Salut les pourris

Fernando Di Leo made another great Poliziotteschi, the cars chase are the true highlights of the entire picture, a young Police commissioner Domenico (Luc Merenda) has an fair agreement of the Milano's Mob, meanwhile the things are changing, now the drugs and arms smuggling were introduced by force, his father a honest and humble policeman didn't know a thing over his son, the Boss and his lawyer Mazzanti played by the already older Richard Conte are pushing more, ending up in retaliatory measures in both sides, including a sudden killing of his beloved father and his girlfriend, Domenico gonna crazy, fabulous picture, somehow has a little mistake on the plot, the triggering event is too shallow, when the Boss asking to Domenico a little favor that includes his proudly father in a minor and meaningless fact spoils the whole project, Di Leo should be change this weak point, certainly will be more realistic, nevertheless it's largely enjoyable and has an unexpected ending!!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.5

I'm not the biggest fan of the Poliziotteschi genre, frequently finding the 'cops versus bad guys' formula rather dull, but Shoot First, Die Later is actually very entertaining, its 'dirty' cop protagonist being far more interesting than a traditional 'good guy'.

As played by Luc Merenda, Lieutenant Domenico Malacarne is a celebrated Milanese cop who is actually on the take from the mafia. But when the gangsters begin to ask a little more of him than he is willing to give, things take a turn for the worse, with those closest to Malacarne paying the price for the cop's shady shenanigans.

Director Fernando Di Leo expertly balances the drama with action, delivering a movie that is both gripping and exciting. Malacarne's relationship with his father—who is devastated when he learns of his son's misconduct—provides the emotional heart of the movie, while two well executed car chases and some shootouts get the adrenaline pumping. The film also features plenty of brutal violence, including two shocking murders and the senseless killing of a cat!

A suitably nihilistic finale rounds off the movie in style. 7/10 – Highly recommended for fans of the genre, and still well worth a watch for those who aren't.

Fernando di Leo does a sound job of cranking out a film that keeps you riveted to your seat, even if you (well, I) could not quite see Domenico's (played by Luc Merenda) motivation for accepting bribes from the underworld while serving as a policeman and with his father a well known and respected senior officer in the force.

Whatever the unexplained reasons, Domenico sees no reason not to profit from his personal power as officer of the law, and he has a quick trigger index finger that dispatches lives as fast as he drives recklessly through the streets of the crime-ridden city in which he tangoes with criminal figures, notably the venerable Richard Conte, who already showed all the signs of a penchant for crime back in his heyday as Hollywood star, culminating in Barzini, the top baddie in THE GODFATHER.

If you like action Italian/polizioteschi style of the 1970s, IL POLIZIOTTTO É MARCIO is a must-see. Typical cinematography of the time, undemanding editing and script. If you like something convincing in terms of character actions, you may feel a little bit let down. 7/10.

Funky soundtracks, delicious 70's fashion styles, macho men living life in the fast lane and dames so exquisite even you might consider a life of crime. There are many reasons to love the Italian crime movies of the 70's. They have a certain lovable charm. They can be funny but they can also be nihilistic and grim.

You never know who will live or die. In the world of Italian gangster flicks no-one is safe. The love interest, the children, the parents, even the hero himself and everyone who is around him are in constant danger of meeting a cruel and painful death at any moment. Because of this you get very tense and unforeseeable plots that will have you sitting on the edge of the seat until the credits roll down the screen.

"Shoot first, die later" is also one of the better titles of the genre. So you should definitely check it out. It might be a little talky for some people but it never gets boring. The plot is simple but perfectly executed and there is always something exiting happening to keep my interest.

There are a couple of nice car-chases, a few explosions and some standard gunfare but the true excitement lies in the tense and emotional plot. Luc Merenda is no Fabio Testi but he delivers a solid performance as the corrupt cop who get tangled in a increasingly bleak situation that might be the end for both himself and those who stand him near. He is actually quite perfect for movies of this type. Di Leo, probably the best director in the genre, have once again delivered a great crime movie that should be seen by everyone who is even remotely interested in the world of Italian action-thrillers.

I love these movies and if you are into this stuff you should definitely check out the two volumes of Fernando Di Leo crime collection (amongst others this movie is found in this collection) put out on both DVD and blu-ray by Raro Video. The Blu-rays look and feel great and they are reasonably cheap to buy. So i would absolutely recommend those collections even for newcomers. Now i am of to watch another one and dream of the next GTA title paying homage to the Itallian crime genre ala Vice City for "Scarface" and "Miami Vice". I can tell you that i would be first in line to get a taste of that. It could be titled something like "GTA: Roma Violencia"... ooooh i would like that.

This one stars Luc Merenda as a hard-nosed cop famed for taking down the bad guys in Milan, as we see during a pretty good shoot-out/car chase at the beginning of the film. Luc's also got a good thing going with his girlfriend, but we soon get to find out why he can afford to buy her such expensive things...

Luc's a corrupt cop and is working for two mobsters who are paying Luc to turn a blind eye to all the tobacco and booze smuggling in the city. He kind of loses the rag a bit when their latest venture turns out to be gun running, but an increase in the old bribes softens that blow a little. There's a tiny bit of a problem, however. A nosy neighbour type has reported the registrations of two cars in his area that the mob would rather the police forget about, but to Luc this means going to that particular police station, which, unfortunately for him, is run by his own father. At the same time a body turns up in a steel drum and Luc now has to sort all this out before the mafia lose their already thin patience.

What makes this one a bit different from the rough cop socking people in the jaw is that Luc is basically struggling to cover up his initial mistake of having trusted the mob in the first place, and becomes a victim of his own over-confidence. There's a greater emotional depth here too as Luc's relationships with his girlfriend and father become strained as his shady dealings rise to the fore. Those looking for the brutal violence of De Leo's other films won't be disappointed either, as many characters here are outright violently murdered rather than having shootouts with each other. These films usually work better with the brutality turned up to ten anyway, although the bit with the kitten wasn't called for. As usual. This trend would get much, much worse!

I can't decide if Luc Merenda is a good actor or not because he just kind of glares at everything.