Get Christie Love!

I really find it offensive that this site said she "ruined her career" by turning down roles due to religious views. MORE black people needed to do the same so perhaps we still wouldn't be playing prostitutes, gang members, tough cops, scared comic relief aside white actors, and buffoons. She had hire morals and this site calls that a negative? So her infamous comment of the word "nigger" is positive? I am proud of this lady and her courage to NOT play negative roles. WHAT can ANYONE say against that? In todays times it is clear that many actors such as chris Tucker, play the typical scared black man roles, or even greats like richard prior took degrading roles in movies, never playing the brains till eddie murphy gave him the chance, but alas, eddie played the joke next to the white actor when he started off as well with nick nolte. So I feel Ms graves is a hero for black actors and actresses. Better to NOT work than play a pimp... Like the classic movie "hollywood shuffle" so aptly put it, "there is work at the post office"

Based on the book, "The Ledger", Get Christie Love was the first time a black female portrayed a detective on network TV. Teresa Graves is adequately compelling as the cop with some attitude whose superior, Captain Reardon (Harry Guardino), has a major open flirtation with her that she seems to occasionally encourage. The main plot concerns the search of a drug dealer's ledger through the interrogation of the wife in order to bring him down. Despite some fight scenes and car chases that attract some attention, the pace seemed mostly dreary and I almost fell asleep before the end. The most interesting discovery for me, however, was the appearance of Ron Rifkin as a serial killer of prostitutes named Normand whom Christie catches in the beginning when she dresses as one. Rifkin would, nearly three decades later, play Sloane on one of the most exciting action series ever-Alias. Compared to that show, this TV movie that later became a series doesn't have as exciting fight scenes but I guess network censorship was more stricter then. Worth a look for historical purposes.

Blaxploitation flicks were very popular in the early 70's. "Get Christie Love!" was a watered-down TV movie version of this genre about a female detective. It was also turned into a short lived TV series ('74-'75). It's star, Teresa Graves was the first black actress to have a one hour television series. She was featured on "Rowan & Martin's Laugh-In", appeared in some films, & was a member of the pop group The Doodletown Pipers. She also released a self-titled solo album in 1970 (songs included "Everybody's Talking'", "My Cherie Amour", "Hey Jude", & "A Time For Us" among others). In the TV movie, Christie is tracking down a drug dealer's ledger. She knocks out the bad guys with her large handbags & karate chops them unconscious. This cartoon aspect of the movie was later toned down in the TV show. I was about 14 when the series was on the air, & it was shown at the same time as the popular "Police Woman" with Angie Dickinson, which never made any sense to me. I liked both shows, so I alternated between them each week. This time slot may have added to it's downfall. (Purchase this on VHS, because the cheapo DVD's that are floating around out there, so far, are atrocious!)

I recently watched Get Christie Love! (1974) on Prime. This TV movie, which later launched a television series by the same name, follows a charismatic police detective in search of her next big break. She believes she's found it when she uncovers clues leading to a drug lord. Can she bring down the drug lord and finally gain recognition for her work?

Directed by William A. Graham (Return to the Blue Lagoon), the film stars Teresa Graves (That Man Bolt), Harry Guardino (The Enforcer), Louise Sorel (Days of Our Lives), and Darlene Conley (The Bold and the Beautiful),

Set in the heart of the blaxploitation era, alongside the peaks of icons like Pamela Grier and the Cleopatra Jones pictures, "Get Christie Love!" aligns with the content of its time. Graves, though strikingly beautiful, delivers an inconsistent performance, and her fight scenes lack authenticity, failing to resonate, especially when facing male opponents. In comparison to Grier, she falls short. Additionally, the film lacks compelling car chases and shootouts, with a notably poorly executed "fall" scene adding to its flaws.

In conclusion, Get Christie Love! Boasts a beautiful lead actress but little else. I would rate it a 4/10 and recommend it solely to dedicated blaxploitation enthusiasts.

When Captain Casey Reardon (played by Harry Guardino) learns that notorious gangster boss Enzo Cortino (Paul Stevens) possesses a secret ledger which could potentially be used to bring him to justice and said ledger is supposedly within the possession of his girlfriend Helena Varga (Louise Sorel), Reardon sends a brash but known for getting results, spirited and spunky young black female detective named Christie Love (Teresa Graves) on undercover assignment hoping she will be able to get to the heart of what makes Helena Varga tick so Ms. Varga will be convinced to co-operate and with her aid and possibly that of Cortino's "ledger", the police will finally be able to bring down Enzo Cortino once and for all.

Well a blaxploitation television movie had to be something somewhat groundbreaking back in 1974. Obviously this couldn't deliver the same level of violent thrills and nudity as was frequently evidenced in blaxploitation films of the period since it originally aired on television and was subject to television limitations in terms of what could and could not be shown. This element made it necessary for the plot to be more detailed than most films in the blaxploitation action vein so the focus here remains more on the mystery as it relates to Ms. Helena Varga's rather elusive past which means we see Christie actually do a surprising amount of detective work in this story. One negative element that affects the overall impact this one has is it's the subject matter seems to be aimed more towards a white audience than a black one and plays more to common expectation of non-blaxploitation detective television series from the time and era.

Personally I feel Teresa Graves does a terrific job here and really manages to convey a lot of information in a relatively short amount of time, enough to make her character one we immediately come to like and root on. All in all, this proves successful both in terms of introducing us to a lead character and providing the basic underlying set-up necessary for a TV series to follow as well as most any other TV Pilot I've ever seen and they must have done something right because a TV Series followed shortly thereafter.