Le démon aux tripes

I won't waste time summarizing the plot for this film since the other users have done quite a good job themselves. Basically, you've got just one more in a stream of films that cashed in on the success of William Friedkin's 1973 classic "The Exorcist". I can only recommend "Beyond the Door" to those who enjoy these types of movies. Director Ovidio G. seems to be the Italian version of William Girdler, who directed his own "exorcist" knock-off that same year with "Abby", a blaxsploitation version that was actually taken out of theaters after two weeks due to a lawsuit filed by Warner Brothers for plagiarism. If I'm correct, "Beyond the Door" was also attacked by Warner Brothers but I'm not sure what the outcome of that one was. It did manage to stay in the theaters though and actually did good at the box office. "Beyond the Door" copies "The Exorcist" in almost every way and you will either hate it or love it. This time, instead of a young girl, we have Juliet Mills (Nanny and the Professor, Passions) who levitates, vomits, spins her head around, and curses like a sailor, saying things like "lick the whore's vomit" in a demonic voice. Sound pretty familiar? "Beyond the Door" was marketed during it's theatrical release as being filmed in Possess-O-Sound, which was basically the same thing used for the Sensurround effect in the film "Earthquake"; huge speakers with the bass turned way up. To sum things up, this is not a well-made movie at all. I was especially turned off by the devil himself doing a little narration at the beginning of the film. You will, however, have a good time watching it and be entertained if you like this kind of thing. There's a few lines of dialogue from the girl playing the daughter that are a hoot and have to be heard to be believed. I'm pretty sure that whoever wrote this script was smoking some of the wacky tobbacy. I voted 7/10 for entertainment value and being one of those movies that are bad in a good/fun way. Otherwise, I give it only a 3.

I will consider this DVD viewing a first-time watch for me, because I saw the unedited edition now released on disc by Code Red, under the European title THE DEVIL WITHIN HER (not to be confused with the Joan Collins film of the same name). Indeed, this Italian horror movie has gone through several title changes -- from CHI SEI? in its own country, to its most recognizable American name, BEYOND THE DOOR. But the only way to see it is under the complete DEVIL WITHIN HER form, since the U.S. version -- which I did see on a crappy videotape 20+ years back -- is a much more incomprehensible mess. Two directors tackled this (Ovidio G. Assonitis and Roberto D'Ettore Piazzoli), which is obviously a ripoff of THE EXORCIST with hints of ROSEMARY'S BABY. Director Ovidio states he got the idea from seeing the Polanski film, and from only reading the Exorcist novel.

Juliet Mills (of TV's NANNY AND THE PROFESSOR) stars as a British woman named Jessica living in San Francisco with her husband Robert (Gabriele Lavia) and her two small children. She becomes impregnated with what may be a spawn of the devil himself, and as a result she goes through a series of disturbing trends: smashing her hubby's favorite fish tank, eating a raw banana peel from the street, kissing her sleeping little boy lustfully on his lips, spewing blood and vomit, and rotating her head and levitating. A strange bearded man (Richard Johnson) who has had ties with her from the past, follows her husband around and introduces himself as Dimitri, a cultist who is now trying to help Jessica and to also release his own soul.

I don't think this is a good movie, but it's serviceable horror fare with enough shocks and eerie optical effects considering it's an EXORCIST copycat made on a limited budget. Some of the photography is hauntingly done, and Juliet Mills is quite good in her part as the possessed mom. The participation of Richard Johnson also lends something of class to such horrific goings-on. I think this film gets too harshly judged, though I am not surprised if most of those reviewers only got to see the inferior common U.S. Theatrical Cut. **1/2 out of ****

BEYOND THE DOOR definitely riffs on THE EXORCISTS, but has an entirely different feel. While THE EXORCIST took normal, banal moments or settings and injected them with a sense of dis-ease, BEYOND THE DOOR has a disturbed, dream-like feel to it. There isn't a single normal thing about this movie to lull viewers into safety or complacency. Juliet Mills' erratic, violent behavior, the montage-like exteriors as Mills shops in San Francisco and her husband visits the psychic are weirdly unsettling with no pretensions. Ditto for the sequences with the children and the glowing-eyed dolls. The scene in which Mills is trussed up in bed with electrodes attached to her scalp is almost unbearable to look at for Mills' creepy facial expression. I first viewed this when I was a sophomore in high school, watching it on an independent TV station late at night. The movie weirded me out like no film before it(until I saw ALICE SWEET ALICE)and was truly unsettling. Very symbolic, with attempts to convey concepts of evil through cinematic language. Interesting, if only for seeing a different interpretation of the demonic possession genre.

In all fairness, this movie is a ripoff. However, if you know what it's gonna be and you're cool with that, it is damn entertaining.

From the get-go with the kids cussing and the bizarre antics of the parents, you know you're in for an Italian trash treat. It just gets better and better. By the end, you'll be loving life, if you're anything like me.

Recommended for fans of Fulci, Argento, D'Amato, etc. It was a little more old school than I thought it was gonna be, but I'm good with that. It is definitely more early 70's than late 70's. I like that Bava used the same kid in "Shock" aka "Beyond the Door 2." 6 out of 10, kids.

Oy vey, what a doozy we have here. "Beyond the Door" (also known as "Chi sei" and "The Devil Within Her") has Juliet Mills as a San Francisco housewife who becomes pregnant with a Devil child, which puts a hamper on her otherwise bourgeois West Coast existence. She also becomes apparently possessed, and does a lot of really wacky and scary stuff.

A low-budget, unabashed riff on "The Exorcist" and "Rosemary's Baby," "Beyond the Door" is one of the weirdest offerings in the possession horror sub-genre of the 1970s, and despite its unashamed ripping-off of about every possession film up to that point, there are still moments of technical flair and genuine creepiness here. An Italian production, the film was directed by Ovidio G. Assonitis, who at times seems to be tapping into surrealism with the moody and disorienting camerawork; as some other reviewers have noted, there are things about this film that are very much dreamlike. Take for example, the first five minutes: We have a sea of candles appear on screen, with overhead narration by none other than Satan himself; the camera pans to the right, as Juliet Mills inexplicably stands amidst the candles in a white nightgown, wearing a brainwave monitor. Three minutes later, we have a random montage of Mills grocery shopping in the Bay Area set to a hokey funk track by Sid Wayne. Surrealist horror, or funk rock music video? I don't even know, nor do I want to attempt an answer.

The film suffers tremendously from godawful dubbing, and Mills' foul-mouthed children who look about ten but talk like nineteen-year-olds bring some terribly laughable lines, while the bulk of the dialogue between the family is utterly brainless chatter. Despite all silliness, the real treat of this film lies in the execution of its possession scenes which, despite their derivative nature, are really well-done and at times genuinely scary. Mills does a commendable job with the script and is convincingly frightening as she transforms into a complete monster. There are some surprisingly out-there twists in the script that will leave you scratching your head, but also work in favor of the "surrealist horror" wave the film seems to be riding (funk rock music video is still a solid choice though, just for the opening credits alone).

Overall, "Beyond the Door" is a divisive film because it has moments of acute technical success and truly spooky moments, but it's also horribly dubbed, generally badly acted, and the plot is a rehash of the decade's earlier possession films with some absurd twists thrown in for good measure. As I said before, it is worth a watch for Mills' possession alone, and for the borderline surrealist visuals on display, but the undertone of utter silliness rarely escapes the screen. 6/10.