Un silencieux au bout du canon

By the early seventies the western genre was in severe decline, and with the exception of Clint Eastwood the only other bankable actor within the genre who could return a sure fire hit was John Wayne. However having made a string or westerns in succession John Wayne was eager to broaden his horizons and undertake a new project, the project was to be a contemporary detective drama titled 'McQ'.

McQ is set in Seattle and follows Lon McQ (Duke) in his pursuit of the gangsters whom murdered his friend and colleague Stan Boyle. As the quest intensifies McQ uncovers the motive behind his friends killing and uncovers corruption that stems right to the top of the police hierarchy.

While the movie was slammed by critics and some anti Wayne elements its impossible to deny that John Wayne is well cast in this movie as a tough cop who is something of an outsider in a world of changing values. The Duke gives a fine performance with some good supporting players most notably Eddie Albert, Al Lettieri, Colleen Dewhurst and Diana Muldaur There are some well-staged action scenes including two high-speed car chases and an exciting climatic shootout. One notable if somewhat improbable action scene involves two lorries playing a large-scale version of dodgems with McQ's car that would have been very akin to a scene from a James Bond movie.

The movie delves into several interesting areas including corruption, family breakdowns and the shadowy underworld of drugs, one brilliantly directed and acted scene involves McQ exchanging drugs for vital information about an imminent drugs heist, this scene illustrates just how complex the drug underworld actually is and the chemistry between McQ and Myra is very evident.

The overall tone of the movie is notably grim and gritty and while the movie would have benefited from a larger budget, tighter direction and greater character development, nevertheless McQ was an undeniable hit at the box office and is a worthy entry into John Wayne's impressive portfolio.

I've always felt that John Wayne did his two police films McQ and Brannigan for a combination of reasons. Some of his last westerns before these like The Train Robbers and Cahill were really not up to standard and didn't get the reception at the box office Wayne films could usually expect. I also think those rugged western locations were becoming a problem healthwise. And of course Wayne was bowing to the public's new taste in heroes.

In McQ Wayne is investigating the death of his partner, the way Humphrey Bogart investigated the shooting death of Jerome Cowan in the Maltese Falcon. He has to go private to do it, he actually resigns from the Seattle PD and gets a private license, courtesy of a friend, David Huddleston. The investigation leads him to some surprising and not welcome conclusions.

John Wayne is always the great symbol of law and order and at first glance you would think this might not be a role for him, investigating crooked cops. But when you think about it in films like Tall in the Saddle and Rio Lobo he dealt with crooked sheriffs in the usual Wayne manner. In fact the whole point of Rio Lobo is Wayne putting his whole life on hold to find a couple of guys who betrayed him and their country during the Civil War. So McQ is definitely in line with both of those films.

In the supporting cast my favorite is Al Lettieri the drug kingpin of Seattle. Lettieri's death a few years after this film was a great loss to cinema. During the first half of the Seventies, ever since playing Virgil Sollozzo in The Godfather, Lettieri created some really outstanding villains and Manny Santiago here is one of them.

The ending will surprise you and its more Maltese Falcon than you would think.

McQ was one of John Wayne's efforts to move into a new era. McQ was not the best of Wayne's movies, but it wasn't the worst (an old friend who is no longer around once said there were no bad John Wayne movies). Just turning 50 myself, I remember the John Wayne movies of my youth, and Wayne was always "tops" on my list. McQ was "Classic Wayne" in a new era. The 70s were a time when men were starting to become different in the movies. Not like the men of my youth. Wayne kept that "macho" image going. In another post, a comment was made the Wayne used "big weapons" to foil the bad guys long before Rambo did. That is exactly right. It is great to sit and watch an action movie with so many great starts of the past (Wayne, Eddie Albert, Diana Muldaur, Colleen Dewhurst, Clu Gulager, and a young Roger E. Mosley). Another thing that is of interest is these so called "movie experts" that watch movies, and don't understand one thing about the movie they comment one. McQ's car was a Trans Am, not an AMC Hornet. It was referred to at a "Green Hornet" in reference to the TV show "The Green Hornet." It was the nickname of his car, not the made or model of the car. His Trans Am was the same color as the Green Hornet's car. This is a good John Wayne movie. Good music, good car chases, good story line. It is a good movie to sit and watch on an rainy afternoon. Enjoy it for what it is. A nice chance to relive some moments from your youth, and see the Duke in action. Enjoy yourself, and have fun. That was the purpose of the movie.

John Wayne is Lieutenant Lon McQ (yes, that is his actual name) who finds himself in trouble. Several cops are murdered, by another cop who happens to be McQ's partner, who is then himself murdered. Thrown off the case he proceeds to investigate himself and uncovers a plot of corruption and formerly seized narcotics.

The film is quite dated by today's standards as the "lone cop" formula has all but been beaten into the ground. So to enjoy this film one must realize it is in fact from 1974 when cop flicks were as typical as teen comedies are now. Also despite having many similarities to 'Bullitt' and 'Dirty Harry' this is still an enjoyable action movie in its own right. It is not a classic since the story is a lot less inventive as the aforementioned films, but it is pretty cool to see John Wayne as a cop - he is no less tough then when sporting six shooters and riding a horse. Inevitably, the film would have prospered more if Wayne was a bit younger, but he is still good as the lead pretty much as he always has been in previous roles.

Also, there are several car chases - all are very different. From the typical driving down the road, to down alleyways, and even on a beach! Also for you car chase fans, this film supposedly contains the first ever cannon-roll car stunt on film. So, story department aside, the film has an edge that is quite fun and enjoyable. 7/10

Rated PG for violence

If you don't particularly like John Wayne, then I doubt if this film will change your opinion. But, if you do like his films and want to watch some mindless action, it's not a bad bet at all--though the film is awfully derivative. That's because only a short time before this, the Dirty Harry films debuted and were VERY successful. John Wayne must have been really ticked, as he was first offered the part as Inspector Callahan ("Dirty Harry"). McQ is his attempt to cash in on the genre, though the results were definitely very mixed.

First, let's talk about the bad. The overall tone of the film is pretty dark and depressing. A plot involving stolen drugs and dirty cops was a far cry from the usual John Wayne fare. Plus I was pretty shocked when this newer and "hipper" Wayne gave drugs to Colleen Dewhurst to elicit her assistance AND THEN he slept with her! This just seemed rather gross. Occasionally, the Duke's reasoning abilities seemed a bit "super-human"--such as how did he know what he knew when the film was about to end??!! Also, unlike Dirty Harry and Wayne's next film (BRANNIGAN), there are no great lines from the film such as "you feelin' lucky, punk". Also, the story itself is just okay.

As for the good, there are some wonderful action scenes--ones that a 60-something Wayne couldn't have really done if his life had depended on it! And the final confrontation was really exciting and about what you'd hope for in the film.

By the way, while I only see this as a slightly better than average time-passer, his next film, BRANNIGAN, is a much better film. While not exactly a sequel, he plays a very similar role but the writing, locale and acting is just a whole lot better--and aside from THE SHOOTIST, is probably the best film of the final decade of Wayne's career.