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IMDbPro

La regenta

  • 1974
  • 1h 33min
NOTE IMDb
6,1/10
72
MA NOTE
Emma Penella in La regenta (1974)
Drama

Ajouter une intrigue dans votre langueAdapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores to adapt to the sordidness of life in Vetusta, a provincial city of northern Spain inspired i... Tout lireAdapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores to adapt to the sordidness of life in Vetusta, a provincial city of northern Spain inspired in Oviedo. The young Ana, married to a retired regent, lives oppressed by the provincial hy... Tout lireAdapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores to adapt to the sordidness of life in Vetusta, a provincial city of northern Spain inspired in Oviedo. The young Ana, married to a retired regent, lives oppressed by the provincial hypocrisy and the mystical fears of an absorbing religion. Sexually dissatisfied, beset by c... Tout lire

  • Réalisation
    • Gonzalo Suárez
  • Scénario
    • Juan Antonio Porto
    • Leopoldo Alas 'Clarín'
  • Casting principal
    • Emma Penella
    • Nigel Davenport
    • Keith Baxter
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    72
    MA NOTE
    • Réalisation
      • Gonzalo Suárez
    • Scénario
      • Juan Antonio Porto
      • Leopoldo Alas 'Clarín'
    • Casting principal
      • Emma Penella
      • Nigel Davenport
      • Keith Baxter
    • 1avis d’utilisateur
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Photos1

    Voir l'affiche

    Rôles principaux26

    Modifier
    Emma Penella
    Emma Penella
    • Ana Ozores
    Nigel Davenport
    Nigel Davenport
    • Álvaro Mesía
    Keith Baxter
    Keith Baxter
    • Don Fermín de Pas
    Adolfo Marsillach
    Adolfo Marsillach
    • Víctor Quintanar
    Rosario García Ortega
    Rosario García Ortega
    • Doña Paula
    Maruchi Fresno
    Maruchi Fresno
    • Marquesa
    • (as Maruchy Fresno)
    Agustín González
    Agustín González
    • Frígilis
    Pilar Bardem
    Pilar Bardem
    • Visitación
    María Luisa Ponte
    María Luisa Ponte
    • Petronila Rianzares
    Antonio Cintado
    Fabián Conde
    Rafael Conesa
    Rafael Conesa
    Emilio S. Espinosa
      Anna Frigola
        Antonio Gamero
        Antonio Gamero
        Ángel Menéndez
        Biel Moll
        Miguel Narros
        • Réalisation
          • Gonzalo Suárez
        • Scénario
          • Juan Antonio Porto
          • Leopoldo Alas 'Clarín'
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs1

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        6ma-cortes

        Academic adaptation from the classic novel written by Leopoldo Alas Clarín and set in Vetusta : Oviedo

        Adequate rendition based on the a realist novel by Spanish author Leopoldo Alas y Ureña , magnificently played and professionally directed by Gonzalo Suarez . Adapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores (Emma Penella) to adapt to the sordidness of life in Vetusta , -evidently the pseudonym of the actual Oviedo, capital of Asturias-, a provincial city of northern Spain inspired in Oviedo. Ana married the former prime magistrate of the city , a kind but fussy man much older than her . As the young Ana, married to the retired regent Víctor Quintanar (Adolfo Marsillach) lives oppressed by the provincial hypocrisy and the mystical fears of an absorbing religion. Sexually dissatisfied, beset by constant erotic dreams, she reveals in her confessional her intimate torments, and to complete the circle, D. Fermín de Pas, her confessor (Keith Baxter) begins to feel a morbid passion for her. At the same time,feeling sentimentally abandoned Ana falls for Álvaro Mesía (Nigel Davenport) , a Don Juan, who intends to seduce Ana.

        Passable retelling based on La Regenta , it is a realist novel by Spanish author Leopoldo Alas y Ureña (1852-1901) , also known as Clarín, published in 1884 and 1885 with high-class , middle-class and priests as protagonists , these forces find in extreme tension, as the Asturian writer narrates a cruel story of Spanish provincial life in the days of the Restoration .The flick is vey well set in Oviedo (there is even a Statue dedicated to La Regenta in Oviedo) : Vetusta , "Vetusto" in Spanish stands for "antiquated", "extremely old", a provincial capital city, very identifiable with Oviedo, capital of Asturias - especially since it is said that two monks, Nolan and John, founded the city, this being Oviedo's mythical genesis. On the other hand the film uses the city of Vetusta as a symbol of vulgarity, lack of culture and hypocrisy. Besides the story , the actors' artistic merits are notable and make this film worthwhile watching . It seems to be a typical 19th century love story but turns out to focus rather on more or less allegorical social criticism than on mere emotional. In Vetusta lives the main character of the work, Ana Ozores "La Regenta" , being appropriately played by Emma Penella as the orphan female protagonist Ana Ozores, the most beautiful woman of northern Spain imaginary province capital Vetusta, who lets herself be courted by the province casanova, Álvaro Mesía adequately performed by the British Nigel Davenport .Ana incarnates the tortured ideal that perishes progressively before a hypocritical society . Keith Baxter is so-so as Fermin , Ana's confessor and canon in the cathedral of Vetusta who also falls in love with her and becomes Mesía's unmentionable rival. Don Fermín, the father confessor, symbolizes conservatism and bigotry in the Vetusta's small-minded microcosm. While Álvaro Mesía : Nigel Davenport plays a politician, embodiment of libertinage and social progress. These great actors are completed by a great panorama of secondary characters, well portrayed by the filmmaker with merciless irony, completes the human landscape of the film , such as : Charo López , Rosario García Ortega , Maruchi Fresno , Agustín González , , Isabel Mestres , Pilar Bardem, María Luisa Ponte, Antonio Iranzo, Antonio Gamero , among others .It packs a colorful as well as evocative cinematography by Luis Cuadrado . Sensitive and emotive musical score by Angelo Francesco Lavagnino. Impressive and spectacular production design and art design by Wolfgang Burmann and Miguel Narros . The picture was uneven and professionally directed by Gonzalo Suarez , though it has some flaws and gaps .

        Of course , the TV Series La Regenta (1995) in three episodes by Emilio Martinez Lázaro is much better , being starred by a great cast , such as : Aitiana Sánchez Gijon, Cármelo Gópmez , Juán Luis Galiardo, Miguel Rellán , Amparo Rivelles , Fiorella Faltoyano , Cristina Marcos , María Luisa Ponte ,Manuel Alexandre , Francisco Vidal , Francisco Merino . Also a Musical will be premiered at the Campoamor Theatre, in Oviedo, hometown of La Regenta; "La Regenta El Musical" on July 2012, written and composed by Sigfrido Cecchini.

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        Histoire

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        Le saviez-vous

        Modifier
        • Anecdotes
          Charo López replaced the originally cast Terele Pávez as Petra after Pávez's mother died.
        • Connexions
          Version of La regenta (1995)
        • Bandes originales
          Evasión
          Composed by José María Pascual

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        Détails

        Modifier
        • Date de sortie
          • 19 décembre 1974 (Espagne)
        • Pays d’origine
          • Espagne
        • Site officiel
          • Official site
        • Langue
          • Espagnol
        • Aussi connu sous le nom de
          • The Regent's Wife
        • Lieux de tournage
          • Oviedo, Asturias, Espagne
        • Société de production
          • Emiliano Piedra
        • Voir plus de crédits d'entreprise sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          1 heure 33 minutes
        • Mixage
          • Mono
        • Rapport de forme
          • 2.35 : 1

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