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Ajouter une intrigue dans votre langueEight people are invited to an island estate for the weekend. One of them is a werewolf. Can you guess which one?Eight people are invited to an island estate for the weekend. One of them is a werewolf. Can you guess which one?Eight people are invited to an island estate for the weekend. One of them is a werewolf. Can you guess which one?
- Réalisation
- Scénario
- Casting principal
Sam Mansary
- Butler
- (as Sam Mansaray)
Carl Bohen
- 1st Hunter
- (as Carl Bohun)
Valentine Dyall
- Narrator of the Werewolf Break
- (voix)
- (non crédité)
Dennis Plenty
- Hunter
- (non crédité)
Annie Ross
- Caroline Newcliffe
- (voix)
- (non crédité)
Avis à la une
This low-budget horror film had an innovative concept, mixing rather successfully a traditional Agatha Christie-type murder mystery with a "gory" werewolf flick; the result does hold your attention but is marred by wooden acting (except for the excellent Peter Cushing) and a few overextended chase scenes. As another reviewer noted, no real clues are given to us to help us figure out the identity of the werewolf, so it's strictly a matter a guessing, but there is some fun in the game... (**1/2)
Tom Newcliffe (Calvin Lockhart) is a man of wealth who has enjoyed hunting just about every animal possible. He has invited a group of friends to his house for a hunting party. But this is no ordinary hunt. Newcliffe has it in his head that one of his friends is a werewolf. He's not sure which friend he will be hunting, but over the three night full moon cycle, he's sure the werewolf will show himself. Unfortunately for Newcliffe and the rest of his party, a werewolf proves to be the most cunning and dangerous game he's faced.
I'll never list The Beast Must Die among my favorite films, but it's certainly enjoyable enough. The concept is original. I can't remember seeing anything similar. Much of the film is presented not so much as a horror movie, but as a mystery. These elements of The Beast Must Die worked for me. I found myself playing along as I tried to decipher the clues to the werewolf's identity. And in the end I was able to pat myself on the back for at least being half right. The Beast Must Die even gives the viewer a chance to stop and thing things over before the identity of the werewolf. William Castle would be proud of the Werewolf Break. Sure, it's gimmicky, but it's a fun, interesting touch.
There are a few things I would have liked to see done differently. I've never been much of a fan of werewolves that are more wolf than man. The werewolf in The Beast Must Die has no human characteristics. It's a wolf (okay, it's really a dog, but you get the idea). Also, I wasn't overly impressed with the lead actor Calvin Lockhart. He's just a little too over-the-top and outrageous to be effective.
I'll never list The Beast Must Die among my favorite films, but it's certainly enjoyable enough. The concept is original. I can't remember seeing anything similar. Much of the film is presented not so much as a horror movie, but as a mystery. These elements of The Beast Must Die worked for me. I found myself playing along as I tried to decipher the clues to the werewolf's identity. And in the end I was able to pat myself on the back for at least being half right. The Beast Must Die even gives the viewer a chance to stop and thing things over before the identity of the werewolf. William Castle would be proud of the Werewolf Break. Sure, it's gimmicky, but it's a fun, interesting touch.
There are a few things I would have liked to see done differently. I've never been much of a fan of werewolves that are more wolf than man. The werewolf in The Beast Must Die has no human characteristics. It's a wolf (okay, it's really a dog, but you get the idea). Also, I wasn't overly impressed with the lead actor Calvin Lockhart. He's just a little too over-the-top and outrageous to be effective.
what a great idea. badly executed. the best big game hunter in the world tries to kill a werewolf. seems to me like he was one of the worst shots, let alone one of the worst hunters in the world. not once did he use his skills, relying on everyone else around him to do the work for him, and he could just walk in for the kill. wheres the honour in killing your foe with a machine gun? i sat and watched as a film i'd wanted to see went plodding along until the end(though the ending was quite good). a weak film with some 'jazzy' music. what would terence fisher have done with it? made it fun at least. for once, a remake might do this idea justice. and make it scary this time, darnit!
An odd little horror flick-slash-whodunit that is part "Ten Little Indians," part "The Most Dangerous Game," part haunted house thriller, and all low-budget (but supremely entertaining) fun. An eccentric millionaire harboring a fascination for werewolves invites guests to his countryside mansion, where he intends to prove that one of them is, indeed, a werewolf. There are plot holes galore, but the excellent British cast, the William Castle-esque "werewolf break" (during which the audience is asked to guess wolfie's identity), the unexpected triple-whammy (and deeply ironic) ending, and the use of the "Jeopardy" theme (!) make up for it. The "clues" aren't nearly as plentiful or as clear as advertised, and the soundtrack is straight out of a 70s-era action flick, but no matter. A little-known gem that is most definitely worth seeing.
Others commenting here seem to have been distracted by the "game" aspect of the movie, which was, of course, a gimmick added after the movie was finished.
Although the story really required a larger budget, this well-cast, intelligent horror thriller is well worth watching. The story is reasonably suspenseful, the direction good enough most of the time, and it is unusual in depicting the central villain as someone who LOVES being a werewolf. It's based on a good novel, which was given reasonably respectful treatment.
Although the story really required a larger budget, this well-cast, intelligent horror thriller is well worth watching. The story is reasonably suspenseful, the direction good enough most of the time, and it is unusual in depicting the central villain as someone who LOVES being a werewolf. It's based on a good novel, which was given reasonably respectful treatment.
Le saviez-vous
- AnecdotesDespite writer / director Paul Annett's objections, producer Milton Subotsky (who hated this film) insisted on the "Werewolf Break" gimmick, where the viewer was invited to guess who the werewolf is.
- GaffesWhen the alarm shows that the werewolf has left the estate and is prowling in the forest, Tom has his surveillance expert help him track the beast. He could have taken a few seconds to look in on all the guests via the spy cameras to see which one was missing from their room and so discover the werewolf's identity, but this does not seem to even occur to him.
- Citations
Narrator of the Werewolf Break: This film is a detective story - in which you are the detective. The question is not "Who is the murderer?", but "Who is the werewolf?" After all the clues have been shown, you will get a chance to give your answer. Watch for the Werewolf Break.
- Crédits fous[at the beginning of the film, with narration] This film is a detective story - in which you are the detective. The question is not "Who is the murderer?", but "Who is the werewolf?" After all the clues have been shown, you will get a chance to give your answer. [said but not written on-screen, directly after the above quote] Watch for the Werewolf Break.
- Versions alternativesAlso released on home video as "Black Werewolf" without the Werewolf Break in it.
- ConnexionsEdited into The Gentle Touch: Melody (1980)
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- How long is The Beast Must Die?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Beast Must Die
- Lieux de tournage
- Shepperton Studios, Studios Road, Shepperton, Surrey, Angleterre, Royaume-Uni(studio: made at Shepperton Studios, Middx. England.)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
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