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Vampira

  • 1974
  • Tous publics
  • 1h 28min
NOTE IMDb
4,5/10
1,4 k
MA NOTE
Vampira (1974)
In order to revive his long hibernating bride, Vampira, Count Dracula takes blood samples from several beautiful models, but during the transfusion, Vampira's race turns from white to black.
Lire trailer1:57
1 Video
54 photos
ComédieHorreur

Ajouter une intrigue dans votre langueIn order to revive his long hibernating bride, Vampira, Count Dracula takes blood samples from several beautiful models, but during the transfusion, Vampira's race turns from white to black.In order to revive his long hibernating bride, Vampira, Count Dracula takes blood samples from several beautiful models, but during the transfusion, Vampira's race turns from white to black.In order to revive his long hibernating bride, Vampira, Count Dracula takes blood samples from several beautiful models, but during the transfusion, Vampira's race turns from white to black.

  • Réalisation
    • Clive Donner
  • Scénario
    • Jeremy Lloyd
  • Casting principal
    • David Niven
    • Teresa Graves
    • Peter Bayliss
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,5/10
    1,4 k
    MA NOTE
    • Réalisation
      • Clive Donner
    • Scénario
      • Jeremy Lloyd
    • Casting principal
      • David Niven
      • Teresa Graves
      • Peter Bayliss
    • 27avis d'utilisateurs
    • 40avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Trailer
    Trailer 1:57
    Trailer

    Photos54

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    Rôles principaux28

    Modifier
    David Niven
    David Niven
    • Count Dracula
    Teresa Graves
    Teresa Graves
    • Countess Vampira
    Peter Bayliss
    Peter Bayliss
    • Maltravers
    Jennie Linden
    Jennie Linden
    • Angela
    Nicky Henson
    Nicky Henson
    • Marc Williams
    Linda Hayden
    Linda Hayden
    • Helga
    Bernard Bresslaw
    Bernard Bresslaw
    • Pottinger
    Cathie Shirriff
    Cathie Shirriff
    • Nancy
    Andrea Allan
    Andrea Allan
    • Eve
    Veronica Carlson
    Veronica Carlson
    • Ritva
    Minah Bird
    • Rose
    Christopher Sandford
    Christopher Sandford
    • Milton
    Freddie Jones
    Freddie Jones
    • Gilmore
    Frank Thornton
    Frank Thornton
    • Mr. King
    Aimi MacDonald
    • Woman in Hotel Room
    Patrick Newell
    Patrick Newell
    • Man in Hotel Room
    Kenneth Cranham
    Kenneth Cranham
    • Paddy, the Delinquent
    Carol Cleveland
    Carol Cleveland
    • Jane, the Delinquent's Victim
    • Réalisation
      • Clive Donner
    • Scénario
      • Jeremy Lloyd
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs27

    4,51.3K
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    Avis à la une

    3Coventry

    Old, but mostly weak & pitiable Dracula

    This movie often gets accused of being a "Young Frankenstein" rip-off, but the producers only altered the title from "Vampira" into "Old Dracula" to cash in on the tremendous success of Mel Brooks horror spoof. The truth is that "Vampira" got filmed prior to "Young Frankenstein" and it also can't hold a candle to that film, as this is a truly poor and almost pitiable attempt at comedy. The great cast, including David Niven and Peter Bayliss, do whatever they can, but Clive Donner's direction is uninspired and especially Jeremy Lloyd's screenplay is anemic and almost entirely devoid of laughs and creativity. In Transylvania, Count Dracula and his male servant Maltravers are hosting tourist tours in the old castle, and every once and a while this also allows them to restorage their blood reserves. When a group of Playboy models visits the castle, they discover that one of them has the same and extremely rare blood type of Dracula's deceased wife Vampira. But, as mandatory in lame comedy, the samples get mixed up and the count's beloved wife resurrects as a feisty black girl. Reason enough for the old-fashioned Count to travel to swinging London where his conservative life-style naturally conflicts with the free-spirited mentality. The best parts of the films are the dialogs between Niven and Bayliss, and even those are lukewarm at best. Everything else is downright pathetic, with as absolute low points Dracula's "night on the town" and the predictable finale with atrocious make-up effects.
    2blandiefam

    My Offense and Defense

    This movie is rather offensive. Not because I am Black and that I should take offense to the premise, but that they should spoof Dracula to the point where even a card carrying Van Helsing club member would be offended. This movie seemed as if it was a British writer trying to compete with Mel Brooks. I am not offended with the premise because I must defend the actors who chose to do such a dreadful movie. Ms. Graves found popularity by being a beautiful funny Black woman on Laugh In. She needed work and wanted to also be accepted by the public and further her career. She was one of the few Black women to play a lead role with the great David Niven. David Niven, on the other hand, was in his last days as a lead and his last years on earth. He valiantly tried to make something out of nothing. I don't think he (Dracula) was concerned with the color of his bride's skin more than seeing her the way he remembered her. Vampira was sexy enough to grace the last scenes of the movie and even seduce the two lead men. It seems as if the writer was celebrating the new times and he wanted to join the party of real race relations. Ms. Graves went on to have her own series for a short while and I think she made an impact on many young girls and taught them to stand for themselves. The only thing that was disturbing to me was that the young actor playing the Don Juan like character looks a lot like Jeremy Pivens. The end was very predictable and it made the whole thing look like what it was meant to be; A meaningless pursuit of the old ways while change to the new ways ended up not being so bad. In fact the change helped in the end. This movie was fun and the limited nudity expressed some class. I would recommend it to only those with an affinity to the art of movies and you should remember the times when this was done. I believe this was just at the start of Blacksploitation, disco and spoofs. In conclusion, it was a failed attempt to suck blood from the new times and still win favor of the old school. I think I would watch it again, though.
    3Tera-Jones

    Good Actors - Terrible Story - Not Many Laughs

    The movie is just not all that funny - you would expect a comedy to give more laughs than this film gave us. It has a few moments worth of giggles but not bust-a-gut laughter like one wants from a comedy.

    All the actors are fine - really good. It's just a terrible story with very few laughs.

    I have to agree with other reviewers that Dracula's problem is not that she's black but that he wanted his wife, Vampira, the way he remembered her - he just wanted his wife back. He felt he was with another woman because she acts different and looks different.

    It's such a shame the comedy wasn't funnier and the storyline a bit better because this film had the potential to be really comical if better written.

    3.5/10
    9The_Pendragon

    A humorous film putting a Brit Twist on the Dracula Legend.

    Though it has been several years since I saw this film, I recall enough to wish I could find it on video..or better DVD.

    I happen to like David Niven and found this film rather enjoyable. I would expect that one would need to be able to grasp some of the subtle humor that a good number of Britcoms are known for to really enjoy some of the more funny bits.
    6neil-douglas2010

    A camp disco Dracula

    Almost so bad it's brilliant, this is one of the more strange versions of Dracula. Set in London in the seventies we see an older Dracula (David Niven) hosting parties for young people at his castle. He's searching for suitable blood to bring his former lover Vampira (Teresa Graves) back to life. Only trouble is when it works she is now black much to Dracula's distaste. They must try again with the help of Marc (Nicky Henson) who unwillingly gets samples of blood from girls.

    It's certainly a camp version of the Dracula story, but it has a certain charm and is obviously being played for laughs.

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    Centres d’intérêt connexes

    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    Mia Farrow in Rosemary's Baby (1968)
    Horreur

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Attempting to cash in on the name recognition of Frankenstein junior (1974), Vampira was renamed "Old Dracula" for North American release. The two films were shown back-to-back as a double bill in many locations.
    • Gaffes
      When Dracula is attempting to gain entrance to his hotel room via the window, you can see that its pitch black behind him. however, the very next scene shows that its almost daylight outside.
    • Citations

      Countess Vampira: Darling, let's go out! It's such a long time since you took me dancing. Do you remember the Big Apple?

      Count Dracula: [face brightens] I'll never forget your Big Apple!

      Countess Vampira: ... And my Black Bottom?

      Count Dracula: [at the thought of taking her out to show off her Black Bottom] We will NOT be going out!

    • Connexions
      Referenced in The Cinema Snob: Geek Maggot Bingo (2011)
    • Bandes originales
      Vampira
      theme song sung by The Majestics

      Music and lyrics by Anthony Newley

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    FAQ16

    • How long is Old Dracula?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 octobre 1980 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La folle histoire de vampiror
    • Lieux de tournage
      • Renaissance London Heathrow Hotel, Bath Road, Hounslow, Greater London, Angleterre, Royaume-Uni
    • Société de production
      • World Film Services
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 28min(88 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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