Ajouter une intrigue dans votre languePalestinian guerrillas, Israeli commandos and an American colonel fight to keep a nuclear warhead mistakenly dropped in the Jordanian desert by a U.S. Air Force nuclear bomber.Palestinian guerrillas, Israeli commandos and an American colonel fight to keep a nuclear warhead mistakenly dropped in the Jordanian desert by a U.S. Air Force nuclear bomber.Palestinian guerrillas, Israeli commandos and an American colonel fight to keep a nuclear warhead mistakenly dropped in the Jordanian desert by a U.S. Air Force nuclear bomber.
- Réalisation
- Scénario
- Casting principal
David Smadar
- Malouf
- (as David Semadar)
Mordecai Arnon
- Pupik
- (as Pupik Arnon)
Ellyn Stern
- Shoshonna
- (as Ellen Stern)
Avis à la une
So, how does one describe this movie? Well, basically, it's one of those movies where there's this thing that does stuff and the guy needs to get the thing, but there is other stuff and things, so there's, like, a whole bunch of stuff, but it really doesn't amount to much of anything all that interesting. Too vague? How about this: remember the days when they showed old movies in the early hours of the morning for insomniacs instead of infomercials? Well, it's 2:00 AM and this movie comes on and you're sound asleep before 2:30 AM. How many times did I find myself sitting through movies like this at 3:00 AM when I was a kid? Countless, and that is why I kind of like garbage like this--it's like a sort of therapy. But, seriously, you have a nuclear weapon you need disarmed and the best you can do is dump a middle-aged guy in the middle of the desert in civilian gear with no food or water to disarm it? If that sounds dumb, it just keeps going downhill from there. It's a crap movie, but watchable for nostalgia's sake.
Workhorse David Janssen and talented veteran Karin Dor couldn't save this poorly directed and over-scripted B- movie. This was John O'Connor's first and last directorial effort, and was made after a 24 year hiatus from a largely uncredited acting career in B movies of the '40s and '50s. The film introduces cheese in the very first shot - a long pan across some portion of Jerusalem, with teleprompter type running across the bottom of the screen. The teleprompter tells us that an experimental nuclear missile prototype has been lost somewhere in the Jordanian desert. Next, we learn that a despicable terrorist has the missile and has used it to destroy a school bus full of children accompanied by an Israeli army officer (Dor). Following the destruction of the school bus, there is a lengthy, gratuitous shot of dead kids disbursed around the burning bus, mixed with flashbacks of the kids singing on the bus a few moments ago.
6/24/07: Fell asleep less than ten minutes into the film.
Dor is then attached to a military attempt to ferret out the terrorist and the CIA reaches out to munitions expert Janssen, on vacation in Israel, to locate, disarm the missile, and destroy the detonator. The Dodge Valiant-driving CIA agent who brings Janssen into the story has a monotone delivery straight out of B noir and the dialog between him and Jannsen is totally absurd.
6/25/07: Fell asleep.
There is very little to spoil, but I won't bother with the rest of the plot. Suffice to say that Janssen gets played like a ping-pong-ball bouncing from one Middle Eastern Stereotype to another while he tries to accomplish his mission. I finally got through Warhead by starting a little earlier, and still managed to doze off 2 or 3 times during the gun fights and other action scenes. Incidentally, the sound effects also deserve special mention for their profound mediocrity.
The film does not even succeed as a propaganda piece. All of the characters are stereotypes of one kind or another, and only Dor's character really warrants any sympathy. Janssen, an intense and very sensitive actor, really did not give this his best effort, and the pervasive misdirection offered him little help.
6/26/07: Stayed awake (for the most part), but slept like a baby afterward.
Not recommended.
6/24/07: Fell asleep less than ten minutes into the film.
Dor is then attached to a military attempt to ferret out the terrorist and the CIA reaches out to munitions expert Janssen, on vacation in Israel, to locate, disarm the missile, and destroy the detonator. The Dodge Valiant-driving CIA agent who brings Janssen into the story has a monotone delivery straight out of B noir and the dialog between him and Jannsen is totally absurd.
6/25/07: Fell asleep.
There is very little to spoil, but I won't bother with the rest of the plot. Suffice to say that Janssen gets played like a ping-pong-ball bouncing from one Middle Eastern Stereotype to another while he tries to accomplish his mission. I finally got through Warhead by starting a little earlier, and still managed to doze off 2 or 3 times during the gun fights and other action scenes. Incidentally, the sound effects also deserve special mention for their profound mediocrity.
The film does not even succeed as a propaganda piece. All of the characters are stereotypes of one kind or another, and only Dor's character really warrants any sympathy. Janssen, an intense and very sensitive actor, really did not give this his best effort, and the pervasive misdirection offered him little help.
6/26/07: Stayed awake (for the most part), but slept like a baby afterward.
Not recommended.
Every one would agree with the idea that this film, good or not, is no more than a modern western scheme, where Arabs are Apaches and Israelis the blue coats. Every part of this feature, if you remove the vehicles and replace it with horses, is a pure western. I found this movie exciting, but that doesn't mean that's a pure masterpiece, and I also understand that many people consider it as a pro Israeli topic. I was not bored and that's the most important to me. Even the climax in the desert fort evokes western more than ever. Good feature.
Though this movie was made nearly 30 years ago, its main theme is still very relevant with the current Arab-Israeli conflict in the Middle East. With the current threat of nuclear warfare in that region, the scenario in this movie could become a reality though we hope that will not happen. What made this movie especially delightful to me was the background music cues. For those of us who are "Rat Patrol" TV series fans, you will quickly recognize that the music used in this movie were taken from the recorded music cues from "The Rat Patrol", music composed by the outstanding TV composer Dominic Frontiere, even though his name is not credited in the end credits. Overall a good movie with plenty of action.
This is a film about the nearest, knowledgeable nuclear warhead expert (Janssen), on vacation in the Middle East, where such a bomb is accidentally parachuted. It doesn't detonate when it lands in the Syrian desert, slightly north of the border with Israel. Janssen is procured to deactivate it. A radical Arab group interrupts Janssen's mission and claims the weapon as theirs. But a force in pursuit of the Arabs adds further intrigue to the mix. Has Janssen been rescued or simply captured by another faction? Initially he's regarded suspiciously by the Arab-hunters. But, eventually, the contingent's leader - dying from wounds - declares that Janssen shall be his successor. With nothing great - but nothing really bad, either - the vote of 5 seemed appropriate for this.
Le saviez-vous
- AnecdotesFilmed for television in 1974 as "Prisoner In The Middle".
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Terroristes action
- Lieux de tournage
- Israël(location shooting)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $US (estimé)
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