NOTE IMDb
7,1/10
10 k
MA NOTE
70' : deux gais voyous et la copine qu'ils partagent s'en payent une tranche. On pique une bagnole, on fait la nique aux trop cons. En chemin on libère une frangine rousse de son dabe en DS,... Tout lire70' : deux gais voyous et la copine qu'ils partagent s'en payent une tranche. On pique une bagnole, on fait la nique aux trop cons. En chemin on libère une frangine rousse de son dabe en DS, et on lui titille tendrement l'abricot. Non mais sentez-moi ça ! [255]70' : deux gais voyous et la copine qu'ils partagent s'en payent une tranche. On pique une bagnole, on fait la nique aux trop cons. En chemin on libère une frangine rousse de son dabe en DS, et on lui titille tendrement l'abricot. Non mais sentez-moi ça ! [255]
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Avis à la une
A wonderful, free flowing, often lyrical film that whisks you along, ever smiling, even if there are truly shocking incidents along the way. One gasps at the way the women are treated and yet ultimately they seem to come through very well and it is much credit to all concerned that so many potentially disastrous scenes all work so very well. This is possibly Depardieu's best performance, certainly his most natural. Jeanne Moreau performs outstandingly in what must have been a very difficult role to play and including vigorous sex scenes with a couple of guys at least half her age. Miou-Miou is lovely throughout and again has very difficult scenes to play. Initially this seems a down and dirty misogynist rant/romp but as the tale and characters unfold a much more tender and honest picture emerges. In the end this uncompromising and daring film demands respect.
This is one a most famous movies of the French sexual empowerment of the seventies, starring Gerard Depardieu and Patrick Dewaere in extremely sarcastic roles. It is also one of the many dark psychological dramas of the seventies/eighties, such as "Serie Noire", "Buffet Froid", "Beau Pere", all realized by Blier.
However, I would like to correct the previous comment that was posted on the movie: the translated title in English is very far from the French version. It is true that both protagonists are "going places", but the title in French could be literally translated by "the waltz dancers", which is a metaphor for the movement of the testicles...
However, I would like to correct the previous comment that was posted on the movie: the translated title in English is very far from the French version. It is true that both protagonists are "going places", but the title in French could be literally translated by "the waltz dancers", which is a metaphor for the movement of the testicles...
I originally saw this film years ago during Cinemax Friday after dark series(back when the cable box was built like a keyboard),and it intrigued me. Even though there is a pointless aspect to the film it is well acted.The performances of Depardieu & Dewaere are very enjoyable.They have a good chemistry together & Miou-Miou makes a pink fur look breathtaking.A movie like this probably wouldn't be made in these politically correct times(at least not in the US), since it seems to sensationalize things like violence,robbery,& casual sex. This movie proves that with a talented cast & also talented directing a good movie is a good movie no matter the subject.It saddened me to find out Patrick Dewaere committed suicide & in the near future I,ll will check him out with Depardieu & Miou-Miou in Get Out Your Hankerchief.
Bertrand Blier is indeed l'enfant terrible of French cinema and in the seventies he always could shock the public. Filmed with his fave duo (Depardieu and Dewaere) and the usual dose of sex (Miou-Miou plays her typical role, at least the one from the seventies as little could we know that a decade later she would be the best French actress ever). In first "Les Valseuses" is also one of the first roadmovies as the viewer is just taken to some journeys of two little criminals. Those who only are satisfied with family life, or simply know nothing more, the movie would be quite a shocker but this movie is more than just that, it just let you think of all the usual things in life (working for the car, being bounded at work etc.). It's a sort of critic towards the hypocrite society we're living in. Great job and it just makes you wish two things : Dewaere died just too young as he was a topactor and of course Depardieu, he'd better should have stuck with French movies as he proves here that no one can beat him. Timeless classic and 20 years later it will still shock some...
Not so many people like the movies of Bertrand blier simply because they don't understand them. Simply because they are different kinds of people.
If you have not been living under a deep desperation intertwined with great personal hope it may be hard for you to enjoy the humor blier shown here.
And also the film of blier cannot be classified easily as black-comedy or cult etc. like those of pulp fiction etc. Because there is this delicacy which the audience of north-america frequently fail to appreciate.
When I looked at these two `hooligans' dining with Jeanne moreau in the seaside restaurant, I felt they were more gentil than any gentleman can have been.
The urge to make love wildly like these is the normal reaction we feel under the unbearable pressure of meaningless being-symbolized by the camion suddenly emerges at the Carrefour.
SO, les valseuses is much better a name than going places. To dance a valse you need to be elegant, but going places you don't.
If you have not been living under a deep desperation intertwined with great personal hope it may be hard for you to enjoy the humor blier shown here.
And also the film of blier cannot be classified easily as black-comedy or cult etc. like those of pulp fiction etc. Because there is this delicacy which the audience of north-america frequently fail to appreciate.
When I looked at these two `hooligans' dining with Jeanne moreau in the seaside restaurant, I felt they were more gentil than any gentleman can have been.
The urge to make love wildly like these is the normal reaction we feel under the unbearable pressure of meaningless being-symbolized by the camion suddenly emerges at the Carrefour.
SO, les valseuses is much better a name than going places. To dance a valse you need to be elegant, but going places you don't.
Le saviez-vous
- AnecdotesThe original French title is slang for "balls" (the testicular variety).
- GaffesToutes les informations contiennent des spoilers
- Versions alternativesDespite being already rated "18" the German version is heavily cut, removing the following scenes:
- The rape of "Ursula" and the fight/chase sequence with the locals afterwards.
- The fight with the vigilantes after meeting Marie-Ange.
- Between getting a new car from the mechanic and looking for a doctor there's a sequence missing when Marie-Ange has sex with the mechanic.
- Hitting and driving over the store detective.
- The theft of two bikes from a farmhouse.
- Jean-Claude having sex with Pierrot just before leaving the beach house (this is later referred to by Pierrot when he says: "You surprised me, you bastard!")
- A longer sex scene between Jeanne, Jean-Claude and Pierrot after she starts to get down on Pierrot.
- In-between cuts of Marie-Ange being "educated" by Jacques, while Jean-Claude and Pierrot wait and fish outside the farmhouse.
- Jacqueline being "educated" by Jean-Claude, Pierrot and Marie-Ange.
- ConnexionsFeatured in Un jour, un destin: Patrick Dewaere: Le dernier jour (2007)
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- How long is Going Places?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 771 540 $US
- Durée1 heure 58 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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