Top secret

I liked this one very much. Julie Andrews and Omar Sharif bring a very sober and realistic screenplay to life about real human beings involved/kept apart by the Cold War. I very much liked the Julie Andrews character who doesn't fear speaking about morality to a Communist likely to scoff, nor fear falling for that Communist with ehr eyes wide open, despite all the difficulties that would bring. Julie Andrews is just wonderful in this role - rather lonely, quite real, with warring feelings between head and heart about caring for someone who is dangerous to know - and in his work, dangerous to the Free World.

Omar Sharif is excellent - charming, quick-witted, falling for Andrews (and who wouldn't - she looks fantastic) despite himself, and finally making the life-changing decision to defect.

I can understand why some find the movie plodding - it certainly is by most spy movie standards. But it's trying to do something different - and admirably succeeding - one just feels the existence of the Iron Curtain here, and one feels the Andrews character making her point that at the heart of the Cold War are questions about the value to be given an individual human being by the state, the value of truth as capturing measurable facts, the value of allowing people to live by their own goals and values rather than those determined by the state.

And the over-arching question is an interesting one of emotional involvement despite world tensions.

You'll like its gradual unfolding - just don't look for James Bond.

It's been years since I saw this film so have forgotten many of the plot details, but this beautiful romance has lingered in my mind for three decades. It's a movie with everything...intriguing suspense thriller plot, beautiful exotic Caribbean setting, and especially of course the compelling love story of two sympathetic characters from opposite sides of the Cold War.

The tale begins with a British Home Office assistant, Judith Farrow, who has gone to Barbados to recover from a failed love affair. During her tropical holiday, she meets Feodore Sverdlov, a handsome Soviet air attaché in Paris. They visit the colorful island sights together and fall in love. This paradise romance is, however, complicated by their respective positions with governments on opposite sides of the Cold War. Thus, these two individuals of integrity are forced into deception (alleged spy recruiting) in order to disguise their relationship. Perhaps Sverdlov will even be inspired toward defection? Above all, their ill advised love can only spell danger.

For me, this movie is made memorable by its two stars, Julie Andrews and Omar Sharif. This is my absolute favorite Julie Andrews film. She is at her most radiant here portraying Judith, a beautiful, intelligent, lonely, vulnerable, yet quietly strong woman. She is quite magnificent in her role even without the usual musical aspects. Omar Sharif plays surely Russia's most magnetic, handsome, and compelling diplomat. His dark brown eyes alone would thaw the Cold War! It is absolutely believable that these two principled, intelligent individuals would fall in love. They are perfect on screen together, mature yet captivating.

The film reflects its era, with the dominance of Cold War issues the subject for most plots involving international intrigue. Here, however, the Russian star is refreshingly not the enemy or the villain of the piece, but rather instead its romantic, noble, and conflicted hero. The pair reveal their own moral views, sometimes contrary to their country's official positions. Julie Andrews appeared earlier in Torn Curtain, the 1966 Hitchcock Cold War thriller which also starred Paul Newman, but I much preferred this movie since it focuses more on character portrayal and romance.

No, not a James Bond action adventure or a spy thriller really, more rather an exotic and dangerous romance with some intricate, suspenseful plot details. A high recommendation for this wonderful old fashioned movie...a perfectly cast, touching & intelligent jewel, and a film which unfortunately appears to be little known these days.

Omar Sharif is the best part of this movie, he has the most charming and interesting lines, he is great as Fyodor.

If you ever get lost during the film, his character will put you at ease.

The film reminded me of Rosebud, a film Peter O'Toole did about embassies, spies, and strange liaisons.

If you're wondering about the title, the tamarind seed is of importance to the Julie Andrew character when she and Omar are vacationing on the same island. The seed is very rare and it is a symbol of possibilities in my opinion. There's a lot of talk about ideologies, political games, conscience, and which side you're on.

It's worth watching this movie to learn some interesting things, most of the intrigue and pleasure comes from Omar's performance.

I'm a huge Julie Andrews fan, which was why I saw this movie. I now understand spy storylines much better than I did when I watched it, so if I saw it again, I may be able to actually follow the plot. It does drag, which is always a pet pieve of mine, but the romance between Julie and Omar Sharrif is the heart of the film and lets you see that the Cold War was between governments, not necessarily people. The ending makes up for almost everything else, as most good endings tend to do, and it was just what the characters and audience wanted. If you want a lot of action, this may not be the right movie, but if you want a romance masquerading as a spy thriller, this is your film.

Worked as a Doorman at The Rivoli Cinema in Sydney in 1974. Lovely conversion from an intimate live venue, but unfortunately, never found an audience. Fond memories of "The Tamarind Seed" as the most successful movie to play at this lovely theatre. Originally played on the Hoyt's circuit at the Embassy Theatre, and transferred to our (Independant) Rivoli (capacity approx. 400 seats)for a very healthy 6 week season. The only movie I recall playing to capacity audiences of a Friday & Saturday evening. Recently acquired a (beautiful) copy on DVD at a truly bargain price, and was pleased that the suspense and story-line held up so well after 30 years. Yes, the fashions are laughable, but we make allowances for our favourite films of the 30's,40's,50's and 60's, so why do we judge so many classic films of the 70's & 80's by the fashions of the time A thoroughly enjoyable espionage thriller, a brilliant cast, and all under the direction of the superb Blake Edwards, begs the question as to why this film is so over-looked and forgotten?