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Upon reading the popular novel " The Outfit " by Don Westlake, one can well imagine how a movie of the same name would look like. That book later became the foundation for a movie directed by John Flynn. With a cast which includes Robert Duvall and Joe Don Baker, the film is a great adaptation of the novel, so much so it's made for several remakes. The last one was with Mel Gibson and 'Payback.' Duvall plays Macklin one of two brothers who unwittingly rob a small town bank belonging to the Mob or Outfit. He goes to prison for 2 years, while the outfit presided by Mr. Mailer (Robert Ryan) kills Duvall's brother. Released from prison, Macklin vows revenge and is though insane for thinking he can go up against the outfit and win. However, the movie is interesting to watch as each dramatic scene develops into a more intense and exciting story. A fine supporting cast helps to insure it's success. Members included Richard Jaeckel, Elisha Cook Jr., Roy Jenson, Henry Jones and Karen Black. This is one of those movies which mirrors the novel and improves with age. Easilly recommended for Duvall and Baker fans as the two make for a rough and tumble team. ****

A nicely drawn revenge piece starring Robert Duvall and Joe Don Baker. The script is by the renowned Donald E. Westlake adapting one of his own "Richard Stark" novels. If you've ever read a Richard Stark novel featuring the character "Parker" then The Outfit, even though i do not think its an actual "Parker" story will seem familiar: Cool Professional thief gets the shaft from old associates and then sets about rectifying the problem. The books are intriguing for being very consistent: Westlake's protagonists aren't kill crazy revenge machines; they always want the money owed to them and in todays world of millions, billions and more, their demands often seem very reasonable; here Robert Duvall demands only $250,000. But schmucks and wise-guys are always trying to play it cheap in these novels and the films that they often become, leading to much enjoyable mayhem.

I'm also of the opinion that John Flynn had an effective no-frills directorial style. This film, along with Rolling Thunder and Best Seller, showcases his quiet formalism and knack for using simple set-ups and long takes to achieve a realistic, down to earth grit and everyday realism that works well for sleazy crime thrillers and revenge melodramas. I suppose now that he has recently passed away, his critical standing will only improve. Cheers to him. RIP John Flynn

"The Outfit" was forgotten for years after its theatrical release, though in recent years it seems to have been revived and starting to find an audience. For the most part, it does deserve its rediscovery. It's directed in an engaging '70s style that sets it apart from many other man against the mob movies. The style is not polished, and gives the movie a rough and dirty feeling that makes what happens on screen seem more realistic. The violence doesn't come constantly, but when it does happen it gives the movie a serious kick, despite the movie in the end earning just a PG rating. Duvall does well, not making his character a superman, but someone who is (believably) well skilled and crafty. Baker makes a good sidekick. If I have any complaints about the movie, they are that there isn't a terrible amount of plot, and that Robert Ryan's character doesn't get quite enough footage. But despite those problems, the movie works well, and is a must for those who are fans of cynical '70s movies.

I was surprised at how much I enjoyed The outfit. Robert Duvall is great in his role as the not so likable ex con Earl Maclin, on a revenge mission against the outfit(sort of a non Italian mafia) for killing his brother. The film does this in a very different way, in that Maclin, doesn't go about the clichéd "Kill everyone" approach. Instead he demands monetary compensation and warns the outfit that he'll bleed them dry until he gets it. I really enjoyed the first two thirds of the film that deal with Maclin and his accomplice Cody(Joe Don Baker(who was also great in his role)) and how they go about robbing the outfits operations. The finale goes a bit too exploitation and OTT for my liking, which is something of a disappointments. The other problem I had was Maclins relationship with his moll(who only seems to make about 2 major appearances in the film) which i felt was underdeveloped. Overall, The Outfit is a nice little film, that deserves a bit more attention than it got.

The first hour is dazzling: Robert Duvall, a bank-heist guy screwed over by the mob, decides he wants $250,000 as recompense. And like Lee Marvin in POINT BLANK, he doesn't take no for an answer. The director, John Flynn, is one of the most underrated in crime cinema on the basis of this picture and ROLLING THUNDER alone: he takes a pretty familiar man-against-the-syndicate story and shoots it with a plainness so eloquent the movie takes on the dignity of a Shaker chair. Duvall is an extraordinarily expressive hard case, especially in his brutally unsentimental scenes with his uncertain moll (a lyrical and volcanic Karen Black). Maybe it's the Donald Westlake source novel, but all the bit parts are beautifully, almost journalistically characterized (with none of the cutesy color of Elmore Leonard). The last act detours into Quinn-Martin territory, but that's not the worst thing in the world, is it? Almost everything in this movie is just incredibly articulate: check out the scene between Robert Ryan, an aging, cock-of-the-walk, but rather insecure mob boss, and the beautiful, put-together young wife (Joanna Cassidy) whom he loves but treats like dirt. A single argument about listening to a Rams game on a car radio speaks novels about their relationship in four terse lines. Flynn could give today's neo-noir directors seminars in the beauties of haiku-like plainspokenness.