That'll Be the Day

That'll Be the Day is directed by Claude Whatham and written by Ray Connolly. It stars David Essex, Ringo Starr, Rosemary Leach, Rosalind Ayres and Robert Lindsay. Cinematography is by Peter Suschitzky.

It's 1958 Britain and Jim MacLaine (Essex), fed up with school and his home life, leaves home and takes a series of dead-end jobs and is introduced to crime and sex. Even this isn't enough to off set his feeling of a hum-drum existence, could the upcoming Rock "N" Roll boom be his saviour?.

With perfect cast decisions, including rock star cameo's, a top grade music soundtrack - and director Whatham having a brilliant sense of teenage life in late 50s Britain, there's plenty to enjoy here.

Said to be based on the early life of John Lennon, it's important to note that this is actually not a rock movie. This is more of a kitchen sinker than anything else, which is ok of course, just be prepared if you haven't seen it before. 6.5/10

It's late 50's Britain. Jim MacLaine (David Essex) is a smart restless teen. His father came home after the war but left the family when he was a kid. He grew up with his mother (Rosemary Leach) and grandfather who has a small general store. He quits school and runs away to a nearby coastal vacation town. He works odd jobs and befriends fellow worker Mike (Ringo Starr). The aloft teenager becomes a lady's man working at the carnival.

Some considers this a fictional story inspired by pre-Beatles John Lennon. I think the involvement of Ringo Starr had led people to make that connection. I have to say that this is no John Lennon. He's a sad angry character. In fact, I wondered if the film was going to push him over the edge to become a serial killer. More than anything, he doesn't play an instrument until the last scene suggests it. He writes some poetry which could be song lyrics but I envision Lennon to be much more musical than this.

This is simply a dark coming-of-age story. His restlessness fits both the 50's and the 70's. There is something compelling about David Essex's performance and something off-putting. It's compelling. The story meanders but so does Jim. This is a fascinating British film.

David Essex takes on the lead role of Jimmy McLaine, a young man living in working class Britain during the late 1950s, when American rock 'n' roll was King of England. Growing up with a good deal of angst after his dad walked out on the family when Jimmy was still only a boy, McLaine finds himself fed up with school and the more conventional way of life and decides to abandon his struggling mother, striking out on his own. Settling for odd jobs here and there, Jim finds a sidekick in the humorous and more experienced Mike (played by ex-Beatle Ringo Starr) and the pair of delinquents engage in petty crime in between bedding down as many local ladies as they can get their hands on. When Jimmy begins to have a change of heart he returns home to mom and settles down, only to find that he must make the ultimate decision on whether to confront his responsibilities or indulge his passion for being a rock and roll star.

David Essex is good as Jim, and Ringo Starr gives maybe the finest performance of his occasional acting career as Mike, who becomes Jimmy's mentor and room mate. It's amazing how well the 33-year-old former Beatle pulls off the role of a young kid, and the same may be said for an over-aged Essex. The film perfectly captures the climate of England in the late 1950s and benefits from a huge array of classic American oldies on the music soundtrack, from artists like Ritchie Valens, Del Shannon, The Big Bopper, Bobby Darin and others.

After I saw this I read that it's been said that this story was patterned after a young John Lennon, and while I can agree (with the benefit of hindsight) that there are some similarities between John's life and the Essex character here, even as a die-hard Beatles fan I didn't pick up on this during my actual viewing of the film. It is loosely based on Lennon at best (John's dad also left him, he loved rock music, and he had a wreckless nature as a youth). *** out of ****

David Essex got the lead role, through two films, in this story of a wanabee pop star who leaves his family and home life for a shot at the big time. Abandoned by his father as a child, Jim lets history repeat itself simply for his ambition - through 'That'll Be The Day', which establishes him as a musical talent with room to grow, through to the bleak 'Stardust' which focuses on the ups and downs of fame.

Ray Connolly's script for TBTD is ironic and clever, and gives scope to a large number of characters you remember - Rosemary Leach and Rosalind Ayres good as Jim's mother and girlfriend, Ringo Starr much better than expected as Mike who works on the fairground and takes the impressionable and cocky Jim under his wing. Mike would develop into Jim's manager in 'Stardust', where he was played by Adam Faith.

Billy Fury plays TBTD's biggest concession to a 'real pop star' as the unlikeable Stormy Tempest, while Keith Moon and Karl Howman, both in the 'Stardust' band appear briefly. Also involved in the film was the great Bonzo vocalist Viv Stanshall.

'That'll Be The Day' is often cited as the better film of the two Jim MacLaine feature, but I personally prefer the overblown, stoned, egotistical character we see in the sequel. David Essex is excellent throughout the two movies, though. The soundtrack album - a huge four-sider groaning with 50s period hits and pastiches - is still well worth a listen, although precious little of it appears in this film.

ITV have just shown the Jim Maclaine(David Essex) films of which this is the first and Stardust is the second and as an avid supporter and fan of sixties and seventies British cinema i thought i had to check it out.

It doesn't disappoint with its gritty evocation of a fifties childhood with a lack of a father figure. Jim then turns to the Rock and Roll world when he buys a guitar from a pawn shop at the end. His rise and fall is taken up in Stardust with Adam Faith taking the Ringo Starr role as Mike.

Great, forgotten film with superior performances from Essex and Ringo Starr and a good cameo from Keith Moon and Billy Fury.