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Le coeur et l'esprit

Titre original : Hearts and Minds
  • 1974
  • R
  • 1h 52min
NOTE IMDb
8,2/10
6,4 k
MA NOTE
Le coeur et l'esprit (1974)
Documentary concerning the atrocities of the Vietnam war
Lire trailer2:18
1 Video
60 photos
DocumentaryHistoryWar

Ajouter une intrigue dans votre langueA startling and courageous landmark documentary that unflinchingly confronted the United States' involvement in Vietnam at the height of the controversy that surrounded it.A startling and courageous landmark documentary that unflinchingly confronted the United States' involvement in Vietnam at the height of the controversy that surrounded it.A startling and courageous landmark documentary that unflinchingly confronted the United States' involvement in Vietnam at the height of the controversy that surrounded it.

  • Réalisation
    • Peter Davis
  • Casting principal
    • Tin Chan
    • Chau Diem
    • Ngo Dinh Diem
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,2/10
    6,4 k
    MA NOTE
    • Réalisation
      • Peter Davis
    • Casting principal
      • Tin Chan
      • Chau Diem
      • Ngo Dinh Diem
    • 52avis d'utilisateurs
    • 71avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 5 victoires et 1 nomination au total

    Vidéos1

    Hearts and Minds
    Trailer 2:18
    Hearts and Minds

    Photos60

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 56
    Voir l'affiche

    Rôles principaux57

    Modifier
    Tin Chan
    Tin Chan
    • Self
    • (as Father Chan Tin - Saigon)
    Chau Diem
    Chau Diem
    • Self - Editor of Trinh Bay Magazine
    Ngo Dinh Diem
    Ngo Dinh Diem
    • Self - President of South Vietnam
    • (images d'archives)
    John Foster Dulles
    John Foster Dulles
    • Self - Secretary of State, 1953-1959
    • (images d'archives)
    Kay Dvorshock
    Kay Dvorshock
    • Self
    • (images d'archives)
    Dwight D. Eisenhower
    Dwight D. Eisenhower
    • Self - President of the United States
    • (images d'archives)
    David Emerson
    David Emerson
    • Self - Concord, Massachusetts
    Mui Duc Giang
    Mui Duc Giang
    • Self - Coffin Maker
    Charles Hoey
    • Self - Air Force, Saigon
    Stan Holder
    Stan Holder
    • Self - Corporal, Placitas, New Mexico
    Jerry Holter
    • Self - Air Force, Saigon
    Vo Thi Hue
    • Self - Hung Dinh Village
    Lyndon B. Johnson
    Lyndon B. Johnson
    • Self
    • (images d'archives)
    • (as Lyndon Johnson)
    John F. Kennedy
    John F. Kennedy
    • Self - President of the United States
    • (images d'archives)
    Robert F. Kennedy
    Robert F. Kennedy
    • Self - U.S. Senator
    • (images d'archives)
    William Marshall
    William Marshall
    • Self
    • (as Sgt. WIlliam Marshall - Detroit)
    Eugene McCarthy
    Eugene McCarthy
    • Self - U.S. Senator
    • (images d'archives)
    Ho Chí Minh
    Ho Chí Minh
    • Self
    • (images d'archives)
    • Réalisation
      • Peter Davis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs52

    8,26.4K
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    Avis à la une

    Lumpenprole

    Absolutely heartbreaking stuff.

    Occasionally Hearts and Minds comes over as too obvious and aggressive, as in the shockingly unflattering edits of glib, racist Americans piled one on top of another and the literal link the director draws between football and war. (Then again, I'm 31 years old and just don't know how open such racism was then, but the cuts from bigot to bigot are just brutal and perhaps it's wishful thinking on my part to assume that the director was unfair.) Also, it seems the communist NLF did no wrong that was worth putting in the film. Instead the director concentrated on eloquent nationalist sentiments. I happen to agree entirely with the assessment of the war shown in the film, but even with my sympathies it's hard not to notice that this film that concentrates so brilliantly on the suffering of real people before an evil policy focuses almost solely on the crimes of the Americans and their South Vietnamese allies. But maybe that was someone else's film to make and, at that moment in time, the director probably felt that there was enough coverage of NLF as just plain evil people. It's a small gripe about such a mammoth film. Documentary is not Truth, no retelling of an event ever is. Hearts and Minds is an unapologetically partisan film and is so much the better for being honest about it.

    I'm `oriental' myself. Well, `oriental' enough that I know all those slurs and dismissive comments would have applied to my family and me. It was absolutely eerie for me to see people from Gen. Westmorland down to Americans watching parades on Main St. who had nothing but contempt for the people that to this day many swear the US was trying to save.

    I'm not sure how many times I've ever seen the victim of bombing express himself outside of this film and that's sad. How many people were bombed in the last century? Millions certainly. In the US we've become so accustomed to hearing that our foreign policy requires almost annual bombings somewhere on earth. Particularly during the Clinton years, punishing through air strikes became so routine that it barely merited news coverage. These attacks may not be as indiscriminate as they used to be, but how many people in our history did that one anguished man speak for as he wept about his family and his home?

    The sheer carnage on display in Hearts and Minds made the whole war film genre seem perversely sentimental to me. It's seldom helpful to hold up fiction to docu-footage, but, in this case, any number of moments from Hearts and Minds makes otherwise impressive films like Apocalypse Now! and Platoon seem like acts of bad taste.
    MCMoricz

    Difficult, important document of the era

    I'll admit up front that Peter Davis' documentary makes no effort to show the carnage and torture sponsored and perpetuated by the Viet Cong -- and the one substantial time it explores the way South Vietnamese civilians were imprisoned and tortured by their own government (in huge numbers, by the way), the film isn't very clear about who made these arrests. It concentrates almost solely on the inhumanity and pointlessness of our presence there in a pointless war which even our leaders were unprepared to comprehend.

    It's not "balanced" within itself, but given the day-to-day barrage of standard media coverage of the Vietnam war during the time the documentary was made, I believe the making of this film represented an attempt to "balance" the average American's knowledge of what was really going on and how misrepresented the war was by our government and even by the major media most of the time.

    All that being said, it's a vivid, important part of the mosaic of American war records. The images are enormously powerful, and where occasionally Mr. Davis' juxtapositions seem overtly manipulative, he still is to be praised emphatically for collecting and assembling this material in such a courageous and uncompromising way. It is essential viewing because of the power of its collected imagery and the lessons about America that we still need to learn. 30 years after the Vietnam war ended, there are still too many essential ways in which that conflict is not understood....and the degree to which we cannot seem, as a nation, to learn from the lessons of Vietnam is only too evident in the manner and attitude with which our leaders have handled and carried on the American military action in Iraq.

    Having read a lot of the writings of Vietnam vets over the years about this war, I'm tempted to say that this documentary doesn't go far enough to show the core of absurdity and tragedy at the heart of this war and the way it put young Americans into a hellish situation for no reason and then left them there to be a part of a morally ambivalent, politically and humanly misguided situation, forever disillusioning and haunting an entire generation. But if this film can help younger people to understand just the tip of the iceberg of the enormous tragedy of America's involvement in a pointless 10-year war, then it continues to be worthwhile.

    The film itself does not provide nearly enough "backstory" for a student or younger person who did not live through the era. Peter Davis presupposes that the viewing audience knows a lot of things which we knew at the time but which is no longer general knowledge for many viewers. But as a part of an overall attempt (using various sources) to understand that war and its colossal ramifications to our country's self-image, and as a reminder of how easy it is to slip into a tragic imperialism masquerading as some other kind of naive political idealism, it's an essential and vividly effective document of the times for which we owe Mr. Davis a huge debt of gratitude. There is much to be learned from films like this -- including things which our leaders today don't seem to have learned themselves, despite having lived through the Vietnam era.

    It's also important to remember that until the Vietnam war, and later Watergate (reminders of which resonate in the presence in this film of "Pentagon Paper"- leaker Daniel Ellsberg), Americans generally believed what their government told them, and didn't think Presidents lied. It may be difficult now to remember there ever was a time when we trusted our government not to be intentionally misleading us, and if Mr. Davis makes a conspicuous effort to emphasize the duplicity of Johnson and Nixon in this documentary, it's probably because it was such a new and unbelievable concept to the overwhelming percentages of Americans before the Vietnam era took place.
    10greg-253

    A superior film/documentary

    Peter Davis created one of the most moving accounts of the Vietnam War and the attitudes at home when he produced "Hearts and Minds".

    The film looks unflinchingly at the nature of power and horrible consequences of war. It is very much a pro-peace film, but uses the people who were there to speak for themselves. It also seeks to probe deeper underneath the American psyche of the times and evolves into a historical document about the violent social rupture that happened between the fifties and the sixties.

    In many ways, it feels like a punch in the gut to watch the film. So many ideologies are laid bear....so many were false or misleading.

    In the end, the film leaves you thinking about the price of war - and who is given the task to bear that price.

    Truly deserving of the Oscar it received - and worthy of repeated viewing.
    8gavin6942

    Excellent For What It Is

    A documentary of the conflicting attitudes of the opponents of the Vietnam war.

    Roger Ebert wrote, "Here is a documentary about Vietnam that doesn't really level with us... If we know something about how footage is obtained and how editing can make points, it sometimes looks like propaganda... And yet, in scene after scene, the raw material itself is so devastating that it brushes the tricks aside." Exactly right. The folks who made this are clearly anti-war, but some of the footage they get is unforgettable.

    Most notably is the interview with General William Westmoreland where he says, "The Oriental doesn't put the same high price on life as does a Westerner. Life is plentiful. Life is cheap in the Orient." How can that be interpreted any other way?

    The movie was chosen as Academy Award for Best Documentary Feature at the 47th Academy Awards presented in 1975. This win was not only well-deserved, but opened the door for possibly an even better Vietnam documentary: Errol Morris' "The Fog of War: Eleven Lessons from the Life of Robert S. McNamara" (2003), which also won the Oscar.
    8helpless_dancer

    "Hell no, we won't go"!

    Very good piece on the horrors of war and the stupidity which causes them. Lots of good interviews with former gung-ho jarheads who are now armless, without legs, or sitting forever in wheelchairs. Several clips from interviews with politicos of the era in which one man even went so far as to admit the entire war was a gargantuan error: "I couldn't have been more wrong in my assessment of the situation" was his comment. We really are led by fools. Other footage showed the ravages of the Viet people themselves - not just a bunch of dinks - who lost homes, families, and entire villages. The most telling scene for me was of the 2 parents mouthing their patriotic "he died fighting for freedom" gibberish in defense of a useless war which took their son away forever. Maybe this was merely their own defensive mechanisms at work but it made them appear so painfully ignorant of what was going on around them. This should be viewed by all, especially those who were around at the time and remember all the conflicting emotions.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      During his Oscar acceptance speech, producer Bert Schneider read a letter from the head of the Viet Cong lauding his film. Bob Hope prompted Oscar host Frank Sinatra to disclaim any political statements that had been made during the show.
    • Citations

      Daniel Ellsberg: The question used to be: might it be possible that we were on the wrong side in the Vietnamese War? But, we weren't on the wrong side. We are the wrong side.

    • Crédits fous
      The listed translators credited in the movie (Le Thai To, Trung Trac, Le Thanh Tong and Trung Hung Dao) were all Vietnamese generals who had defeated the Chinese in various times from the first century C.E., to the fifteenth century C.E. The translator listed as Nguyen Ai Quoc was an early alias of Ho Chi Minh, founder of the Vietnamese Communist Party. I have no knowledge of the last listed translator, Barbara Gore. Apparently, someone played a good joke on the producers of this film, if it wasn't the translators themselves.
    • Connexions
      Featured in Sneak Previews: Take 2: Vietnam Movies (1980)
    • Bandes originales
      500 Miles
      (uncredited)

      Written by Hedy West

      Performed by Peter Paul & Mary

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    FAQ16

    • How long is Hearts and Minds?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 novembre 1975 (Suède)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Criterion
      • HBOMAX
    • Langues
      • Anglais
      • Français
      • Vietnamien
    • Aussi connu sous le nom de
      • Hearts and Minds
    • Lieux de tournage
      • Linden, New Jersey, États-Unis
    • Sociétés de production
      • Audjeff
      • BBS Productions
      • Rainbow Releasing
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 28 754 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 556 $US
      • 24 oct. 2004
    • Montant brut mondial
      • 28 754 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 52 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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