Le cri du loup

A series of grisly attacks has the police stumped. So, they call in expert John Wetherby (Peter Graves), who calls in big game hunter Byron Douglas (Clint Walker) who is basically a turtleneck-wearing block of granite with enormous sideburns.

When more deaths occur, Wetherby tries without success to convince Byron to help him track down a creature that defies classification. Byron tries to convince Wetherby that mankind is useless and weak, even terrifying a restaurant patron to prove his point.

When Wetherby's girlfriend, Sandy (Jo Ann Pflug) is nearly killed, he decides to hunt the beast. When Wetherby asks Byron for help again, Byron challenges him to arm wrestle. His misanthropic machismo knows no bounds! Can the monster be stopped, before it mutilates more emasculated milquetoasts of modern mankind?

SCREAM OF THE WOLF is another made-for-TV horror movie from Producer / Director Dan Curtis. While not as stellar as some of his other offerings, it's certainly worth a viewing or two. Be sure not to miss the big, semi-shock finale!...

This made for TV movie is from Dan Curtis...and that should come as no surprise as Curtis made a living making low-budget horror films and TV shows--such as the original "Dark Shadows" as well as excellent made for TV films about Dracula, Kolchak (the reporter that investigates monster sightings), possessed African dolls, Frankenstein and others. Most of his work was very good though I wouldn't place "Scream of the Wolf" among his best films.

Some creature has been tearing folks to pieces and John (Peter Graves) is a hunter who's been given the task of killing whatever it is. However, he soon notices that the footprints go from a wolf-like creature to human...but he won't allow himself to believe it's a werewolf. When he tries to get help from a clearly nutty associate, Byron (Clint Walker) has a strange reaction--he's totally disinterested in killing the creature and even seems to be completely ambivalent about all the deaths!! Clearly the viewer is being led to believe that Byron is most likely the wolf-man. And, clearly, Walker's character is about as subtle as a 2x4 upside your head! He's a super freaky weirdo and Walker looks as if he had fun playing this guy. And, although Graves is the leading man in the film, your attention is drawn to Walker whenever he's on the screen. So is Byron the werewolf or is there some other explanation? And, how does this movie end up being very much like the classic film "The Most Deadly Game"?

Considering the budget for this film was pretty low and the ABC movies were made quickly, how they handled the whole werewolf aspect of the story was an interesting idea that worked very well. Not the best movie of the week I've seen but very memorable and fun...in a kooky sort of way. Well worth seeing...and a lot better than the surprisingly low overall score of 5.1 (as of this review).

If any comments are recent, I usually keep my mouth shut. But, because the reviews of Scream of the Wolf are so few, I'll offer my opinion. I'd say that this is "not bad...not good" (purposefully put in that order): right down the middle. The "not bad" part, I thought, describes the acting. But there are parts of the writing and costuming that I found to be "not good," i. e., too illogical. The plot is suspenseful (and uncomplicated) enough: Catching the culprit(s?) responsible for what becomes six killings in a California town, which includes as its residents (1) a corvette-driving, used-to-be-quite-a-nimrod, bachelor/author (Graves); and his buddy, who he's spending decreasing time with - (2) a turtleneck-wearing, weird-philosophizing, big-game hunter (Walker). (He dresses that way even when splitting wood!) Pflug is Graves' love interest. I wonder if that's the relationship between Walker and his butler (McGowan)? Less veiled is Walker's crush on Graves, in whom the arm-wrestling Walker wants to restore the macho-ism and take to South America. A fifth main cast member is the sheriff (Carey), who would LIKE to benefit from the tracking expertise of BOTH Walker's AND Graves' characters. But only Graves assists. Is there anything supernatural to all this? You'll have to watch the movie to find out. It's an adequate use of your time. Just don't blow too much money.

This film would have been much better if it had some balance. There were no strong supporting actors at all, with Graves and Walker providing outstanding roles and the rest just falling flat on their face.

Graves worked well as the slowly weakening ex-hunter, while Walker did an amazing job portraying the evil and creepy (and still strong) wolf hunter. However, the rest of the actors (especially Graves' girlfriend and the police chief) did a horrible job with their characters.

The fact that the kills really arent portrayed in a gory fashion makes the film feel like less a horror movie and more of a suspense/murder mystery, which bothered me a bit. Additionally, the ending, though a double twist (from not surprising to surprising to not surprising again) was a bit hard to swallow, that and it ends much more abruptly than I would have wished. Overall, not a high recommendation, but still a fairly good representation of low budget 70s fare 5/10.

Only the most die hard werewolf movie fans (or bottom feeders who like to see bad films as a sort of self-inflicted pleasure-pain) will want to endure this. Even they may be disappointed. Silver fox Graves (who drives a hip car and has a hip house while hip music blares) stars as a former hunter turned writer who, after a series of grisly attacks on local residents, decides to hunt down the predator personally. The killings are the standard "hapless victim looks into camera and screams while growls are heard then blackout". This gets tiresome very quickly. One extended attack on Grave's ladyfriend Pflug (in a pedestrian performance) has a certain amount of edge to it. (Hilariously, though, this single woman lives in a house that appears to have more rooms than Monticello!) Pflug suspects Walker, an old buddy of Graves who lives in a mansion up in the woods and does a lot of odd philosophizing about human nature. Walker, still attractive and virile, gives an unusual performance full of dopey expressions and strange vocal inflections. His relationship with Graves has a homoerotic twinge, not unlike the Stephen Boyd/Charlton Heston dynamic in "Ben-Hur". Sheriff Carey rounds out the male trio of tall actors. The film aspires to a level of intellect that it's budget cheapens more than a little. Still, it's not the worst TV horror movie ever made. At least someone tried to write something with a little irony and mystery to it. One scene between Graves, Pflug and Walker takes place in a restaurant that must have a sign on the door, "No one attractive allowed!" Soap opera veteran Storm appears briefly as a victim.