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Of all the imported US cops and lawyers series shown on British TV in the early 70's, including Kojak, Columbo, Rockford, Cannon, McMillan and Wife, Banacek, Harry O and McCloud (I can't remember anymore!), this is the one I liked best. Barry Newman stars as the eponymous title character, apparently reprising an earlier film role, a smart-suited, sharp-witted Italian-extraction lawyer building his own home out in the country along with his ever-supportive wife (Susan Howard), who becomes the go-to guy for a seemingly never- ending array of almost-beyond-doubt guilty defendants who he then proceeds to unerringly got off in the last reel thanks to his Sherlock Holmes-like deduction skills. In this he was assisted by his loyal, if somewhat slow assistant, Cowboy Pete.

The shows took on the whodunit format of Columbo, invariably presenting an open and shut case against the plaintiff only for Petrocelli to turn things around with his own reconstruction of the actual events, usually after he's put himself and / or his wife and / or big Pete in harm's way first to get at the truth. That's the good thing about a whodunit, it keeps you guessing and watching to the very end.

Formulaic it may have been, but Newman played the title role with some flair and some flint garnering good support from Howard who was far from the shrinking wife in the background. I remember in particular Newman's habit of saying "No further questions" after he'd roasted a hostile witness on the stand, plus did he ever finish building that house of theirs out in the back of beyond?

Anyway, for me this is another of those vintage shows from my youth that I loved at the time and which I'm pleased to say, dodgy fashion aside, holds up well to watching again today.

"Petrocelli" is a lawyer show that was on NBC during the 1974-76 seasons. It was based on a movie called "The Lawyer" (1970), which also starred Barry Newman as Anthony Petrocelli.

Petrocelli is a Harvard educated lawyer who inexplicably moved to rural Arizona (it was filmed in Tucson but the show never said it was in this town...and Tucson was much, much smaller in 1974). Why he moved there and why his wife supported this move is something the show never really talked about in any detail.

Each week, Petrocelli defends someone for a murder that they invariably didn't commit. The notion of a lawyer only defending innocent people is something this show and "Perry Mason" promote...and I am sure real life lawyers find this very funny. Often, Petrocelli gets people to impeach themselves on the witness stand...admitting they did the killing--something that just doesn't happen in real life. But more often he introduces reasonable doubt by proposing an alternate theory about how and who committed the killing. And, invariably they are acquitted. The perfect lawyer with a perfect record part was ridiculous and had the show gone beyond two seasons, I don't know how they could have continued in this vein.

So is it any good? Yes...and quite enjoyable despite it's heavy reliance on lawyer cliches. But a few other things kept it from being better. Not only was Petrocelli always right but he was often shot at, threatened and/or beaten up and never used a body guard. Again...this is a cliche and cliches are reasons I never thought it was among the very best shows of its type...but it is fun to watch and many episodes can be found on YouTube.

By the way, if you watch you may notice that Petrocelli parks pretty much anywhere and couldn't care less about parking laws. I can only assume this was added to the show to make him appear more like he was from Boston (which he's supposed to be), as the city is notorious for double-parkers.

Petrocelli! Actor Barry Newman was well known, especially from the 1971 car chase thriller movie, Vanishing Point. With name recognition like that, plus an impressive list of weekly guest stars, this show had serious potential.

The first season focused on stories that ended in the Courtroom, with Tony Petrocelli often saying to the Judge, "Let me take you back to the night of the event..." and then laying out what had really happened, and who was or was not guilty. A number of reviewers on IMDb and other sites compare Petrocelli's "surprise conclusions" to Perry Mason.

But the Courtroom drama of season one quickly changed during the second season. There was a shift toward more detective work and more street action. Episodes now spent little time, if any, in the Courtroom. More on why the writers/producers changed the pace of the show in a moment.

There were a number of character development issues with the early shows. One particular quirk that stands out: Tony was always trying to avoid paying the parking meter, by posting notes on the windshield or putting the hood up. The novelty of this wore off rather quickly. Would an attorney on his way to defend a client charged with First Degree Murder really be concerned about saving a dime or a quarter for a parking meter? Fortunately, the writers dropped this silliness in later episodes.

Co-starring as Tony's wife "Maggie" was Susan Howard, who would go on to become famous as character Donna Krebs on "Dallas". On Petrocelli, Ms. Howard acted as Tony's secretary and Girl Friday. In more than one episode she was in the thick of things.

We also saw Petrocelli's investigator, a former cop named Pete Ritter, who often wondered when or if he would get paid. At least one episode revolved around Pete Ritter. Actor Albert Salmi did a commendable job working with the script he was given.

A couple of things about "Petrocelli" were a bit lacking, even a bit disappointing. The writers had Tony and his wife living in a small camper. They were supposedly constructing a house, but it had no wiring, no plumbing, and it wasn't much bigger than a barbecue pit. It just didn't work. And on a similar note, the writers put Tony in a non-descript, boring pickup truck with a camper shell on it. The crummy living quarters and the dull vehicle did absolutely nothing to make Tony look "cool", or like someone who had it together.

Another challenge for the producers was finding a nemesis for Tony. A number of district attorneys, detectives, and other law enforcement types came and went (including Morgan Woodward, famed as "the Man with No Eyes" from the movie Cool Hand Luke). The writers finally settled on character John Clifford Ponce (well-played by actor David Huddleston). Ponce and Petrocelli had a good back-and-forth rivalry, which eventually evolved into a friendship.

So what went wrong? Another television show on a competing network, playing in the same time slot, absolutely demolished Petrocelli in the ratings. That show was the classic TV buddy cop show, "Starsky and Hutch". With everyone tuned in to see what Huggy Bear was up to, there were almost no viewers left to watch Petrocelli.

In response, the producers and writers got Tony out of the Courtroom, and put him on the street. There was more action, including fistfights, gunfire, and numerous attempts on Tony's life.

But it was too little, too late. Petrocelli was canceled in March of 1976, in the second season. The last three episodes that are included on the 2016 DVD release never aired on live television (that is why the date of those shows reads "1976", but there is no month or day listed).

Given more time for development, and less competition in the ratings, Petrocelli might have become a more memorable TV show. The best I can do is

* * * * * * * 7 Stars for Petrocelli * * * * * * *

Florida Fred.

Barry Newman brought a Jewish profile to a Boston Italian lawyer and pulled it off perfectly. Great pathos on Mr. Newman's part, especially once a week when he would sneer up his lips on one side of his face and say, in a long drawn out drawl,...'yyeaahhh', "Pete" (his P.I., the Underrated Albert Salmi... or "Maggie" if he was talking to his wife)..this kid's innocent...we'll prove it." And his perfect presentation at the end of each episode..."Your Honor, I would like to offer yet ANOTHER version of the events of that night...) It was a great show which, just like "Harry O" in the same time frame, was lost in the mass of more popular Crime Dramas and prematurely cancelled.

I think the best lessons "Petrocelli" teaches us are that 1) things aren't always as they seem, and 2) there's a good reason to presume a person innocent until proven guilty - because he just might be innocent, after all. This is a cast that worked very well together, and the writing, too, was excellent. I liked the fact that we would see the crime being committed from different perspectives. I don't know if "Petrocelli" was the first show to ever do that, but it sure kept me tuned in every week. It would be wonderful if TV Land would run this series again.

I, too, loved this TV series when it originally aired and am now rewatching every episode on the DVD set that was released last year. My publisher asked me to write a book about "Petrocelli," and I'm happy to oblige. I'd love to have your help, though. Please tell me the episodes you liked best, your favorite characters, and/or how the series impacted your life. Since I can't give you my e-mail address here, the managers of this website would probably be fine with your posting these opinions about the series here, in the review section of IMDb. Thanks much.

BearManor Media has very recently published "Petrocelli: An Episode Guide and Much More," ISBN 9781629332055.

My name is Tod Persellin - my family lived at 515 avenida de palmas in Tucson - not sure exact date of the scene shoot, but the Petrocelli show used our home for the episode that aired Mar 13, 1975

Anyway, I had been out in our backyard playing wall ball at the time - if they shot it in 75 I was 10 - for some reason, I didn't know they were shooting at the time - anyway, I went into the house thru our kitchen backdoor and made my way to the front of the house (wondering why it was so quiet, where everyone was) - low an behold, once I hit the living room, there was a HUGE party going on in there! The actors and actresses sure were surprised to see me - there was a huge cake, and they said "hey kid, want some cake"? I think someone even said "you're gonna be on tv" lol - they were all very nice about it, laughing it up, and I got cake out of it too!

Turns out I had botched the scene - the film crew was in the front driveway, they were into the shot already - my parents (also outside around where the crew was) told me later the director shouted "who the hell let that @#^%&@% kid in there"! True story

The Star or Citizen wrote a story about the scene they did at our house - it was titled "Petrocelli Visits The Persellins", but there was no mention of my cameo! One of the show artists did a cat drawing for us (we had several cats back then) - anyway, a neat little piece of movie trivia that hasn't been shared (it took me this long to go thru every episode to find the one they did at our home)

Petrocelli is probably the first TV legal drama I watched and I still have fond memories of how Petrocelli was constantly working on his house, but sadly building ceased after the series was axed after only two seasons. Please, Petrocelli needs to be rebooted. I suggest Adam Sandler play the lead role, with Drew Barrymore as his wife.

I remember one episode where Petrocelli took a parking ticket off of another parked car, then put the ticket on his own car he just parked so he wouldn't get a ticket. I thought it was hilarious because I had been doing the same thing at the college I was going to. I found I could park right next to the building where my engineering class was just by taking the tickets off other cars and putting them under my windshield wiper. It worked every time. I only did this when I was running late and now when I look back (that was in the seventies) I might have caused other people to get two tickets instead of one. But back then the fines for parking tickets were just a dollar. It was cool seeing Petrocelli do the same thing I did. I wonder if he saw me parking one day and then stole my idea.

This became a staple diet of my Fresher's year at uni (1997). This show took over from Quincy in the post neighbours slot on bbc1 and was a massive hit in my student flat.

I'd advise anyone to give this series a go, it has an awesome charm and Newman is fantastic. As far as I can remember, Pete never managed to get paid and Tony didn't finish his house - although it did progress upwards from the foundations throughout the two series.

They did mess around with the format a bit towards the end, which was a little disappointing and they became increasingly obsessed with kidnappings. Having said that when Tony was stuck in the desert with a criminal and two blokes trying to shoot them it was pretty cool even if it wasn't sticking to the usual format.

"You gottta tell me the whole story"

Spun-off from the movie "The Lawyer" (qv), "Petrocelli" is a great, one hour courtroom drama starring Barry Newman as the displaced New York Lawyer in the desert, Tony Petrocelli. In the late 1990s there was something of a revival in its popularity in the UK, when the BBC began screening it daily in their early afternoon (2pm) slot. It was certainly more entertaining than the show it replaced, "Quincy MD", although perhaps it did not scale the heights reached by the champion of that particular timeslot, "Columbo". "Petrocelli" became the all time favourite tv show of my University friend and housemate Neil, who would often miss lectures to catch the daily afternoon dose of legal drama. I wouldn't go that far, but I'd still say it's great entertainment. When compared to some of the lame legal dramas out there today ("The Practice", anyone?) the writing here is positively superb.

I was in high school when this show was new, and I got interested only when it was already in its final of 2 seasons. I remember how they would dramatize several differing accounts of what had taken place, but I always thought the trial/hearing was too easily resolved when Tony P. gave his version. And it wasn't even in the 'final summation' stage. He just said something like, "I'm going to share with the court the only way this crime could have happened..." and the case would be dismissed. That's just too simplistic, and it's hard to believe any judge would let him do that-- and the prosecutor does not even object.

There were some running gags and sub themes that helped make the show interesting. Unlike Perry Mason, we see quite a bit of Petrocelli's after-hours. I don't even remember if it was explained why he lived where he did, so I assume he just wanted to be away from the big city, have land and build a house of his own; which he and Maggie did, though not apparently with much speed. If they had gotten more done on that house I wonder if that would have made any difference in the show's popularity. Maggie (Susan Howard) was his secretary/bookkeeper, as well as his wife, and she managed to get into jeopardy as much as Tony and Pete (his easy-going, less scrupulous cowboy investigator) did. And he liked root beer, was sensitive about his name being mispronounced as PETroSELLee instead of PETroCHELLee, correcting anybody who did that, or else deliberately mispronouncing THEIR name. And he often alluded to his Italian heritage and being brought up poor; which often compelled him to sympathize with poorer clients. The town where he kept his office was San Remo, another Italian reference. In one episode he told Maggie that his mother could prepare meatballs in 10 minutes, implying that she should be able to do that. Then she brought his lunch in a bag, he took it out and there was a can of meatballs and a note, "Here's your 10-minute meatballs." Not a belly-laugh, but amusing if you know the characters.

But Barry Newman and Susan Howard were very good actors. I wish the series had lasted 5 years, so it would have been syndicated in more markets and for longer. I would probably have every available episode on tape or disk it that had been the case.

This series was excellent in all the primary attributes one looks for in a legal drama: the setting was fresh and new, the characters were interesting, the cast was always on the mark, and the writing was both believable and absorbing. I had a major complaint, however, with the most famous aspect of the show. What "Petrocelli" did different from other courtroom dramas was its dramatization of each witness's account of the crime. Unfortunately, this meant it visually presented false accounts--things that *never happened.* I know how rhetoricians, relativists, and post-modernists of every stripe love to debate the non-existence of objective truth, but prime-time television isn't the forum for such questions. It bothered me every time I watched the show, and every time it came up in discussion with others, they (almost to a one) agreed with me.