Terror in the Wax Museum

This is one of those cheapo horror flicks that were churned out in the 60s/70s, using lots of people who'd been big stars in the 30s and 40s, and not really giving them that much to do. Elsa Lanchester comes off best in this one, as her value didn't diminish much over the years (and she never looked any different!). Not that scary, apart from one or two disturbing bits, the plot is wafer thin and one of those that when you get to the end you keep thinking 'but ...'. And poor Shani Wallis and that dreadful song! But, overall, it is fun and has that weird curiosity value of 'where have I seen him/her before'? for those of us who watch old black and white stuff on a regular basis. Worth tracking down but could have been much, much better.

1973's "Terror in the Wax Museum" was among the handful of horror films made through Bing Crosby Productions, best remembered for "Willard" and "Ben" (the crooner himself having left the fold years earlier), the first of two from the brothers Fenady, producer Andrew and director Georg also responsible for the darkly comic "Arnold." Both features betray their TV background with studio bound exteriors depicting turn of the century London, aided greatly by the casting of screen veterans in major roles, with John Carradine introducing this one as waxworks owner Claude Dupree, entertaining offers to sell out to New York businessman Amos Burns (Broderick Crawford), but remaining loyal to longtime collaborators Harry Flexner (Ray Milland) and disfigured deaf mute Karkov (Steven Marlo). Running the pub next door is building owner Tim Fowley (Louis Hayward), its chanteuse entertainer (Shani Wallis) belting out the same excruciating number night after night. The wax figures on display are some of history's most notorious murderers, including one for the never caught Jack the Ripper, who mysteriously comes to life to snuff out Dupree for his 'betrayal' of inanimate friends. Scotland Yard's perfunctory investigation proves a slow moving slog through intriguing possibilities, such as the real Ripper seeking revenge for his unflattering effigy, and as cast members die off the hidden culprit looks more and more like a sure bet. Carradine and Milland come off best, an improvement on Cameron Mitchell's "Nightmare in Wax" but hardly a patch on Vincent Price's "House of Wax" (lacking the humorous tone of the next Fenady film, "Arnold").

A mystery slasher is stalking a famous wax museum. Who is the culprit? Who will survive the terror? This is a pleasant and painless way to spend a rainy Saturday afternoon, but don't expect too much. Be warned, it is very hard to find on video.

The basic premise is not far removed from the many remakes of the classic "Mystery of the Wax Museum"...there are some gruesome murders at a famous house of wax featuring the likenesses of such infamous characters as Jack The Ripper, Lizzie Borden, Bluebeard the Pirate, Marie Antoinette, and Ivan the Terrible. Who's responsible? Who's next? Who's real? Who's wax?

With a distinguished cast of great actors from Hollywood's Golden Years, this would be a great find for real movie buffs who don't mind a good scare. One scene standing out in particular is one where a woman of ill-repute is stalked by Jack the Ripper. I last saw it 20 years ago, and still get the chills.

Forget the IMDb rating - it should be 7/10. This is a charming little film about wax museum and murders in Victorian England. Is Jack the Ripper behind it all? Eeek! Or is there something supernatural involved - like the living wax figures? Double eek! It's entertaining and clean little flick, with no gore, bad language or other touches of Whitechapel sewers, and a supporting cast is full of seasoned monster movie veterans, including Elsa Lanchester (Bride of Frankenstein herself!), John Carradine (Dracula from Universal classics House of Frankenstein and House of Dracula) and Patric Knowles (the werewolf movie milestone Wolf man).