NOTE IMDb
5,3/10
1,1 k
MA NOTE
Several outcasts decide to restore a PBY seaplane and fly to a place where they can enjoy total freedom, but a few obstacles stand in the way of their plans.Several outcasts decide to restore a PBY seaplane and fly to a place where they can enjoy total freedom, but a few obstacles stand in the way of their plans.Several outcasts decide to restore a PBY seaplane and fly to a place where they can enjoy total freedom, but a few obstacles stand in the way of their plans.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 1 nomination au total
Mel Stewart
- Black Man in Jail
- (as Melvin Stewart)
Beans Morocco
- Rocky
- (as Dan Barrows)
Lynette Bernay
- Bar Waitress
- (as Lynn Bernay)
Ed Greenberg
- Rookie Cop
- (as Edward Greenberg)
Avis à la une
Social misfits work to rebuild an old plane to make the ultimate escape from reality. Non-conformists vs. The Establishment--again! Easy targets, unconvincing characters, though not bad with this interesting cast: Donald Sutherland as an ex-con, Jane Fonda (in a funky dark brown wig) as a hooker, Peter Boyle as a thief, and Howard Hesseman as a politician. Fonda--persona non grata at the time due to her involvement with the Vietnam War--gives probably her least-interested performance in a movie (she's just not present). One BAFTA nomination: Sutherland as Best Actor (shared with his work in "Don't Look Now"). ** from ****
"I dunno nothing about climbing... except onto broads and motorcycles." --Peter Boyle replies to Donald Sutherland in a Brando voice when asked to climb into someplace to steal something.
"A '50 Studie!" --Donald Sutherland exclaims when he sees a 1950 Studebaker at a demolition derby, the only model he had yet to crash into in his derby driving days before prison.
Most, if not all, of the members of the comedy group The Committee appear in the movie and there's a great bit that defies description involving Hessman, his henchman, a sort of movie-prop housefront with someone pretending to be an out-of-control guard dog barking at the window while one of the others tries to hold him back.
I think Sutherland said in a Playboy interview that it was during the filming of this movie that Jane Fonda raised his consciousness.
Sigh, I never would have seen most of my favorite movies if it weren't for revival houses that brought this and other classic or off-beat movies back from time to time. Sadly, most of those theaters are long gone too these days.
"A '50 Studie!" --Donald Sutherland exclaims when he sees a 1950 Studebaker at a demolition derby, the only model he had yet to crash into in his derby driving days before prison.
Most, if not all, of the members of the comedy group The Committee appear in the movie and there's a great bit that defies description involving Hessman, his henchman, a sort of movie-prop housefront with someone pretending to be an out-of-control guard dog barking at the window while one of the others tries to hold him back.
I think Sutherland said in a Playboy interview that it was during the filming of this movie that Jane Fonda raised his consciousness.
Sigh, I never would have seen most of my favorite movies if it weren't for revival houses that brought this and other classic or off-beat movies back from time to time. Sadly, most of those theaters are long gone too these days.
A film that holds up much better than its original reviews would let on. Although Fonda looks a bit disoriented at moments, there are a couple of scenes between her and Sutherland where the two simply radiate the star power that made them famous. Overall the film has a charm and warmth to it that, despite a little clumsyness at times, still makes it very much worthwhile and displays an interesting idiosyncratic type of humor and counterculture charm we haven't seen much of in recent years.
Not a must-see on a saturday night, but a precious gem for the connoisseur.
Not a must-see on a saturday night, but a precious gem for the connoisseur.
Wacky comedy with an anti-establishment edge. But then what would be expected of social critics like Fonda and Sutherland. The surprise here is Peter Boyle who steals the show with Eagle's loony antics. He's both amusing and scary at the same time. It's a bravura performance.
The plot's just goofy enough to fit right in with a band of free spirits wanting to escape dull conformity. Seems they conspire to restore an airplane that's the size and shape of a warehouse so they can fly away to somewhere. That means having to get enough money for outfitting the wreck. For this misfit bunch that means organizing a pick-pocket attack on downtown suits. Grinning along is Sutherland's ex-con Veldini as the ring-leader. Trouble is he's got a respectable brother in the DA's office who aspires to higher elective status, and that means putting a halter on embarrassing brother Veldini. Meanwhile, there's Fonda as a big-haired hooker whose client list seemingly includes every suit in town. Plus seeing Hesseman as the DA, clean-shaven and in a spiffy suit, took me some getting used to after years of his scuzzy dj on WKRP, Cincinnati.
All in all, the 1971 flick (delayed release) amounts to a shady character comedy. There is a mild '60's era subtext but it's more implicit than explicit. At the same time, the non-conformists may be humorous but they're certainly not glorified as an alternative life-style. Then too, it's the byplay between the edgy characters that carries what chuckles there are. Nonetheless, I can see why some folks might dislike the results- no one is particularly likable, even Sutherland's lead character, while the comedic effects depend on the dubious personalities. Anyway, for the most part, I enjoyed the 93-minutes, despite the drawbacks.
The plot's just goofy enough to fit right in with a band of free spirits wanting to escape dull conformity. Seems they conspire to restore an airplane that's the size and shape of a warehouse so they can fly away to somewhere. That means having to get enough money for outfitting the wreck. For this misfit bunch that means organizing a pick-pocket attack on downtown suits. Grinning along is Sutherland's ex-con Veldini as the ring-leader. Trouble is he's got a respectable brother in the DA's office who aspires to higher elective status, and that means putting a halter on embarrassing brother Veldini. Meanwhile, there's Fonda as a big-haired hooker whose client list seemingly includes every suit in town. Plus seeing Hesseman as the DA, clean-shaven and in a spiffy suit, took me some getting used to after years of his scuzzy dj on WKRP, Cincinnati.
All in all, the 1971 flick (delayed release) amounts to a shady character comedy. There is a mild '60's era subtext but it's more implicit than explicit. At the same time, the non-conformists may be humorous but they're certainly not glorified as an alternative life-style. Then too, it's the byplay between the edgy characters that carries what chuckles there are. Nonetheless, I can see why some folks might dislike the results- no one is particularly likable, even Sutherland's lead character, while the comedic effects depend on the dubious personalities. Anyway, for the most part, I enjoyed the 93-minutes, despite the drawbacks.
Career criminal and demolition derby driver Jesse Veldini (Donald Sutherland) gets released from prison. His DA brother Frank Veldin (Howard Hesseman) just wants to keep him out of trouble. He reconnects with hooker/girlfriend Iris Caine (Jane Fonda) and his old friends. They decide to fix up a rundown PBY Catalina airplane. They do various petty crimes to finance the rebuild.
There is a confusing info dump early in the movie. This is trying to be an irreverent comedy but it's more quirky. It's down and out. I don't really know these characters' logic especially Jesse. He seems to be aimlessly searching for something that he doesn't even know. It's a bit muddled. It has the grim of 70's Oakland. I don't find this that much fun but these actors keep me interested. It's a borderline case.
There is a confusing info dump early in the movie. This is trying to be an irreverent comedy but it's more quirky. It's down and out. I don't really know these characters' logic especially Jesse. He seems to be aimlessly searching for something that he doesn't even know. It's a bit muddled. It has the grim of 70's Oakland. I don't find this that much fun but these actors keep me interested. It's a borderline case.
Le saviez-vous
- AnecdotesThe movie was actually filmed in 1971 shortly after Jane Fonda and Donald Sutherland had co-starred in the very different picture Klute (1971). The production required re-shoots and had a few delays and was not released anywhere until 1973. Fonda and Sutherland, who briefly had a real-life personal relationship around that time, were also both involved in "The FTA Show", a wartime entertainment gig which toured towns in the USA which had military bases nearby. The show was a satirical event protesting the Vietnam War. Several other people connected with 'Steelyard Blues' were also involved and this notably included actor Peter Boyle. The three also had just appeared in a feature film version of the show [See: FTA (1972)].
- GaffesDuring the scene at the airfield when Eagle is dressed as a soldier and is shooting arrows, he is heard saying "Up yours, Kraut!" but his lip movements clearly don't match the "up yours" part.
- Citations
Jesse Veldini: I'm not a criminal, Iris. I'm an outlaw.
Iris Caine: What's the difference?
Jesse Veldini: I don't know.
- Crédits fousThe Committee is in the opening cast list
- Versions alternativesWhen originally broadcast on NBC in 1979, the film was retitled "The Final Crash".
- ConnexionsReferenced in Une décennie sous influence (2003)
- Bandes originalesBeing Different Never Been a Crime
Written by Nick Gravenites and Mike Bloomfield (as Michael Bloomfield)
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- How long is Steelyard Blues?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Final Crash
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 20 000 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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