat Harrington Jr.).

    The show struggles to find the extra characters. With Mackenzie Phillips' drug problem, the show really only could maintain three main characters for the entire run. Of the ancillary characters, I like Bob Morton the most. He is the classic clueless innocent and a great butt of the joke. He and Barbara running away to Chicago is probably my best memory of the show. David Kane is probably the easiest to incorporate but Ann's love life needs more drama than he could deliver. Eventually, she ends up with Alex and Nick Handris. For some reason, Nick is abandoned and she keeps Alex to give the show some youth energy. Francine is a good work foil although she could have connected with Schneider to give her more screen time. No matter who they tried, the show never fully incorporated these extra characters. For all the attempts, I'm always surprised that the show didn't try to incorporate Mackenzie Phillips' real life drug problem. One expects the dark subject matters from a Norman Lear show and this show has that. It just doesn't have Mackenzie's troubles. Maybe it cuts too close to home.

    Overall, I always find Ann too angry. It actually fits when she's fighting with Julie but whenever Julie leaves, Ann is simply angry. She needs a bit of Barbara in her role. Talking about Barbara, she isn't allowed to build on characters of her peers. She has Bob at first but she never has a long-term female best friend. It's not until Mark that she gets a partner. As for Max and Mark, they are great late show additions. They do need to stay closer to the apartment. It seems obvious that they could stay together in apartments next door. The characters need better connectivity. This is a show with the mission of showing the new world of the divorced mother. Despite the many potholes in the road, it achieves that over its nine seasons run.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the 1979-1980 season, Mackenzie Phillips was dealing with drug addiction. When she entered rehab in 1980, her character, Julie, married Max and moved to Houston. In the seventh season (1981-1982), Phillips returned as a guest for a two-part episode in which Julie and Max deal with marital problems. In the ninth and final season (1983-1984), Phillips collapsed on-set. Producer Patricia Fass Palmer asked Phillips for a urine test. Phillips told Palmer not to bother. Phillips was quietly fired, and Julie was permanently written out of the show.
    • Gaffes
      It's clear that the external shot of the the building where Ann Romano and her daughters live does not match up with interior set used during the series. The Spanish style windows do not match up with the windows shown inside the apartment, for example.
    • Citations

      Ann Romano Royer: That Was BVD.

      Ed Cooper, Julie's and Barbara's Father: BVD?

      Ann Romano Royer: Before Vicky, Darling.

    • Connexions
      Featured in The 34th Annual Primetime Emmy Awards (1982)

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    FAQ20

    • How many seasons does One Day at a Time have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 janvier 1988 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • One Day at a Time
    • Lieux de tournage
      • KTTV/Fox Television Center - 5746 W. Sunset Blvd., Hollywood, Los Angeles, Californie, États-Unis(studio 7)
    • Sociétés de production
      • Embassy Television
      • TAT Communications Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 30min
    • Couleur
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