La Tour des Monstres

Grim, sad, nihilistic drama about abandoned elderly people who pull together to preserve their home and dignity. That's the soft sell. The hard sell? After uncaring developers condemn a building and threaten to toss the aged residents onto the street, the residents retaliate with murder.

For a drama, there's plenty of horror here, and there's much food for thought, too. The harsh way we treat our elderly citizens is directly addressed, as is the issue of the limted tenure we all have on this planet. An interesting message buried here-in is that the young underestimate the old at their peril because the old are smarter, more sly, more patient and more experienced.

The performances are excellent, as is the direction, photography and music. The murders are cleverly conceived and executed with grim resolve, and one scene involving permanent incarceraton in concrete is a showstopper.

When I first saw this film, I was struck by its cold, depressing tone and I admired it for its recognition of real problems associated with aging. The idea of the old killing the young is a novel one and employed to great effect in "Homebodies".

It's a silver-haired classic.

Are you a "grumpy old man" or a "sweet old lady"? Yeah? Then chances are good that you will empathisize with the characters in this film. Are they sinister, misguided or simply nostalgic - perhaps desperately so? Watch and find out for yourself!

This is a macabre story about good people doing bad things. Well, mostly they're good. But they are certainly all old and dedicated to the status quo of their sunset lifestyle. And their apartment building.

Desperate circumstance often calls for desperate action. This is just such a film. An action film, albeit of a geriatric quality.

Will you have fun watching? You betcha. Will you be gruesomely inspired? Perhaps. Say... is that the sound of a wrecking ball working nearby?

Neighbor be warned. Neighbor beware.

Well meaning, but an unusual, gloomy and comedic dark horror drama with a wicked sense of humour and stinging view of the mistreatment of the elderly as time isn't on their side. While it doesn't always come together (with an ambiguous ending that doesn't know how to tie it up), it remains an interesting parable and compelling at that with it's uniquely original premise.

Six elderly tenants are handed eviction notices, as their apartment is to be torn down and turned into new skyscrapers. However they won't have anything off it and decide the only way they can stay put is to murder those who get in their way or have some sort of control over the development to only slow down the inevitable.

The movie tagline "A Murder a Day Keeps the Landlord Away!" sums it up perfectly.

"Homebodies" tries to mix social commentary with creepy chills and cartoon-like humour… while at times eerie and thoughtful in its context I didn't find it particularly humorous. The tone would get goofy in those moments aiming for a laugh, which didn't complement its sombre air. When the script was trying to be sly with its humour, it fitted better. The slow-burn plot really does strike up a moving chemistry between these convincingly quirky characters, as there's heart and personality given out by the performances. They stick together, kill together to keep their familiar lifestyles they hold so close. But then in a twist of events they start to turn on each other with no second thoughts. There's an odd chase sequence as well… where it crafts a dreamy sort of atmosphere around it and the death traps/or deaths are effectively moulded to get under your skin with the blank, cold expressions of their faces watching those die around them. The performances are solid, led by Paula Trueman's neurotic turn and with the likes of Ruth McDevitt, Ian Wolfe and Peter Brocco.

Director Larry Yust does a durable job and makes good use of the authentic location work to illustrate the urban plight. The camera sprightly frames the activities and the music playfully turn it up.

A worthwhile forgotten 70s offbeat low-budget black comedy shocker.

This one is truly original. A Cult film for the Geriatric crowd. It is good to see that I am not the only one who was impressed with this obscure film from when HBO was in its infancy (channel 6 anyone?) There are some very good actors associated with this project for anyone who was conscious in the 60's and 70's. From Ruth McDevitt to Ian Wolfe you have seen them before in many supporting roles, here you get to see them lead. The film almost has a strange aura similar to The Sentinel (1977) although without the supernatural aspects. Here we have a social satire which focuses on the geriatric crowd affirming their rights in the face of oppression. Coming out of the era of civil rights don't think this subject matter wasn't a projection of society in which many sub-cultures where finding ways to be empowered. This film takes that premise and twists it into some very humorous and macabre situations. The cement pouring scene is a memorable one which stands alongside any early giallo for inventiveness. Dated but still worth it if you can find it if cult is your thing.

Rewarding dose of moribund drollery has unscrupulous property developers evicting the elderly tenants of an apartment building, soon to be razed and replaced by more financially viable structures. When attempts to halt the project are met with staunch indifference, individuals involved with the building's imminent demolition are brutally murdered one-by-one in a variety of grisly ways.

Good performances from a likable cast, and an off-kilter, deliciously morbid premise make HOMEBODIES a natural-born cult gem which should be an especially pleasant diversion for fans of HAROLD AND MAUDE, EATING RAOUL, and similar titles culled from the strange realm of diabolically humorous cinema.

6.5/10