La possédée

C'mon Satan, get the finger out. You started off okay with Beyond The Door and The Antichrist, then totally fumbled the ball with Magdalena possessed by the Devil. You're supposed to be trying to take the souls of the human race from that of God, so why are you settling on making teenagers randy foul-mouthed rebels? That's what they are anyway!

This one starts quite good, with art student Danila getting involved with restoring a very life-like figure on a cross that her university have purchased. Danila's got some domestic problems. Her father (Chris Avram) is drifting away from her mother (Lucretia Love), who is having an affair with hunky Gabrielle Tinti. Lucretia's a bit kinky too, so it doesn't help that Danila happens upon Gabrielle whipping the crap out of Lucretia with a bunch of roses, and Lucretia screaming for him to do it harder. Danila goes off to concentrate on her work, restoring some art back at college.

This is where perhaps the best scene of the film happens, as while Danila is working away on her project, the man on the cross behind her suddenly starts moving, comes to life as a Satanic Ivan Rassimov, and makes sweet sweet love to Danila on the floor of the studio while a weird wind blows about. Then again, shortly afterwards, Danila regains her senses fully clothed, restoring her painting. So what's going on? And what creepy bastard is following her around.

Of course Danila starts acting possessed and indulges in some furious self-abuse witnessed by her parents, so soon begins the jibber jabber about real illness versus possession and the whole film descends into boredom, save for a nightmare sequence where Danila enters a demonic ceremony and Ivan Rassimov (who makes a good Satan) nails her to a crosss. Sadly, after this bit, it's off to Exorcist-lite territory as Danila gets shipped off to a convent and priest Luigi Pistilli is brought in to sort her out in a very underwhelming finale.

This of course happens a lot in exploitation cinema, but it doesn't do us fans much good to track down a film and find it's a weaker version of the film it's trying to rip off. You could probably watch the first half and just switch it off, because up until then it's a fine film. Umberto Raho has a great moustache in this one, however.

L'OSSESSA, also known as THE TORMENTED or THE SEXORCIST, or the ridiculously titled THE EERIE MIDNIGHT HORROR SHOW, is a forgotten EXORCIST rip-off which contains one of the best horror moments I've ever seen. The scene is when the crucifix comes alive. This great spooky scene is unforgettable and totally effective (great FXs). It's a shame the rest of the movie doesn't maintain the level of creepiness exemplified during that scene.

This is one of the most frustrating movies ever. Imagine the producers deciding to to make an EXORCIST copy but while making it, they actually succeed in creating something truly original (a possessed sculpture of crucified man, which is shocking when you think about it) but then completely forgets their original idea in order to make a boring and uninspired EXORCIST rip-off. Had the film continued with the possessed sculpture concept (with the characters trying to destroy it, etc), this film would have rocked. But once the girl becomes possessed by the spirit of the sculpture, she never tells anyone from where the demon came from. She, and the script, completely forgets the haunted crucifix, which is STUPID!!!

If you like so-called "Euro-cult" movies, the first 45 minutes deliver unlike any other Euro-cult movies. But after the scene when the girl has a vision of being crucified and she gets stigmatas, the remaining 45 minutes SUCK. Boring. It goes nowhere fast as it tries to emulate (badly) THE EXORCIST. So, watch the first 45 minutes of L'OSSESSA and enjoy the 1970s fashions, the sleaze and the amazing statue-comes-alive-to-ravish-the-girl scene but after the first 45 minutes, press stop and eject, and might as well go clip your toenails.

Kinda boring, kinda gross, kinda unsettling, this wasn't horrible, but not too good. There's a good creepy bit when the statue comes to life, though, props to this scene. Not much happens, and the movie just feels sort of scummy. I was happy when it ended, and don't believe anything about this being a true story....very surprised this is averaging around 6.

Absolutely dreadful US title for this fine piece of Euro exploitation cinema, L'Ossessa. Directed by Mario Gariazzo who wrote or directed many such Italian movies including Play Motel, Sister Emanuelle and Vacanze per un Massacro, this is obviously an Exorcist rip-off but done with great panache. Stella Carnacina, as the possessed one, does not make a false move, as she rants, seduces, screams and spews throughout. She is on the screen most of the time and always looks menacing or appealing. There is much violence and sexual activity but also much background church activity that is most authentically portrayed and lends much power to the possession scenes. It is also these scenes of religious activity quietly (or not so quietly) being mocked that must upset a lot of people. In the US, apparently, the TV personality, Elvira, used to make much fun of the film and there are prints with her many intrusions. It is easy to see why because there do seem comic moments but it seems to me these come after one or another tremendous bout of energetic raving from young Stella and whilst they may have seemed appropriate in the original script, the way the possession scenes have been shot, they seem inadequate. When we have just watched the most astonishing and vigorous scenes of blasphemy, for the doctor or relative to reflect 'she seems a little worse' or 'I think it must be psychological' seem far from suitable and should have been ratcheted up when it was clear the activity was going to be so sensational. For those who think they may not enjoy this, they are probably right but for those who think they might - YOU WILL!

Italian soft X Exorcist clone.

Woman buy statue of crucified thief. Said thief comes to life and turns out to be the Devil with rape fantasies.

Ivan Rassimov plays the Devil brilliantly. Mostly due to his gift of evil looks. And Because he was never above doing nudity. Good on him.

The actress in the lead did a decent job. Her wide eyed innocence and the fact that she looked great naked helped.

This one has a similar plot element to most Italian horror films. The girl's parents are filthy rich, and depraved. Watch it to get the details.

Laura Gemser's husband, Gabriel Tinti, also appears as a random stud. His part is basically phoned-in, but like a cheap beer, it did the job.

Fault the director for its failings. This could have been a horror/sex classic.