The Gardener

This film has 5+ names so it took me a while to find it streaming on Prime. It's a hard film to review because most of the actors are actually good? They're accomplished stage actors and you can tell. The beautiful elephant in the room is a shirtless Joe Dallesandro who slinks through various scenes like he's in a porno...but I'm blaming that on the unexperienced director since we know Little Joe can/could do more than that.

Unfortunately the story is incredibly boring. Even the lowest budget film can be a fun watch if the plot moves at a good clip but this just meanders along, making it feel interminable. It's good acting with bad writing and directing.

Katharine Houghton ("Guess Who's Coming to Dinner") stars as Ellen Bennett, a well-to-do American living in Costa Rica. She makes a big mistake when she hires the hunky but mysterious "Carl" (Joe Dallesandro, "Flesh for Frankenstein") as her gardener. The man has a "green thumb", to put it mildly, and soon the Bennett estate is overflowing with lush vegetation. However, Ellen finally wises up and realizes that there's something really "off" about this guy.

"The Gardener", a.k.a. "Seeds of Evil", is a flat, disappointing "horror" film from writer-director James H. Kay. It was the only feature film he ever got around to making, and it's no surprise. It's pretty much a dud, albeit one that I *wanted* to enjoy more than I did. It's rather a wash as a horror film, even in uncut form (although this is partly because it's too dark to really see the nastiest bits). And the horror really only occurs towards the end, when Ellen is concerned about the behavior of her visiting niece (Cass Fry, in *her* only film credit).

Houghton is sincere and fairly appealing, although the viewer will likely get annoyed over her clueless nature. Ellens' husband John (James Congdon, "4D Man") is at least more wary of Carl than she is, but he never really does anything about it. Dallesandro is of course as boring as always, although if one is a fan, they'll appreciate how well his physical attractiveness is played up - most of the time he parades around topless, and he even has a few nude scenes. The only real standout here is Rita Gam ("Klute") as Ellens' friend Helena.

Although pleasures to be had watching this are few and far between (Kay can't even deliver a great ending), it *does* have a haunting score composed by Marc Fredericks, some fun local color (it was actually filmed in Puerto Rico), and some amusing psychedelic touches.

It's not one I'd recommend, unless your curiosity gets the better of you.

Four out of 10.

Last night I saw this film, which missed the possibilities of developing an interesting story, with endless dialogs and bad performances. But I wouldn't put the blame on Joe Dallesandro. After all he plays a tree or something like that, so he delivers his line as plant-like as possible. He is a beautiful tree to look at, though, and I believe this is what this film is all about, including his legendary derrière. Poor Katharine Houghton tries to deliver a dramatic performance in the line of a giallo fatal heroine to no avail; James Congdon as her husband is rather boring (especially with Little Joe around), and Rita Gam is simply having a good time. I lived in Puerto Rico when this film was shot, but I did not hear anything about it being made. It was fun to watch a few theater people that were my friends, playing minor roles (Esther Mari, the cook; or Orlando Rodríguez and Janet Gómez as the couple Houghton visits).

I picked this movie up in the USED section at my local Record shop and I have to say, by the cover artwork and synopsis on the back, I was excited to take it home and pop it in. The whole project is really well-done in that way. But that's about it. The film was very 70's, which for me, is a good thing. For most viewers though, this would prove to be a cheesy example of an era that might be better off forgotten. The music is pretty bad and so are the clothes. It's not stylish, its like the Brady Bunch.

There is no good gore in this movie. The acting is decent and the guy who plays "The Gardener" is semi-creepy, but the plot just fails. It's not scary in the least bit and the only good scene in the film is the very last one.

I had high hopes, I really did. I wanted to like it more, and I still do. I've watched it three times now and I still fail to see how this is a horror movie. It's more like an off-beat romantic drama with a twist. If I had to compare it to something else, I'd say a mix between "Rosemary's Baby," "Play Misty for Me," and "Alice in Wonderland" (the live one) but not as good as any of those films.

4 out of 10, kids.

SEEDS OF EVIL is one obscure film and the better for it. I love watching films that have been, for whatever reasons, forgotten or simply dismissed with time. Watching them always brings a special kind of feeling: that your watching something few people have seen. On rare occasions I "discovered" a couple of hidden gems by doing this. But most of the time there's a good reason why so many films are forgotten: they're just not good on any level.

SEEDS OF EVIL is one of those obscure films people have forgotten and though it's not a true hidden gem, it's a real find nonetheless. There's something unique about it which I've rarely seen in any film I've seen up to now: it basically creates a new genre, of the psychic connections between plants and humans and the potential for evil. It's forward thinking enough to be seen as contemporary and yet the film has a quaint charm to it which reminds me of movies of the past.

Though made in 1975, SEEDS OF EVIL is decidedly straddled between the films of sex and gore of the 1970s and the spooky, non-violent horror films made just a decade ago (like THE HAUNTING or THE INNOCENTS). The sex is provided in the form of Joe Dallesandro, who's shirtless and wearing barely there hip-huggers, or just plain naked throughout the movie. And the quaintness is mainly due to the fact that there's little violence in SOE and the soundtrack is very flowery and has that "whoo-hoo-hooo" kinda of feel to it, which is probably more suited for a horror film of the 1950s or 60s than one from the 1970s.

The direction is not bad. The camera glides around smoothly. The film is never boring even though nothing much really happens in the movie. The 1970s fashion and interiors are a sight to behold. The acting is surprisingly good for this kind of film, with Rita Gam stealing the show. The exception being Joe Dallesandro. Joe is one bad actor. So much so that the director consciously avoided having Dallesandro acting on screen for extended periods of time. Dallesandro, with his compact and sculptured body, was simply used as "special effects" for the film. And the genre (psychic attachment to plants, also explored in THE KIRLIAN WITNESS in 1978) is an interesting one and though not 100% successful here, it does bring a fresh outlook to where evil might lurk.

Anyone looking for gore or violence, or female nudity will be sorely disappointed with SOE. But for fans of obscure films, even though there's nothing earth-shattering about it, SEEDS OF EVIL is a nifty little find.