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Ajouter une intrigue dans votre langueA college journalist infiltrates the campus' cheerleading squad to write an piece on female exploitation, but instead makes unlikely friendships and uncovers a conspiracy involving the footb... Tout lireA college journalist infiltrates the campus' cheerleading squad to write an piece on female exploitation, but instead makes unlikely friendships and uncovers a conspiracy involving the football team's coach.A college journalist infiltrates the campus' cheerleading squad to write an piece on female exploitation, but instead makes unlikely friendships and uncovers a conspiracy involving the football team's coach.
Cheryl Smith
- Andrea
- (as Rainbeaux Smith)
George D. Wallace
- Mr. Putnam
- (as George Wallace)
Avis à la une
In order to write an expose on how cheer-leading demeans women, a reporter for a college newspaper (Jo Johnston in her only role) infiltrates the cheer-leading squad.
By 1974, Jack Hill was looking to escape being typecast as a "blaxploitation director" after making "Coffy" and "Foxy Brown" for AIP. They were pleased by the success and gave him a script called "Rape Squad", which he turned down. This film was given to him with financing attached, although he was only given a title and had to develop the script from scratch (with help from David Kidd, who ironically also re-wrote "Rape Squad").
According to co-writer / director Hill, the film had a 12-day shoot, which meant every inch of film shot ended up in the final product. They started work on the script at the end of January 1974 and the movie was in theaters by May (at other times he says February and June, but the idea remains the same). The original title of the script was "Stand Up and Holler" so actresses would not think the film was about cheerleaders.
I do love Jack Hill, and the fact he is called an "exploitation auteur" really sums him up. But this has to be one of his few misfires. The primary plot of the undercover cheerleader is not very interesting, though the booking subplot makes up for it to a point. You might expect this to be nothing more than an excuse for cheerleaders to get naked, but even in that department it is arguably tame compared to many 80s comedies. This more or less amounts to a cheesy made-for-TV movie that probably was never shown on TV.
Arrow Video offers up a deluxe 2k restored blu-ray of the film. While the movie itself is not great (sorry), the Arrow Video version is worth picking up simply for all the extras, because it's always good when we have Jack Hill doing new interviews and providing new commentary. If he hasn't already, he really ought to write a memoir, because he is full of stories about Roger Corman, Francis Ford Coppola and many others. (The disc also has a 2006 archive interview with DP Alfred Taylor, archive interview with Johnny Legend, and a Q&A with Hill, Colleen Camp and Rosanne Katon recorded at the New Beverly Cinema in 2012.)
By 1974, Jack Hill was looking to escape being typecast as a "blaxploitation director" after making "Coffy" and "Foxy Brown" for AIP. They were pleased by the success and gave him a script called "Rape Squad", which he turned down. This film was given to him with financing attached, although he was only given a title and had to develop the script from scratch (with help from David Kidd, who ironically also re-wrote "Rape Squad").
According to co-writer / director Hill, the film had a 12-day shoot, which meant every inch of film shot ended up in the final product. They started work on the script at the end of January 1974 and the movie was in theaters by May (at other times he says February and June, but the idea remains the same). The original title of the script was "Stand Up and Holler" so actresses would not think the film was about cheerleaders.
I do love Jack Hill, and the fact he is called an "exploitation auteur" really sums him up. But this has to be one of his few misfires. The primary plot of the undercover cheerleader is not very interesting, though the booking subplot makes up for it to a point. You might expect this to be nothing more than an excuse for cheerleaders to get naked, but even in that department it is arguably tame compared to many 80s comedies. This more or less amounts to a cheesy made-for-TV movie that probably was never shown on TV.
Arrow Video offers up a deluxe 2k restored blu-ray of the film. While the movie itself is not great (sorry), the Arrow Video version is worth picking up simply for all the extras, because it's always good when we have Jack Hill doing new interviews and providing new commentary. If he hasn't already, he really ought to write a memoir, because he is full of stories about Roger Corman, Francis Ford Coppola and many others. (The disc also has a 2006 archive interview with DP Alfred Taylor, archive interview with Johnny Legend, and a Q&A with Hill, Colleen Camp and Rosanne Katon recorded at the New Beverly Cinema in 2012.)
A feminist reporter (Jo Johnston) who wants to write an exposé on how cheerleading degrades women decides to infiltrate the cheerleading squad. Once accepted, she realizes that the cheerleaders aren't bad and finds out that the football games are rigged. She also falls for the team's quarterback (Ron Hajek), and this does not sit well with his girlfriend - the head cheerleader (Colleen Camp).
Semi follow-up to 1973's "The Cheerleaders" is a disappointment. Too many subplots, amateurish performances and writing ruin this loser. Directed by Jack Hill ("Coffy," "Foxy Brown"). My evaluation: * out of ****.
Semi follow-up to 1973's "The Cheerleaders" is a disappointment. Too many subplots, amateurish performances and writing ruin this loser. Directed by Jack Hill ("Coffy," "Foxy Brown"). My evaluation: * out of ****.
"The Swinging Cheerleaders" may not be one of cult filmmaker Jack Hills' best, but it's still a solidly engaging film of its type. It probably won't be nearly trashy enough for some people, but for others it should prove to be an agreeable way to spend just over an hour and a half.
Hill and David Kidd wrote the story (using female pseudonyms), about the cheerleading squad for a college football team. Their newest recruit is an uptight gal named Kate (Jo Johnston), who initially is only becoming a cheerleader so she can get inside information for an expose that she wants to write. Among other story threads, the coach (Jack Denton), an alumnus (George Wallace), and a stats professor (Jason Sommers) are lured by the prospect of big winnings and begin to bet on the outcomes of the games.
Once again, Hill does understand that there are requirements for this sort of entertainment, and some of the lovely young ladies do take off their tops. The yarn that he and Kidd spin here is actually pretty straightforward and enjoyable, and things never, ever get overly serious. Not that characters come out unscathed, however, as the virginal Andrea (ever adorable Cheryl "Rainbeaux" Smith) is taken advantage of by lowlife guys, to use one example.
The performances are uniformly solid from the whole cast. Of the main cheerleader performers, sexy blonde Colleen Camp (playing the catty Mary Ann) went on to what is easily the most notable mainstream career of any of them. Future Playboy Playmate Rosanne Katon rounds out this foursome. Ron Hajak and Ric Carrott are fine as personable jocks Buck and Ross, Ian Sander is perfectly odious as creepy and arrogant campus radical Ron, John Quade and stunt coordinator Bob Minor are good as nasty security guards Belski and Ryan, and Mae Mercer is memorable as Professor Thorpes' scary wife.
An amiable if somewhat mild example of 70s sleaze.
Seven out of 10.
Hill and David Kidd wrote the story (using female pseudonyms), about the cheerleading squad for a college football team. Their newest recruit is an uptight gal named Kate (Jo Johnston), who initially is only becoming a cheerleader so she can get inside information for an expose that she wants to write. Among other story threads, the coach (Jack Denton), an alumnus (George Wallace), and a stats professor (Jason Sommers) are lured by the prospect of big winnings and begin to bet on the outcomes of the games.
Once again, Hill does understand that there are requirements for this sort of entertainment, and some of the lovely young ladies do take off their tops. The yarn that he and Kidd spin here is actually pretty straightforward and enjoyable, and things never, ever get overly serious. Not that characters come out unscathed, however, as the virginal Andrea (ever adorable Cheryl "Rainbeaux" Smith) is taken advantage of by lowlife guys, to use one example.
The performances are uniformly solid from the whole cast. Of the main cheerleader performers, sexy blonde Colleen Camp (playing the catty Mary Ann) went on to what is easily the most notable mainstream career of any of them. Future Playboy Playmate Rosanne Katon rounds out this foursome. Ron Hajak and Ric Carrott are fine as personable jocks Buck and Ross, Ian Sander is perfectly odious as creepy and arrogant campus radical Ron, John Quade and stunt coordinator Bob Minor are good as nasty security guards Belski and Ryan, and Mae Mercer is memorable as Professor Thorpes' scary wife.
An amiable if somewhat mild example of 70s sleaze.
Seven out of 10.
As opposed to the original film in this series, this follow up definitely is less of a raunchy silly sexploitation comedy and more of a thoughtful drama. With an entirely new cast, there are the occasional silliness but nothing is really humorous. The acting is noticeably more serious, better overall and more drama is included. The women characters have more morals, are more mature and aren't as sex craved. A lot more realism where this takes place with college level students opposed to high schoolers in the original.
Even though, this is a lot less wild and explicit which may slightly be bizarre considering this is college and not high school. There is more focus on a plot and less focus on scenes of skin and soft core-like scenes for the sake of it.
The ending of the film ends rather ubruptly with the football game still being played yet we simply see the credits roll. We then hear an announcer mentioning the game but not speaking on its conclusion. Which was rather bizarre that they didn't conclude the actual game finishing that was presented earlier in being very important.
As a film overall, it's better than the original since the tone is more serious and realistic. Not nearly as raunchy which can see why people prefer the original. Still nothing really special. One time watch.
Even though, this is a lot less wild and explicit which may slightly be bizarre considering this is college and not high school. There is more focus on a plot and less focus on scenes of skin and soft core-like scenes for the sake of it.
The ending of the film ends rather ubruptly with the football game still being played yet we simply see the credits roll. We then hear an announcer mentioning the game but not speaking on its conclusion. Which was rather bizarre that they didn't conclude the actual game finishing that was presented earlier in being very important.
As a film overall, it's better than the original since the tone is more serious and realistic. Not nearly as raunchy which can see why people prefer the original. Still nothing really special. One time watch.
In order to get an expose, an aspiring reporter (Jo Johnston), joins the cheerleading squad only to learn not to pre-judge people. Of the 3 movies in Anchor Bay's Cheerleader set (the Cheerleaders, Revenge of the Cheerleaders, & the swinging Cheerleaders), this one feels most like a movie. Yea, nearly all the cheerleaders shed their clothes at one point or another, but there's a little helping of social commentary to go with the exploitation. It's a bit easy to see that this is a Jack Hill directed picture and it's better because of it.
My Grade: B-
DVD Extras: Commentary; 2 TV spots, Jack Hill Bio
My Grade: B-
DVD Extras: Commentary; 2 TV spots, Jack Hill Bio
Le saviez-vous
- AnecdotesRandall Adams and David Harris saw this movie at a Dallas drive-in on November 28, 1976--it was the second of a double header preceded by The Student Body (1976). Both mentioned their attendance in alibis while being investigated for the murder of Dallas police officer Robert W. Wood. Adams also said that he had to leave this movie before it was finished, as he didn't feel comfortable with its content. Adams' eventual conviction was the subject of the movie Le dossier Adams (1988).
- Gaffes(at around 1h 30 mins) The scoreboard shows the score as 13 to 0. At1:30:13, Mary Ann says that "We're 21 points behind!"
- ConnexionsFeatured in Le dossier Adams (1988)
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- How long is The Swinging Cheerleaders?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- H.O.T.S. II
- Lieux de tournage
- Esplanade Street & Argonaut Street, Playa del Rey, Los Angeles, Californie, États-Unis(campus police spot Buck and pull him over on Esplanade)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 $US (estimé)
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