Sergent Anderson

Hi, again, folks. It's me, Michael Reiter. Listen, This time it's about Angie Dickinson in Police Woman. I saw the show back in the seventies, when I was about 11 or so. By the time it was cancelled, I was 15 or so. By then, I was old enough to be titillated by beautiful women. . . Of course I am still that way now, but what the hey? Enjoy them when you get them. Any how, When they made this show, It was still the fashion for women to wear Polyester Leisure suits or some combination there of with tee shirts and or mock t-neck sweaters. That and a London Fog or worthy imitator, Lilly Trenchcoat. Those were the days, my friends. Onwards; Those were also the days of political Incorrectness, in every thing and seen every where. Given that It was just a scant four to eight years after the end of the sixties, when goofy fashions and goofier social behaviour/mores. I read in the preceding comment that there was a concern for political correctness by feminists over the "erotic" nature of the first season; Good God, Even then. The seventies were a fun and peaceful, wonderfully erotic and titillating time unless you happened to be unlucky enough to encounter some of the girls in your class, who were rabid Police Woman Fans. Than you were careful or you got hissed, yowled and cursed at.

Of course, during that time, actresses were bound and gagged, or what have you during the course of a story regularly and nobody questioned anything, because every body knew the difference between right, wrong and the ridiculously fine but obvious line between fact and fiction. What happened to those days?

Ah, Me.

This definitely was the first cop show to feature a female in the lead. Angie Dickinson was quite convincing as the tough no nonsense Pepper Anderson and Earl Holliman was great as her fellow officer Bill Crowley. Within a few years, however, this show would later be upstaged by the more light-hearted "Charlie's Angels" and would later inspire that other female cop show "Cagney and Lacey". Too bad they don't show this on television anymore. It is definitely a lost classic.

Here's another example of a higher plane of quality 70's crime drama. Police Woman has much more believable scenarios, and better actors, say to other shows around that time, or T.J Hooker, if you want another example. The casting was something I really liked with this show. What actually pi..es me off here, is that of the measly screen time of the great Charles Dierkop, the older moustached guy of the undercover squad. He was the killer/cop in that good sleazy exploitation pic, Roots Of Evil. Again, here was a show where you saw a lot of 'before they were famous' actors, one being T.J Hooker, himself. Of course, the foxy AD as the female cop heroine, one lady cop you'd really like to save you, probably the best female acting cop performance to other ones around that time. The t.v. show's music score, is something I probably remember most, about this great cop show, as I was only a nipper. Another 70's cop show, gone, but not forgotten.

In the Summer of 1975, not so long ago, this was the NUMBER ONE show on television, and was the TOP SHOW in many of the countries around the world in which it aired.

How many people know this? Today, almost nobody... Younger audiences haven't even seen it, or, in many cases, haven't even heard of it, or know it's success essentially inspired the advent of "Charlies Angels". (It was also TV's first successful drama series to feature a woman in the title role). When "Police Woman" premiered in fall 1974 it was, admittedly, a quite different show than it would end up four seasons later. Angie Dickinson was the slinky undercover cop, sexy but tough-- convincing on both fronts-- and the show was produced (in the beginning) with the very obvious idea in mind of doing something "good" and distinctive, while tossing in a dash of T&A in their for "kick".

Like with any show, in the very early episodes the series is trying to find it's identity, but by the last half of the first season, the show had taken on almost a cinematic sense of bigness that was REALLY working-- the show (at least for the standards of the day) had begun to feel like a movie, full of gravity and portend, decidedly not just another cop show and not just an undercover-hooker formula thing (although they didn't shy away from that). No wonder the show was, briefly, at the top of ratings at this time-- or in the summer reruns immediately following.

But the feminists, Goddess bless 'em, put a lot of pressure on the network about "Police Woman", unhappy with the go-go dancer assignments and the "oooo-ain't-she-sexy!" dialogue that sometimes permeated the program. They wanted the character de-sexualized... Perhaps one can understand their point about that, but all they seemed to see was Angie in spandex and fishnets, and some of their demands were rather odd (prior to the second season, they even demanded that "Pepper" only be shot by female assailants in the future.... Huh?!?!?... Since 99% of most gun violence is perpetrated by guys, this seemed a tad strange). In any event, as sophisticated and intelligent as "Police Woman" was becoming by the end of it's first year, it didn't really need the "sex-crutch" anymore anyway, yet excess caution was taken with the second year to "reign in" Angie's natural effervescent demeanor. Curiously, what turned-out happening was that the energy was sucked out of the star and the show very quickly, her character weakened considerably... and yet, the hooker assignments continued.

What?? Now we had the reverse of what should have happened.

Within 6 months "Police Woman" went from Number One in the Nielsen Ratings to, maybe, Number 30 (an unwise timeslot change didn't help). In fact, NBC kept moving the show so much one wondered if it was one of those 'let's-try-and-lose-it' type of corporate decisions.

Suffice it to say, the show never really recovered. Angie's confidence seemed surgically removed after the first year, and the scripts and direction followed suit; only about half the episodes from seasons 2 and 3 had enough energy and focus to really work, and even then there's a constant feeling of the program "holding back" --- or holding-back Angie. And season 4, the series' final, was largely a misfire... And in SUCH contrast to the dynamic, volatile first season--- well, it's like a completely different program.

And ever since a brief rerun period after it's initial network run, the show has been utterly buried--- like it never even existed!

This started a movement in TV crime shows where females weren't just the passive victims of male dominated fantasy crimes. This lady hit back. And what a punch she packed. An action packed series that introduced us to some great supporting characters and kept mums as well as dads on the edge of their seat. Angie Dickinson never camped it up (as much as you couldn't in the 1970's) It was as gritty as the execs would allow. Despite the pilot episode being called Police Story - it was obvious from the outset who the star of the show was.

In its prime I had reached the grand old age of 10 - whereby this was the first adult TV series I was allowed to stay up and watch. Thanks Mom & Dad