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6,6/10
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MA NOTE
Ajouter une intrigue dans votre langueA perverted teenage boy who lives in the walls of a house finds the house sold to a family after his mother dies, then he falls for one of the new residents.A perverted teenage boy who lives in the walls of a house finds the house sold to a family after his mother dies, then he falls for one of the new residents.A perverted teenage boy who lives in the walls of a house finds the house sold to a family after his mother dies, then he falls for one of the new residents.
- Réalisation
- Scénario
- Casting principal
Karen Purcill
- Wanda
- (as Karen Purcil)
Avis à la une
An eerie film about an outcast teenage boy who lives in a fantasy world of princes and princesses which he spends his time elaborately illustrating on paper as a hobby. His mother has more sensible expectations for her son with a future medical career. But that bright future may never materialize after Ronald accidently kills a girl passing by who was taunting him with cruel remarks. In a state of shock and grief at what he'd done, Ronald buries the girl's body in a shallow grave and returns home. His mother, upon seeing him exhausted and dirty, asks what happened. Ronald, still visibly shaken, tells his mother what he did and his she tries to console him advising that it was only an accident. But when he tells his mother that he buried the girl's body, his mother becomes alarmed and angered realizing that the police will wonder why Ronald buried the body as if to conceal the incident. Knowing that this would destroy any chances of Ronald becoming a future doctor, his mother feels there is only one thing that can be done, hide Ronald in the house until things quiet down. She can just tell the police that he ran away. Ronald and his mother work through the night to convert a spare bathroom in their Victorian house into a well-concealed "hidden room" in the house where Ronald would remain at all times. One more problem arises as his mother must go in for some minor surgery which would leave Ronald on his own for a week alone. His mother dies during the operation. Ronald remains in the hidden room. The home is quickly put up for sale and a new family moves in. The house's new residents had already heard the horrific news of Ronald, and what he'd done, but they believed he had long since disappeared. Not long after the family settles in, they begin to hear unexplained noises and food begins missing from the kitchen. They wonder if their Victorian house also has a resident ghost. They find out soon enough!
I've been wanting to see this movie for a long time and I'm glad I finally did. This is a TV movie from the glory days before TV movies were all aimed at bored housewives, before you had a rampaging Delta Burke or somebody like that crusading against the drunk driver who sold drugs to her son, turned out her daughter, and molested her dog. I'd watch Lifetime and the Hallmark channel religiously if there was a remote chance they'd ever show something like this! Ronald is a creepy but at the same time oddly sympathetic teenager played by Scott Jacoby (yes, THE Scott Jacoby!). After he kills a neighbor girl, his doting mother hides him in secret room, but then she tragically dies and a new family with three teenage daughters moves in. The dad is played by a young Dabney Coleman WITH HAIR. The two older daughters were played by the sexy Eilbacher sisters, but the perverted Ronald falls in love with the youngest daughter (Cindy Fisher), who the camera leers at as much as he does (she keeps running up stairs dressed in a short tennis skirt--is this 70's made-for-TV kiddie porn?). When the girls parents go out of town, Bad Ronald makes his presence known and all hell breaks loose. There are no important social messages here, no familial problems are addressed, Delta Burke does not appear--it's just two hours (minus commercial breaks) of enjoyable trash.
After accidentally killing a girl, teenager Ronald Wilby (Scott Jacoby) is hidden away from cops in a secret room in the house by his domineering mother (Kim Hunter). Poor Ronald is left all alone when she passes away. Sad Ronald finds the situation gets better and worse when Mr. Wood (Dabney Coleman) moves into the house with his wife and three daughters. Bad Ronald, whose mindset is becoming increasingly delusional, becomes fixated on the youngest daughter (Cindy Fisher) and begins to imagine she is the princess for the imaginary kingdom in his head. Highly effective TV-movie from director Buzz Kulik that is based on the novel by John Holbrook Vance. You do actually feel sorry for the boy and Jacoby gives a great performance, especially for a teen. The end is very rushed, but it is after all a TV movie. Expanded and it could be a top-notch thriller that still would work today. When I see something like this I wonder why Hollywood never tackles this kind of material for a remake (the French did a version in the early 1990s).
On the face of it, Bad Ronald doesn't look like it has much going for it, but despite some silly plot devices and the fact that it was made for TV back in the seventies; this is actually a very decent little cult gem. The film capitalises on the idea of creepy old houses being haunted; only this time the house at the centre of the tale is not inhabited by ghosts, but rather by the psychopathic son of the previous owner. The premise works from what is probably the most obvious plot device ever, as we watch the title character; an odd young man obsessed by the fantasy world that he himself has created, accidentally murder a young neighbourhood girl. That's just the start of the chain of events, and when he comes home to tell his mother that he's killed a girl and buried the body in a shallow grave, she immediately decides that he must convert the downstairs bathroom into a secret hideout. He stays there while his mother brings him food, but tragedy strikes when she dies in hospital, leaving Ronald on his own. It's not long before a new family moves in, and Ronald isn't moving out...
I'm probably overrating this film a little really, but the way that the story is delivered is completely undemanding, and that makes this a very fun film to watch. Too many films these days are too complicated, but Buzz Kulik's film focuses on the important elements, and the resulting film is very simple and easy to get into. The film isn't heavy on characterisation, but the central situation has more than enough to make up for this, and the character of Ronald is easy to get behind, despite the fact that he's the villain of the piece. The fact that it was made for TV is obvious as the film looks very cheap and the acting is largely diabolical, but I've seen a lot worse from theatrically released films. There's no blood and gore in the film, partly because it was made for television, and partly because the story really doesn't need any gore to succeed. Bad Ronald is a real bona fide cult gem; it may never achieve classic status, but its well worth tracking down and I highly recommend this film to anyone that gets their hands on it. I know I'll definitely see it again!
I'm probably overrating this film a little really, but the way that the story is delivered is completely undemanding, and that makes this a very fun film to watch. Too many films these days are too complicated, but Buzz Kulik's film focuses on the important elements, and the resulting film is very simple and easy to get into. The film isn't heavy on characterisation, but the central situation has more than enough to make up for this, and the character of Ronald is easy to get behind, despite the fact that he's the villain of the piece. The fact that it was made for TV is obvious as the film looks very cheap and the acting is largely diabolical, but I've seen a lot worse from theatrically released films. There's no blood and gore in the film, partly because it was made for television, and partly because the story really doesn't need any gore to succeed. Bad Ronald is a real bona fide cult gem; it may never achieve classic status, but its well worth tracking down and I highly recommend this film to anyone that gets their hands on it. I know I'll definitely see it again!
Another one of the made for TV films that appeared on the ABC Movies of the Week. Perhaps by today's standards it does not have the impact that it did when it came out in 74. However for a made for TV movie the story is intriguing and a level of suspense exists which keeps the viewer interested in finding out what will happen next. Most of the 70's made for TV films consisted of original unique stories with good acting and were all presented in a 90-minute format. All in all they including this one still seem head and shoulders above the made for TV movies of the 90's.
Le saviez-vous
- AnecdotesBased on John Holbrook Vance's novel of the same title, the violence of the book was heavily cut and toned down for television. Much of the more disturbing content of Vance's novel was considered too intense for FCC restrictions.
- GaffesWhen Ronald is crawling out of the pantry, a boom mike is visible.
- Citations
Ronald Wilby: Atranta isn't fantasy, it's real!... You'll see.
- ConnexionsReferenced in Ugly Betty: Bad Amanda (2008)
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