Ajouter une intrigue dans votre langueAfter the cruel Egyptian pharaoh Amenhotep's mummy was discovered and transported to London, his distant relative travels from Egypt to England in order to resurrect his body.After the cruel Egyptian pharaoh Amenhotep's mummy was discovered and transported to London, his distant relative travels from Egypt to England in order to resurrect his body.After the cruel Egyptian pharaoh Amenhotep's mummy was discovered and transported to London, his distant relative travels from Egypt to England in order to resurrect his body.
Helga Liné
- Zanufer
- (as Helga Line)
Luis Dávila
- Inspector Taylor
- (as Luis Davila)
Fernando Sánchez Polack
- Anchaff
- (as Fernando S. Polack)
José Yepes
- George
- (as Jose Yepes)
Ana María Pol
- Anne
- (as Ann Mary Pool)
Mary Cruz Fernández
- Mary
- (as M. Cruz Fernandez)
Amaya Perelló
- Chica
- (as Amaya Perellon)
José Martínez Blanco
- Narrator
- (non crédité)
Avis à la une
This film begins with an evil Pharaoh named "Amenhotep" (Paul Naschy) who tortures and kills innocent people for his wicked amusement. In addition to that his favorite concubine "Amarna" (Rina Ottolina) takes equal pleasure in his wanton acts of cruelty as well. Eventually, however, this catches up to them as Amarna is stabbed to death while Amenhotep is given a rare poison which doesn't kill him but leaves him in a paralyzed state which--combined with a certain mummification ritual--entombs him for life in his sarcophagus. And then one day a British archaeological expedition led by man named "Professor Nathan Stern" (Jack Taylor) finds his tomb and excavates the sarcophagus to the British Museum of Natural History in London where Amenhotep is revived by a greedy sycophant named "Assad Bey" (also played by Paul Naschy) and his beautiful assistant "Zanufer" (Helga Line). Unfortunately, this isn't enough for Amenhotep as he then offers power and wealth to the two if they agree to do whatever he orders. To that end they are sent out to capture and kill young women so that Amenhotep can drink their blood in order to attain eternal life. Now rather than reveal any more I will just say that this film didn't follow the standard plot for a "Mummy film" in that the mummy was a pharaoh rather than the high priest. Likewise, the mummy didn't follow the orders of whoever revived him but gave them instead. Be that as it may, although it wasn't quite as good as some of the Hammer films it was okay for the most part with Helga Line and Maria Silva (as "Abigail") certainly adding to the scenery with their beauty and charm. Average.
Are all the plots of Mummy films the same? It seems like that to me. Even those Brendan Fraser ones has the mummy being some evil guy murdered for being a dick then being reanimated only to look for the reincarnation of his lover and enabler. This one, like that one, and Voodoo Black Exorcist, has that plot.
Paul Naschy is the jerk Pharoh who thought that murdering loads of women for a laugh was a long-term career move, so when his side-kick murders him and his missus he vows revenge, which he doesn't get as by the time his ancestor gets him resurrected the guy who killed him is long dead. Nevertheless, it's strange that the daughter of the guy who arranged to have him dug up looks a lot like that chick who was involved in all that blood drinking.
Yeah, the plot's boring and crappy but the execution of said plot is not, despite Jack Taylor being the bland hero. This is because Naschy knows what horror fans want, so the mummy cuts a swathe through London's cops and anyone else who gets in his way, including some security guard who gets his head crushed for his trouble.
It's business as usual to be honest, but if you like Paul Naschy films, you'll like this one. He doesn't put a foot wrong and even has a random bit of gore when the mummy goes around smashing his victim's heads like they are over ripe melons.
Paul Naschy is the jerk Pharoh who thought that murdering loads of women for a laugh was a long-term career move, so when his side-kick murders him and his missus he vows revenge, which he doesn't get as by the time his ancestor gets him resurrected the guy who killed him is long dead. Nevertheless, it's strange that the daughter of the guy who arranged to have him dug up looks a lot like that chick who was involved in all that blood drinking.
Yeah, the plot's boring and crappy but the execution of said plot is not, despite Jack Taylor being the bland hero. This is because Naschy knows what horror fans want, so the mummy cuts a swathe through London's cops and anyone else who gets in his way, including some security guard who gets his head crushed for his trouble.
It's business as usual to be honest, but if you like Paul Naschy films, you'll like this one. He doesn't put a foot wrong and even has a random bit of gore when the mummy goes around smashing his victim's heads like they are over ripe melons.
I don't really want to be too harsh on this film because it did have its moments, a cast of lovelies and a London location. Also, surely anyone watching a Paul Naschy knows pretty much what to expect. Average acting, wooden sets, predictable storyline... and yet it is likable enough. Far too many short and unnecessary scenes that far from taking the story forward simply slow it down and people like Helga Line, great though she is, could have been so much more profitably employed had she been given more of the action. But then, this is a Paul Naschy film and wouldn't have that distinctive feel to it if it were any other way and he certainly has his fans.
Paul Naschy has a duel role as Amenhotep/Assad Bey, an ancient Egyptian mummified Pharaoh, and the high priest who brought him back to life. In order For Amenhotep to achieve immortality, Assad Bey has to kidnap nubile young virgins in Victorian London for blood sacrifices.
This film was supposedly released in both a cut version (for Spain and Mexico) and an uncut international version, but the uncut version apparently no longer exists. What it would have included is a mystery, as it is hard to imagine anything more gruesome than the "face-smashing" scene. Was there really more gore? Or was it nudity?
Regardless, this is a pretty good film overall with some decent makeup effects and the gore already mentioned. Tracking down a copy seems to be a challenge, and it has never had a proper DVD release so far as I am aware. Jack Taylor also appears, and it would be great to get an audio commentary from him before it is too late.
This film was supposedly released in both a cut version (for Spain and Mexico) and an uncut international version, but the uncut version apparently no longer exists. What it would have included is a mystery, as it is hard to imagine anything more gruesome than the "face-smashing" scene. Was there really more gore? Or was it nudity?
Regardless, this is a pretty good film overall with some decent makeup effects and the gore already mentioned. Tracking down a copy seems to be a challenge, and it has never had a proper DVD release so far as I am aware. Jack Taylor also appears, and it would be great to get an audio commentary from him before it is too late.
A correct and estimable horror film starring Paul Naschy embodying nothing less than the Mummy.
In this case the story revolves around a cruel and sadistic Pharaoh who along with his queen enjoys executing innocent young people. But the fun ends when a priest decides to end forever the diabolic couple, stabbing her and burying him alive, but not before swearing eternal revenge.
After the centuries, the once powerful pharaoh, will return from the underworld in the heart of London, now become a monstrous mummy, unleashing his fury on those who have the bad luck to cross his path.
The film has a more than acceptable technical section, both in photography and decorated giving it an aspect of a film of the Hammer, really could pass without problems by a movie of the legendary British producer. The film is also really set in the British capital which is a very positive point.
As much the interpretations of the North American resident in Spain Jack Taylor as the one of Paul Naschy rayan to a good level without forgetting like no, to the feminine beauties that appear in all production of Spanish Fantanterror that boasts.
A decent and acceptable horror movie that without being a wonder is entertaining and well done.
In this case the story revolves around a cruel and sadistic Pharaoh who along with his queen enjoys executing innocent young people. But the fun ends when a priest decides to end forever the diabolic couple, stabbing her and burying him alive, but not before swearing eternal revenge.
After the centuries, the once powerful pharaoh, will return from the underworld in the heart of London, now become a monstrous mummy, unleashing his fury on those who have the bad luck to cross his path.
The film has a more than acceptable technical section, both in photography and decorated giving it an aspect of a film of the Hammer, really could pass without problems by a movie of the legendary British producer. The film is also really set in the British capital which is a very positive point.
As much the interpretations of the North American resident in Spain Jack Taylor as the one of Paul Naschy rayan to a good level without forgetting like no, to the feminine beauties that appear in all production of Spanish Fantanterror that boasts.
A decent and acceptable horror movie that without being a wonder is entertaining and well done.
Le saviez-vous
- AnecdotesThe fourth and last collaboration between Paul Naschy and director Carlos Aured.
- ConnexionsReferenced in Pour l'amour du risque: Murder Wrap (1981)
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Détails
- Durée1 heure 31 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was La venganza de la momia (1975) officially released in Canada in English?
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