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IMDbPro

Belladonna: La sorcière

Titre original : Kanashimi no Beradonna
  • 1973
  • 13
  • 1h 26min
NOTE IMDb
7,3/10
8,7 k
MA NOTE
Natsuka Yashiro in Belladonna: La sorcière (1973)
Trailer for Belladonna of Sadness
Lire trailer1:32
1 Video
99+ photos
Adult AnimationAnimeHand-Drawn AnimationTragedyAnimationDramaFantasy

Jean et Jeanne souhaitent se marier, mais, ne pouvant payer la taxe, le seigneur décide de violer la jeune femme. Celle-ci, repoussée par son mari, est approchée par le Diable qui passe un p... Tout lireJean et Jeanne souhaitent se marier, mais, ne pouvant payer la taxe, le seigneur décide de violer la jeune femme. Celle-ci, repoussée par son mari, est approchée par le Diable qui passe un pacte avec elle.Jean et Jeanne souhaitent se marier, mais, ne pouvant payer la taxe, le seigneur décide de violer la jeune femme. Celle-ci, repoussée par son mari, est approchée par le Diable qui passe un pacte avec elle.

  • Réalisation
    • Eiichi Yamamoto
  • Scénario
    • Jules Michelet
    • Eiichi Yamamoto
    • Yoshiyuki Fukuda
  • Casting principal
    • Aiko Nagayama
    • Chinatsu Nakayama
    • Masaya Takahashi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    8,7 k
    MA NOTE
    • Réalisation
      • Eiichi Yamamoto
    • Scénario
      • Jules Michelet
      • Eiichi Yamamoto
      • Yoshiyuki Fukuda
    • Casting principal
      • Aiko Nagayama
      • Chinatsu Nakayama
      • Masaya Takahashi
    • 37avis d'utilisateurs
    • 87avis des critiques
    • 70Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Belladonna of Sadness
    Trailer 1:32
    Belladonna of Sadness

    Photos134

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux20

    Modifier
    Aiko Nagayama
    • Jeanne
    • (voix)
    • …
    Chinatsu Nakayama
    • Narrator
    • (voix)
    Masaya Takahashi
    • The Lord
    • (voix)
    Masakane Yonekura
    Masakane Yonekura
    • The Priest
    • (voix)
    Katsuyuki Itô
    • Jean
    • (voix)
    • (as Katsutaka Ito)
    Shigako Shimegi
    Shigako Shimegi
    • The Lord's Mistress
    • (voix)
    Masaaki Tsukada
    • Walla
    • (voix)
    Hatsuo Yamaya
    Hatsuo Yamaya
    • Walla
    • (voix)
    Reiko Niimura
    • Walla
    • (voix)
    Akio Hayashi
    • Walla
    • (voix)
    Masakazu Yamaguchi
    • Walla
    • (voix)
    Yozo Isozaki
    • Walla
    • (voix)
    Masashi Ishibashi
    • Walla
    • (voix)
    Orio Yoshiro
    • Walla
    • (voix)
    Machiko Ito
    • Walla
    • (voix)
    Hitoshi Gôko
    • Walla
    • (voix)
    Kikuchi Kenyukai
    • Walla
    • (voix)
    Tatsuya Nakadai
    Tatsuya Nakadai
    • Devil
    • (voix)
    • Réalisation
      • Eiichi Yamamoto
    • Scénario
      • Jules Michelet
      • Eiichi Yamamoto
      • Yoshiyuki Fukuda
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs37

    7,38.7K
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    10

    Avis à la une

    10fallenletters

    A Masterpiece, but not for everybody

    This film is a masterpiece. There are very few animation films that cross the territory into high art, but this is one. Calling it anime is kind of a disservice as it is more rooted in animated art films than it is anime. This may be Japans first animated masterpiece. But it was not done in a style many of us understand to be anime. It is deeply surrealistic in both imagery and approach. While some scenes are not animated, but rather hand painted still frames which are panned and edited together, but this never detracts from the overall context of the film. The animation itself is a blend of styles throughout the film, but the heavy use of watercolor lends well to the new 4K restored version.

    This is a very adult film. It is highly sexual in nature. As an art film though from this era, it is actually not out of bounds. With that being said, art films, especially foreign ones, are not for everybody.

    This is a feminist film, but it may be a difficult film to watch for some. So a bit of a trigger warning for those who care. The themes do deal deeply with sexual trauma and violence, and recovering from it. It is also though about finding independence in a patriarchal system, and ownership of ones own sexuality.

    So beyond all that, if you do want to experience something different and beautiful, this film is something to behold. Everything from the great psychedelic rock, and free jazz soundtrack, to the mix of animation and artistic styles, we have a film that stands out even to this day. It is unique in what it offers. It's restoration should be celebrated.

    On a side note, I have to credit AFI Silver in Silver Spring, MD for screening this film. It remains one of the best cinema's in the country as otherwise forgotten films find new audiences. This really has not been screened much in the US.

    My hope is this does make it to blu-ray or some other media format. For now the credit is to the new distributors, but also arts cinemas like AFI Silver that are currently screening the film. It is a rare treat to see a film like this.
    10Red-Barracuda

    Visually and aurally incredible piece of cinematic art

    Wow. Sometimes something comes along that really genuinely blows me away and the viewing of this movie is one such very rare occasion. It's a film that was released in 1973 in an era when the adult cartoon was a new concept, typified by the likes of Fritz the Cat (1972), but Belladonna of Sadness by contrast attracted mainly negative criticism and it then seemed to more or less fall off the radar for many, many years. Having just seen it I can only say that this is a criminal state of affairs and that it is pretty seriously unfortunate, to say the least, that something so overwhelmingly artistically beautiful was disregarded and cast aside. The amount of artistic imagination and creativity on display here is pretty monumental.

    Its regarded as a very early example of Japanese anime but it's like no other anime I have ever seen. While it definitely does have some material that would go on to be associated with the manga branch of Japanese anime, it is executed in a somewhat experimental manner. This is quite honestly more of an art film than an actual story. Many folks seem to have taken all manner of things away from this one in terms of its content, such as a feminist message and such. And while I agree that this is there, the sheer beauty of the artistry is so overwhelming that the contents of the story were completely overshadowed by the visceral sensory experience of watching this one. Despite its Japanese origins this one is set in the Middle Ages in Europe and it begins with a wedding of a young couple. The groom cannot pay the marriage tax so the baron exercises his 'rights' and rapes the bride. This trauma deeply affects the young couple and the woman turns to witchcraft.

    Some may be taken aback by certain aspects of this one. Firstly, despite being an animated work, much of the story is told by still paintings and drawings. There are many elaborately detailed tableaux which the camera pans across and in so doing expands upon the narrative. There are many still pieces of art of varying styles, such as landscape watercolours, comic-book style figures and surrealism. These visual ideas are interwoven with early 70's styles such as psychedelia and transgressive underground comics. There are animated sections too, which make even more impact because they only appear every so often. There seems to be a general split where the narrative is depicted using stills and the inner working of the protagonists mind are animated. Consequently, this leads to the extended animated sequences being more dreamlike and surreal in nature. Accentuating all of this is an excellent soundtrack which works fantastically well with the imagery on screen. It's quite an eclectic score which features what could best be described as Japanese folk-pop and some out-and-out prog-rock.

    As I said before, this isn't a film for everybody. Aside from its experimental approach, some may find the sexual content difficult. There are many examples of sexual imagery, although I wouldn't say it's exactly in erotic territory on account of its highly stylised presentation but also due to the disturbing nature of much of it. But despite the dark undercurrents to the material this is a film of enormous visual and aural beauty. In my personal opinion this has to go down as a stonewall classic and a great example of what the animated movie format is capable of.
    8Mike_Olson

    Impressive work of art

    Impressive work of art. The back cover of the Blu-ray states that this is the last film in the Animerama trilogy. In doing a little research I found that Animerama is defined as "...a series of thematically- related adult anime feature films originally conceived and initiated by Osamu Tezuka..." This third film was co-written and directed by Eiichi Yamamoto inspired by the book SATANISM AND WITCHCRAFT by Jules Michelet.

    The animation is fairly basic. It's largely comprised of long paintings, done in watercolor. The effect reminds me of certain Japanese scrolls where, as they unwind, the story is told. In the case of this film, however, the camera slowly moves right to left along the painting, occasionally zooming in. There is also other limited use of cell animation where the camera is shooting each of the different cells and they are presented in sequence on film to show progression/movement...at a lower slower frame rate than, say, the average Disney cell animation. As mentioned, it's all fairly basic and yet still works well in combination with the other elements. Which are:

    Narration, requiring reading of subtitles for those not fluent in Japanese.

    And a great sound/music score that I wouldn't mind having on CD. It ranges from trippy to hauntingly beautiful with a few actual songs that are quite nice. And other chaotic or horrific or beautiful sounds and music. All complementing the imagery in a way that is very important to this type of animated film.

    Who would I recommend this to. It deals with some pretty strong subject matter, not the least of which is rape. Horror fans may appreciate some of the darker aspects of the film. But beyond that: Do you appreciate art? Do you appreciate Japanese culture/history? Are you open to alternative forms of storytelling? If you answer yes to all then you will probably like this film. I thought it was one of those rare treats that I likely will revisit. I'm also now curious about the other two films in the Animerama trilogy.
    8Irishchatter

    Tragic, disturbing and colourful!!!

    Yeah.. There were a lot of extremely disturbing scenes which involved rape, 99.9% of nudity, sexism, betrayal, murder, corruption, you blooming name it!

    I really appreciated the art like for a 1970's anime, it did a decent job in making your brain go all over the place. The storyline was quite on point to make you go "omg" or "WTF" the whole time.

    Yeah this anime is pretty underrated and probably not to everyone's taste due to it being heavily disturbing so take note before watching!
    8max4movie

    Brilliant Art Come To Life For A Gruesome Story

    Full Review on my blog max4movies: Kanashimi no Belladonna (international title: Belladonna of Sadness) is an experimental animation movie for an adult audience. Its plot focuses on Jeanne, a young and beautiful woman, who after being raped, has visions of the devil. It features extreme graphic content, like naked women, rape scenes, and an orgy with animals. This, alongside with Jeanne being mostly naked and the omnipresence of phallic imagery, will be appalling to some - although the movie never indulges in voyeuristic pleasures like other erotic movies. Still, the movie features undeniably beautiful images with a unique art style, ensuring that the colorful depictions of rape and torture not only fascinate but also highlight the rich underlying thematic concepts, like open sexuality, criticism against religion, and a social commentary about totalitarian regimes.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The last film produced by Mushi Production. They went bankrupt shortly after its release.
    • Gaffes
      The end of the film references the French Revolution of 1789, but then an image is shown of Eugène Delacroix's famous painting "Liberty Leading the People." That painting - "Liberty Leading the People" - depicts the July Revolution of 1830, not the French Revolution of 1789.
    • Citations

      Jeanne: What ails you little one? Do you want me?

      Page: Jeanne, Don't you recognize me? I'm the Lady's page. She hates you, so I hated you too. I'm the one who slashed your green cloak.

      Jeanne: Your point, little page?

      Page: I did it because... I love her.

      Jeanne: Are you here to kill me?

      Page: I need your help, Jeanne. Hear my plea. I want to make love to her. But... I'm only a lowly page. She'd never consider me.

      Jeanne: Who cares about status?

      Page: God granted us our status. Ignoring that is against God! The Work of the Devil! Hower... I'm willing to sell myself to the devil for my love.

      Jeanne: Enough.

      [Jeanne hug the Page]

      Page: [Page gets scared] Filthy witch! How dare you!

      Jeanne: [Jeanne lauging] Very well, I'll help you.

    • Crédits fous
      There are no ending credits or a 'THE END' title; all the credits are at the beginning. The opening theme is reprized over a blank screen after the final scene. The 2015 restoration adds a copyright byline and credits for the restoration.
    • Versions alternatives
      According to the liner notes booklet contained with the Japanese DVD of the film, there are six known versions of the film.
      • The first was a draft version that was hastily created to meet a deadline that the film had to be shown to the distributor, Nippon Herald, for their perusal by August 1972. This version, which contains temporary placeholder shots made by a team separate from the main crew, has never been shown to the public.
      • The second version was completed by the end of 1972, and premiered at the 1973 Berlin International Film Festival. Aside from the placeholder shots of the first version being replaced with material created by the main team, the scene in which Jeanne makes her pact with the Devil was immediately followed by a 5-minute live-action montage shot by Daido Moriyama depicting sexual acts performed in parks and red light establishments. This version also ends with the Devil laughing in the crowd after Jeanne's execution. Because this ending was poorly-received at the Festival, Eiichi Yamamoto decided to alter it in later versions.
      • The third version was used early on during the film's Japanese theatrical release. It omitted Moriyama's live-action montage, but still retained the Devil's laughter at Jeanne's death.
      • The fourth version, created partway through the Japanese theatrical run, removed the Devil's laughter, and featured an instrumental version of the film's theme song over the ending. An edited presentation of this version was used for some TV broadcasts.
      • The fifth version was edited for an attempted 1979 re-release. In an effort to appeal to female college students, Yamamoto cut 8 minutes' worth of material from the original camera negative, removing most of the film's scenes of sexual violence. This version also made alterations to the film's ending: a newly-animated shot of female bystanders at Jeanne's execution, whose faces morph into Jeanne's visage, was added, as well as a final montage of title cards describing the role of women in the 1789 French Revolution, with the film's final shot being of Eugène Delacroix's painting "Liberty Leading the People". Some revisions were also made to the film's opening credits roll. This version was released on VHS by Pony Canyon in the early 1980s.
      • The sixth version was created in 1986 for the film's VHS re-release and first release on LaserDisc. Although otherwise based on the 1979 re-release, it reinstates all of the sexual content omitted from that version. This is the version that has remained in circulation since, and was restored in 4K for its 2016 re-release.
    • Connexions
      Featured in MsMojo: Top 10 Animated Movies That Were Ahead of Their Time (2024)
    • Bandes originales
      In the Pale Mirror
      Lyrics by Chinatsu Nakayama

      Music by Masahiko Satô

      Performed by Chinatsu Nakayama

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    FAQ18

    • How long is Belladonna of Sadness?Alimenté par Alexa
    • What Snake Keyword of Belladonna of sadness?

    Détails

    Modifier
    • Date de sortie
      • 7 mai 1975 (France)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Belladonna
    • Lieux de tournage
      • Tokyo, Japon(Mushi Production)
    • Sociétés de production
      • Mushi Production
      • Nippon Herald Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 80 000 000 JPY (estimé)
    • Montant brut mondial
      • 378 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 26 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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