Jacob le menteur

In 1944, in Poland, the Jew Jakob Heym (Vlastimil Brodský) breaks the curfew in the ghetto where he lives and a guard in the lookout sends him to see the chief of the guards. Jakob is released by the German, but overhears a radio broadcasting that the Russians are advancing towards their town. On the next morning, his comrade Mischa (Henry Hübchen) wants to risk his life to steal a couple of potatoes in a German store, Jakob tells that the Russians are coming and confides that he has a radio. Soon the secret Jakob has told to Mischa is known by the residents of the ghetto and Jakob notes that his lies give hope to the Jews, reducing the number of suicide. Meanwhile his niece Lina (Manuela Simon), who is sick, gets better with Jakob stories and believes that clouds are made of cotton balls.

"Jakob, der Lügner" is a dramatic film with a beautiful and heartbreaking story of hope and survival in one of the saddest and darkest moments of the contemporary history. The analogy between Jakob's radio that gives hope to his comrades and the cotton balls that helps his niece to live a fairytale is the summit of this tale and the open conclusion where the viewer does not know what he will tell to Lina are amazing. My vote is seven.

Title (Brazil): "Jacob, o Mentiroso" ("Jacob, the Liar")

Jacob the Liar

I liked this movie, and I think it had good lessons to learn from. I liked Lena's character. She was completely innocent throughout the entire movie, and I felt that she showed not everyone had lost hope during the time. Even at the end, she was excited that they were going away, and she had no clue where. She was just being a kid, and going anywhere is exciting when you are young. Jacob starting telling stories about the Russians and other things he knew about the war. The reality was that he knew nothing more than anyone else. In a way, it did help the people's spirits though. But in the end, everyone was unhappy because their optimism was crushed with the sign that said everyone was to gather together with less than 5 kilos in luggage so they could `go away'.

I think my favorite scene was when the old man thought he heard voices in the freight car. While I was watching the movie, I thought he was crazy and apparently so did everyone else. They all thought he was just hearing things that weren't there. The reality was that there was someone in the car, but they never showed who and a guard shot the old man before he could tell anyone. The scene sparked my curiosity on who it was exactly in the car and why that person was being held in there, or if they were being held in the at all.

The whole radio lie caused a lot of problems in the movie, and that's why I said above that there were some good lessons to be learned in the movie. One lie sparked another for him, and that got him in deeper into his stories until so many people were asking about the radio that he just couldn't make anything else up and he finally told his friend. Surprisingly enough, the friend took the news very well. In a way, it almost seemed like he was expecting it all along. The movie shows that lying for whatever cause is never a good cause no matter how much you think it may help the situation. The lies turned everyone against him in the end, and they all ended up the same way anyhow unfortunately. Although this wasn't my favorite movie in class so far, I did enjoy watching it, and it kept my attention throughout the story.

Exemplary Situations of life in a Jewish Ghetto, during the reign of Hitler's forces were very much present in "Jakob der Lügner". One such occurrence of how the Jews tried to deal with their new realities involved the substitution of thoughts about reality and the invading/controlling Nazi War machine in many of their lives, for other exciting and positive experiences, of which they tried to focus. Jakob tries to focus on such an experience, which occurred in his past, before he was forced to move to the Ghetto. He thinks of his former wife, and the happy times they spent together. Through his invention of the "radio broadcasts", he helps others living in the Ghetto to think of a reality, on which they can believe, due to its similarity with their wishes for their futures and even for their reality under Nazi control to be different than it was in reality.

This was the first and only East German film ever to be nominated for the Best Foreign Language film Oscar. It won many other awards, and features three actors, who are still very much active today. It has been re released in video throughout the world. I saw it after ordering it recently from Amazon.com. For all the accolades the film received, I must say that I enjoyed the recent American remake, directed by a Hungarian Holocaust Survivor, much more. I know the critics panned this version, but curiously the same things critics hated about the remake are taken right out of this, the original. In any case, the original is also good, though disappointing if you enjoyed the recent JACOB... The film does offer us the opportunity to see the famous Czech actor, V. Brodsky, still very active in Czech film and TV. We also see a young (late 30s) Armin Mueller-Stahl, prior to his defection from Communist East Germany. Interestingly, he also starred in the recent remake as the sixtyish doctor in the film. The young romantic (played by L. Schreiber in the remake) is played by the still active Henry Hubchen, recently featured in the German hit SONNENALLEE. In my opinion, the film is mostly worthwhile for these hindsight curiosity values. However, many will feel it is indeed a landmark film, on its own. Watch it and decide what you think.

I think this film was very well done. I was drawn into the plot and characters very quickly. I would reccommend this film to anyone who would enjoy a new outlook on life. I know that is one of the things I got from watching this movie. Jakob was a very charismatic person and I could not wait to find out what would happen to him and his comrades. Though this movie was not very fast paced, there was enough going on that kept me interested during the entire movie.