Justice sauvage

If you are a southern male who grew up in the 1970's, "Walking Tall" is your "Gone With The Wind". This 1973 movie is based on actual events in the life of Sheriff Buford Pusser of McNairy County, Tennessee during the 1960's. Though the screenplay takes some liberties with Pusser's story, it is an exciting account of one man taking on organized crime and corruption .

The story begins with Buford and his family moving back to his home town in McNairy County. Shortly after arriving, Buford realizes that his home town has changed. Gambling, prostitution, and bootlegging have taken over. Buford exposes the gambling operation to be corrupt and is brutally beaten and left for dead. He recovers and seeks vengeance using a big piece of lumber. He is arrested for his troubles. Buford is cleared of the charges and is soon elected Sheriff. He promises to rid the county of crime and corruption. The rest of the movie shows how difficult it was for Buford to follow through with his promise.

Buford Pusser is played by Joe Don Baker, who gives the performance of his career. Baker's Pusser faces the tragic events of the movie with a sense of sad but heroic nobility. The audience is able to feel what Pusser must have felt when these events actually happened through Baker's brave performance.

The story is ultimately a tragic tale of one man who walked tall and stood up against the forces of corruption. It is the rare action movie that makes you cheer and cry at the same time. This is essential viewing for anyone who loves true heroes.

"Walking Tall" is certainly one of the most ass kicking movies ever made. It's a fictionalization of the true story of Tennessee sheriff Buford Pusser, played here with conviction and intensity by Joe Don Baker. Buford has retired from life as a wrestler, hoping to settle down to a quiet life in his hometown, but he finds out that everything has gotten crooked, with local bigwigs running the show. Soon enraged at a system that does little to nothing to help the common man, he wages a personal war on corruption, using any method necessary. The movie does its job as far as manipulating its audience. It doesn't take long for viewers to get their blood lust up, and loudly cheer on our swaggering hero as he gives the assorted sleazy cretins their just desserts. And it doesn't hold back in the violence department, either; even if the blood is typically bright red movie blood that looks more like paint than anything, there's a lot of it that flows before the movie is over. And we can also definitely take interest in a story of a regular Joe who fumes at the injustices of the world, and refuses to live in a place where the big shots can have their way at any time. When Pusser puts a pompous, ineffective judge (Douglas Fowley) in his place, or humiliates a rat by having them crawl on all fours, it's not hard to pump one's fist in the air and yell, "YEAH!" All of the bad people are one dimensional, sleazy, selfish jerks; even though they may disagree with one another on methods used, they all look out for number one and enjoy their hold on the community. Provided one can take the brutality, and doesn't mind having their buttons pushed so obviously, "Walking Tall" is gripping. A superb cast really helps in the selling of the material, with Elizabeth Hartman as the troubled but loyal wife, Gene Evans as the ineffectual sheriff, Bruce Glover and Felton Perry as deputies, real-life siblings Leif Garrett and Dawn Lyn as the Pusser children, Noah Beery Jr. and Lurene Tuttle as Buford's folks, Rosemary Murphy as trouble making Callie Hacker, and assorted other character players such as Arch Johnson, Don Keefer, Sam Laws, Kenneth Tobey, Pepper Martin, Red West, Logan Ramsey, Richard X. Slattery, Sidney Clute, and John Myhers. Now, granted, all of what happens is plenty predictable, but it's hard to deny how this could become a crowd pleasing entertainment on a non-think level. And Buford's story didn't end here, with two sequels, a TV movie, a short lived series, and a loose remake & subsequent sequels to follow, just going to show how enduring the concept of a strong, principled man fighting for what's right can be. Seven out of 10.

Yes Virginia there really was a man named Buford Pusser. He was a south Tennessee sheriff who was shot 8 times, knifed 7 times, survived a ambush, and even jumped onto a speeding car to make a arrest. The film, which was admittedly given the Hollywood treatment, looks at his exploits in a somewhat routine,somewhat gritty style with some surprisingly stirring moments. Though by the end when Johnny Mathis sings a ill advised syrupy song do you realize how emotionally manipulative it all really is.

Shot right in Tennessee and not some reprocessed Hollywood backlot. The excellent location shooting almost becomes a star in itself. However someone should have told the producers that even in the south the grass is not all green and the leaves aren't all on the trees at Christmas time.

Baker plays the lead role very, very well. Not only does he resemble the real Pusser, but shows some real fiery anger that's just lurking beneath the surface.

The action is intense, bloody, and well staged. Good for those who are game for this type of standard actioner.

It is interesting to note that the real Buford Pusser acted as a consultant to the film and then ended up dying in a very mysterious car crash just a year after the films release.

Lemme y'all tell a story about a fine working-class hero named Buford Pusser!

Actually, being a European and born in the 80s, I only know Buford Pusser from his Wikipedia page and the many things I heard & read about this film. "Walking Tall" is supposedly one of the most successful and loved drive-in/exploitation movies of its era, so it must have ended up on my must-see list sooner or later. It's a partially biographical and partially fictionalized tale about a "real American Hero", and illustrates the period between Buford's homecoming to McNairy County, TN, and the tragic assassination of his wife in 1967. The sequel picks up from there, and normally would have starred the real Buford Pusser if he hadn't died in questionable circumstances prior to the start of production. Bo Svenson took over the role from Joe Don Baker (who refused in honor of Buford Pusser) and portrayed him in the two sequels and a short-lived television series.

So much for the information you can also find on Wikipedia. "Walking Tall" is a bizarre drive-in/exploitation experience, since it's one of the sole movies of its type that successfully merges emotional drama with extreme bits of violence. Usually these "Dixie-rednecksploitation" efforts heavily focus on the moonshining, liquor-smuggling and illegal gambling activities - and there's absolutely nothing wrong with that - but "Walking Tall" clearly wanted to put the emphasize on human beings and their personal quests. This naturally includes Pusser's quest to rid his beloved county of all the smutty mafia practices going on, but also his wife's quest to safeguard her husband and family, and the quest of the Dixie mobsters to proceed with their profitable business and eliminate the intrusive Sheriff. It's definitely different, but "Walking Tall" works very efficiently. Even though a bit too long for my taste, the atmosphere is moody and ominous throughout, and all the significant characters are well-developed. The action sequences are very violent, and the aforementioned assassination even downright shocking, but it certainly adds power and realism to the film. Great acting performances all-around, notably from Joe Don Baker and the integer Elizabeth Hartman as his wife, but also from many respectable names in the supportive cast, like Noah Beery Jr, Gene Evans, Felton Perry and Bruce Glover. With regards to that last name, it's amazing how Bruce Glover and his son Crispin look identical!

All you folks complaining that this is amateur film-making because the boom is visible in several shots don't understand how movies are made. In order to get good sound on dialog, the mike is hung very close to the subject. It is almost always captured on film, but in the area which is not meant to be seen by an audience, as the square film frame is supposed to be matted at top and bottom by the projectionist when shown in a theater, or by the technician when transferring film to video.

In the case of Walking Tall, whoever supervised the transfer to video did so "open matte", meaning they transfered the ENTIRE film frame without proper matting, hence the visible boom. This was not carelessness on the part of the filmmakers, but on the part of whoever put it out on video. You'd see microphone booms in Star Wars if it were transfered to video this way.

When I saw Walking Tall in the theater, it did not have visible booms. Blame the video release, not the filmmakers.