La justice du seigneur

In order to elude authorities, western outlaw Marjoe Gortner (as Ernie Parsons) assumes the identity of a traveling preacher. Mr. Gortner takes up residence in parson-needy Castle Walk, Arizona; there, at a funeral, he and sexy teenager Pamela Sue Martin (as Sally Underwood) are mutually attracted. Soon, Gortner's shady past threatens his budding relationship with young Ms. Martin. Sidekick Slim Pickens (as Billy One-Eye) and mother Estelle Parsons (as Sadie Underwood) lend their support.

Even in this slightly above average television production, Gortner has star quality to burn. Taken as a screen test, "The Gun and the Pulpit " miraculously elevates the former evangelist to convincing western hero. Pamela Sue Martin is excellent as Gortner's barely legal leading lady; her glances are more sensual than a strip tease. Director Daniel Petrie handles the assignment admirably. Gortner's star quality was evident since the riveting documentary "Marjoe" (1972), which revealed his evangelical movement to be a money-grubbing scam. In hindsight, it seems Marjoe Gortner was too hot for Hollywood to handle.

****** The Gun and the Pulpit (4/3/74) Daniel Petrie ~ Marjoe Gortner, Pamela Sue Martin, Slim Pickens, Estelle Parsons

About seven years earlier Robert Mitchum essayed the character of a gunfighter/preacher in Five Card Stud. Although that film was far better than The Gun And The Pulpit, this made for television is a cut above average for television film. It also has the unassailable casting of Marjoe Gortner as a false preacher.

As we know Marjoe who was only using his first name when being a child preacher did a documentary exposing the racket that huckster evangelism is. So it's fitting and proper that he play a phony preacher in The Gun And The Pulpit, a gunfighter on the run who exchanges clothes with a dead preacher on the road to escape a posse.

There's plenty of trouble in the town where he takes up the pulpit, the local Ponderosa owner David Huddleston is leaning on everybody with his gunfighters on the payroll. Marjoe's fast draw wins him a lot of admirers most especially Estelle Parsons and her nubile young daughter Pamela Sue Martin. She's the reason he's staying. And there's also Slim Pickens who knows his secret and his real identity, but knows the town needs a savior. {pun intended}.

This western moves real nice with the kind of plot that was standard fare for the front row matinée kids of the 30s and 40s. Marjor is a good western hero, maybe he should have gone into that line of work.

Take "Shane", put him in a collar, make the kid a teenage girl instead of a little boy, and you have "The Gun and the Pulpit." Marjoe Gortner is an interesting actor, but the bad guy could have used more of the menace that Jack Palance brought to "Shane". The cheapness of the typical '70's made for TV movie shines through, so it's hard to give this more than a five out of ten.

But I like Marjoe. I hear he's running charitable events involving golf in Hollywood these days. It's too bad his acting career never took off.

I also liked the gunfight where both gunfighters miss. That's something I'd never seen before in a Western. There was some thinking going on here.

In The Gun And The Pulpit, Marjoe Gortner stars as an outlaw running from a hanging party, who stumbles upon the body of a deceased preacher. Assuming his identity and his assignment, he ends up inciting the townspeople of an oppressed community against villainous big-wig David Huddleston and cleaning up the town of Huddlestons cronies.

The endlessly glib Gortner, who was no doubt cast due to the fact that he was (no joke) a real life fraudulent Pentacostal minister, is charismatic and well cast as the gun-fighting conman and heads a great supporting cast of character actors including Slim Pickens and Pamela Sue Martin.

This has probably the most clever script ever in a seventies TV movie western (by Academy Award nominated screenwriter William Bowers) with excellent tongue-in-cheek humor and wordplay in some fantastic scenes. One of which involves a miracle gunfight and an excellent cameo appearance by Geoffrey Lewis.

Great fun.

This film begins with a gunslinger by the name of "Ernie Parsons" (Marjoe Gortner) about to be lynched for a crime he did not commit. Fortunately for him, he is saved at the very last minute by a young woman who convinces the lynch mob that another man had just confessed to the crime and was being held several miles away. Naturally, the lynch mob releases Ernie only to discover minutes later that the young woman had fabricated everything. Having just enough of a head start, Ernie manages to elude the posse and while doing so comes upon the body of a dead preacher. Recognizing an opportunity when he sees it, Ernie subsequently dons the preacher's attire and decides to ride to the town of Castle Walk to masquerade as the new parson just long enough for the dust to settle. What he doesn't realize is that, even though this town is desperate for a new preacher, they need a top gunslinger even more. Now, rather than reveal any more, I will just say that this turned out to be an enjoyable made-for-television Western which had a couple of established actors like Slim Pickens (as "Billy One-Eye"), David Huddleston ("Mr. Ross") and Geoffrey Lewis ("Jason McCoy"). It also had a good bit of humor here and there as well. Likewise, having an attractive actress like Pamela Sue Martin (as "Sally Underwood") certainly didn't hurt either. That being said, while it may have been somewhat limited by its made-for-television format, this still turned out to be better than I expected and I have rated it accordingly. Slightly above average.