Le loup garou de Washington

This thing is all tongue in cheek. And in some ways it's a bit charming. The president and all his people are a bunch of clueless idiots. If it weren't for six years ago, I would have said this was impossible. Of course, it was 1973 and the country was reeling from Watergate. There was racial tension and distrust. Now we have Dean Stockwell whose career has been dotted with psychos and weirdos. He finds himself at the end of the werewolf chain, having been bitten in Hungary. He serves as press secretary with the mild inconvenience of turning into a werewolf when the moon is full. He kills a little, bowls a little, terrorizes people in telephone booths. He suspects what has happened to him but, of course. no one will buy it. To the bitter end, the President of the United States is insincere and manipulative (and stupid). The film is pretty predictable, but its comic moments are the best. Don't expect to take this seriously. Maybe a scholar will look at it and see it as pure satire. Unfortunately, it's not that good.

Here's an oddity. It's a werewolf movie which operates as a comedy about a Whitehouse press secretary who is bitten by a lycanthrope while stationed in Hungary. He is recalled to Washington and winds up killing a bunch of people connected to the President. This came out during the Watergate scandal and the main character does stay in that famous hotel but I think it would be a stretch to push this one too far as a satire, as the material is a bit thin for that; after all, one of the best gags has our hero getting his fingers jammed in a ball while bowling pre-full moon. Its still kind of hard to dislike though, and I am always a sucker for werewolf make-up. The transformation scenes were actually not bad and Dean Stockwell is pretty committed in the main role - he looked wired to be perfectly honest. Overall, a fun 90 mins for werewolf fans.

The opening of this film is great - it sorta spoofs The Wolf Man (1941). LOL I love the humor from the get-go. The more the film goes on the more you'll find some cute & oddball werewolf and other humor. This is a comedy-horror so if you chose to watch it you should keep the fact it's a comedy in mind.

The movie is not bloody - although there are people killed by the werewolf. The transformation is pretty neat - again reminiscent of the classic Wolf Man transformations. The look of the werewolf in this film reminds me a little bit like the werewolf in 'The Boy Who Cried Werewolf (1973)' - which came out the same year of this film.

Overall this is neat werewolf flick with some silly humor. I found it worth watching.

6/10

As you can probably guess from the title alone, "Werewolf of Washington" is basically a direct take on "The Wolf Man" story, shaped into a kind of political satire.

We join press secretary Jack Whittier on assignment in Hungary, where his girlfriend buys him a silver cane with a wolf's head handle. When his car breaks down he encounters some strange gypsies, and is attacked by a wolf which he beats to death with his cane. After the wolf is dead it changes back into human form, but the police don't even arrest him for murder. Jack is convinced that there is some kind of a government cover-up going on, but a gypsy woman tells him that he has become a werewolf, cursed with the sign of the pentagram ("Oh, so the pentagon's involved?"). He then returns to Washington, and finds that a series of people he meets are murdered in animal-like attacks ...

This movie does have a lot of very funny and memorable moments. The "phone booth" attack and most of the scenes with the president (particularly the bowling alley sequence) rank particularly highly, and this is certainly a film you won't forget in a hurry. It's one of the most original werewolf movies I've seen in a long time. The acting is surprisingly good considering how incompetent some aspects of the film appear to be, and that's where a lot of the comedy comes from. Dean Stockwell gives an excellent, nervous performance reminiscent of Lon Chaney Jr, and Biff McGuire as the president is just great.

However, it isn't all good news ... it was directed by Milton Moses Ginsberg, who seems primarily to have worked as an editor but has directed several obscure movies (his first movie "Coming Apart" actually appears quite popular critically). The film-making isn't terrible, but it's not really of professional quality -- in some scenes you can even catch that elusive shadow of the cameraman. Considering it was made by an editor, the movie is slow-moving and doesn't flow as well as it should, and some of the cuts just don't work at all. The dialogue is pretty clunky most of the time, although there are some clever plays on words. It's a political satire made at a time when it was fashionable to attack the administration, so of course there's plenty of topical humour going on.

Yes, it's silly and it's cheap and it's pretty incompetent, but it's also a lot of fun. I'm even tempted to give it a higher rating, but I might not live that down. Just see it if you want some quick laughs.

This is a sometimes slow-moving, sometimes cheap-looking but always a what- the-HELL-am-I-watching?! kind of a film. Dean Stockwell, who seems to have walked onto the set of "The Wolfman" at films beginning, gets a silver headed walking stick, encounters some weird gypsy types and becomes cursed with lycanthropy. Part werewolf film, part Watergate satire, Stockwell looks pretty cool with his full wolf make-up on and shows a talent for physical comedy as well. The scene where he gets his hand stuck in a bowling ball, whilst the clueless President fails to notice, is hysterical. This really isn't meant to be a thrilling chiller, but the scene with a girl trapped by the werewolf inside of an overturned phone booth is rather tense and well done. Yes, it's cheap, the acting isn't that great (outside of Stockwell's performance) the sets are lousy and everything screams 70S!!! in all of its tacky hideousness (the flowered wallpaper in the heroine's bedroom is by far the scariest thing about this film) but it's not a total loss. Its a sharp, clever and sometimes very black comedy with some nice make-up effects. It's worth seeing for Stockwell's manic performance alone.