5 femmes à abattre

There's lots of naked showering in this movie about women in prison. It's all young woman, ranging in age from 19 to 30, except for elderly, wheelchair-bound Barbara Steele (who's 37) as the warden, who wears glasses. There's also Warren Miller as the doctor who likes to experiment with his unconscious subjects and take pictures.

It's Jonathan Demme's first movie as director, and it's exploitation all the way, baby. It's never clear for most of the movie why they're in prison; it's thirty minutes in before one of the inmates talks about how she wound up in the joint, and like every convict, it's a bad rap. Yet when they get a chance to escape, they all seem competent with stealing cars, handling weapons and so forth.

It may be hard to reconcile the director of films like SWIMMING TO CAMBODIA and PHILADELPHIA with trash like this. Yet that was the entree to directing in that period. Earlier, fledgling directors might come out of the vast landscape of B westerns or short comedies. In the 1950s, directors started out in television and moved to the big screen. In the 1960s and 1970s, they worked for AIP and Roger Corman. Yet despite some prestige pictures in the 1990s, Demme returned to trash, with remakes of THE MANCHURIAN CANDIDATE and weird stuff like RICKI AND THE FLASH, like John Ford returning to westerns. Some people never forget where they come from.

Arguably the finest women in prison (WIP) film ever made, CAGED HEAT proves that even a trash exploitation film can aspire to decent artistic values. Jackie (Erica Gavin), an accomplice in a drug related crime, is sent to a southern penitentiary run by an oppressive, wheelchair-bound warden (Barbara Steele). Jackie's cell mate Lavelle (Cheryl Rainbeuax Smith) suffers from suicidal nightmares while another prisoner, Pandora (Ella Reid), is reprimanded for entertaining her fellow inmates with a mildly lewd vaudeville act and placed in solitary confinement. Her loyal friend Belle (Roberta Collins) begins sneaking through the ventilation ducts to bring her food from the kitchen until she's caught when she surprises an elderly staff member who abruptly dies of a heart attack. Meanwhile, the prison bully Maggie (Juanita Brown) picks a fight with Jackie and gets them both in hot water. Though the warden is a bit stern, the real threat turns out to be the demented prison doctor (Warren Miller). He subjects Jackie and Maggie to illegal electric shock therapy and prescribes a more permanent `cure' for Belle: corrective brain surgery, which he intends to perform with a Black and Decker power drill (!). Jackie and Maggie finally work out their differences and manage to escape in a highjacked prison truck. But Jackie can't bring herself to abandon Lavelle, Pandora, and especially the doomed Belle. With Maggie's help, she plans a daring prison break to rescue her friends.

Jonathan Demme's script provides believable characters and several imaginative dream sequences, and his direction is filled with impressive camera angles and novel wipes and dissolves. He even commissioned an appropriately down and dirty soundtrack from blues legend John Cale. Because of these frequent artistic flourishes, CAGED HEAT is one of the few WIP movies to win the respect of critics. In spite of the abundant exploitation and nudity, the film unexpectedly also won the approval of some feminist groups who praised its positive depiction of `Woman Power.'

A hugely appealing cast helps the movie immeasurably. Ms. Steele earned a reputation as the original `Scream Queen' with her edgy performances in horror classics like Mario Bava's BLACK SUNDAY and Roger Corman's THE PIT AND THE PENDULUM (both 1961). She's cast largely against type here as the prudish warden, but a dream sequence in which she performs a raucous Vegas style dance number wearing glittering tights and sheer stockings reveals her character's repressed eroticism, a quality Steele projected in all her roles. Leading lady Ms. Gavin made her screen debut several years earlier in one of the first hardcore adult features, Russ Meyer's VIXEN! (1968), which was a gutsy career move in an era when many actors were arrested for performing sex acts on film, then still a punishable crime. The petite Ms. Smith enjoyed a busy career in exploitation films during the '70s and early '80s; she tragically died of hepatitis in 2002. But beautiful blue-eyed Ms. Collins, who had already appeared in two previous WIP movies (THE BIG DOLL HOUSE and WOMEN IN CAGES, both made in 1971), steals the show as the endearingly faithful Belle. The character takes considerable personal risk to help her friend Pandora and ultimately suffers for her effort. When we see her molested by the perverted doctor and learn that she's scheduled to become his next lobotomy victim, the news is genuinely shocking and upsetting, which nicely sets up Jackie and Maggie's race against the clock to save her. In other words, Belle ultimately becomes the emotional focus of the entire plot, and Ms. Collins handles the pivotal role with winning charisma and grace. She went on to appear in countless more cult B movies, including a fourth WIP film, VENDETTA (1986).

Demme of course went on to even bigger and better things, becoming one of the most successful directors of his generation. He won a Best Director Academy Award in 1991 for THE SILENCE OF THE LAMBS, which also won the Best Picture Oscar.

Jonathan Demme's feature length first unit directorial debut was this women in prison favourite, done for his boss in the 1970s, Roger Corman. It stars Erica Gavin as Jacqueline Wilson, a young woman nabbed by the police during a drug bust. While serving time, she meets a variety of convicts, among them the ultra tough Maggie (Juanita Brown), the equally feisty Belle (Roberta Collins), and the more low key Lavelle (Cheryl "Rainbeaux" Smith). When two of the ladies perform a risqué routine in order to entertain the others, the superintendent (Barbara Steele) decides to come down hard on her charges.

Once one stops to think about it, they do realize that there is more going on than in the standard issue type of W.I.P. feature. It *is* exploitative, of course; Demme does realize what's required of him. Still, he waits until about 24 minutes into the movie before he even begins showing off the birthday suits on the babes. There are shower scenes, and cat fights, and generally agreeable mayhem. There's also a decent subtext about the degrees to which males exploit females, and take advantage of them, and what can happen when enough females band together to take preventative steps. One can hardly fail to notice the depravity of a central male character, the nefarious prison doctor Randolph (Warren Miller), who has a taste for electro shock therapy and for taking nude photos of his patients at their most vulnerable.

The script by Demme is also laced with humour at appropriate moments. The characters maintain a good amount of rooting interest, with exploitation veterans like Brown and Collins offering standout performances. However, the most intriguing person here is Superintendent McQueen, played as being very repressed by Ms. Steele. In the real world, McQueen is confined to a wheelchair, and has one very erotic dream sequence.

Fans of the 1970s B movie will recognize a number of the supporting and bit players: Crystin Sinclaire, Carmen Argenziano, John Aprea, Patrick Wright, Gary Littlejohn. Pay close attention to catch Demme's regular cinematographer Tak Fujimoto as a sex emporium customer.

"Caged Heat" is sexy and violent, paced reasonably well, and delivers some excitement in its climactic prison breakout sequence.

Seven out of 10.

I'm not quite sure what to think of Caged Heat. Don't get me wrong I think Demme is a magnificent director but this…Ugh, I'm not sure what to say. I read that Caged Heat was praised by critics, I could probably see what they saw in comparison to other girls in prison flicks. It didn't have that aspect of a campy movie. It had some style to it which is good. It shows that Demme had some sense of artistic view from the very beginning of his career. You can tell that he took time in planing out shots. The best example of this is when the camera is passing by the prison cells and you can see each inmate doing something different. Those are also signs of good directing. The characters are memorable and well developed. The movie doesn't aim for showing a lot of skin. Sure some of the girls are very attractive (especially the two blond ones), still the movie doesn't rely on sex at all.

I guess you can say this is a decent first attempt. Considering the budget he had to work with, I'd say its pretty good. Its good to see directors work their way up but never forget where they came from. Demme was grateful to be working with Roger Corman and it shows. He gave him a role in Silence of the Lambs. Nevertheless Caged Heat is nice to check out. It's great entertainment that's for sure. And isn't that what films are all about?

Unbelievable that a director like Jonathan Demme, responsible for clean and sober Hollywood stuff à la "Silence of the Lambs" or "Philadelphia", started his career in the sleazy world of the B-movies..! But next to his colleagues Brian de Palma and Martin Scorcese producer legend Roger Corman gave him the right kickstart! The film itself has all ingredients a good B-movie´s got to have, because "Caged Heat" is dirty, suspense-packed and happily far beyond the political correctness of Demme´s later films! Nudity, soft sex, violence... there´s nothing left out a decent exploitation movie should contain! Two appearances are absolutely shiny: the one comes from Erica Gavin, the unforgotten boob queen in Russ Meyer´s hilarious sleaze classic "Supervixen"! However, the even greater performance is given by the grand dame of horrors, Barbara Steele! Her part as a paralysed and prudish prison director is the main attraction in this rough WIP-flick! Director Jonathan Demme should have made more films like "Caged Heat"! Unfortunately Oscars became more important to him than honest movies...