Steptoe and Son Ride Again
- 1973
- 1h 39min
NOTE IMDb
6,7/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueFather and son London junk dealers must buy a replacement horse for them to stay in business. Instead they buy a greyhound, confident they will earn a fortune on the race track.Father and son London junk dealers must buy a replacement horse for them to stay in business. Instead they buy a greyhound, confident they will earn a fortune on the race track.Father and son London junk dealers must buy a replacement horse for them to stay in business. Instead they buy a greyhound, confident they will earn a fortune on the race track.
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I watched it again last night as it was broadcast on BBC2. I hadn't seen it for quite a while although the earlier film was on a few months ago. They never fail to make me laugh. Whether some of the comedy is lost in time and translation - both the series and the films possess a good deal of London humour, west London in particular - I don't know but there are a good many gems to be found in the film.
Diana Dors' character makes only a brief appearance near the start of the film. It's when she pulls Harold onto her bed after offering him both her dead husband's clothes (and then herself!), that it's revealed that her old man is only freshly deceased beside them! The return trip from York put paid to poor old Hercules the horse. Two hundred miles and three days on the road would tire any horse so a replacement is needed. Unfortunately Harold gets conned at Southall (horse) market and Frankie Barrett - brilliantly played with menace by Henry Woolfe - fleeces him for his cash and sells him a blind greyhound instead! Barrett fleeces him again later in the film but I won't spoil it. Let's just say his embezzlement became more ambitious!
Look out for the location shots of White City stadium. It was one of the biggest stadiums in the UK, was built for the London Olympics of 1908 and hosted all manner of sports including speedway, greyhounds and rugby league (in the 1930s, being the home of the short-lived London Highfield) before being torn down in the mid-1980s. The site is now occupied by the massive extension to BBC Television Centre. The local tube station is still called White City.
Diana Dors' character makes only a brief appearance near the start of the film. It's when she pulls Harold onto her bed after offering him both her dead husband's clothes (and then herself!), that it's revealed that her old man is only freshly deceased beside them! The return trip from York put paid to poor old Hercules the horse. Two hundred miles and three days on the road would tire any horse so a replacement is needed. Unfortunately Harold gets conned at Southall (horse) market and Frankie Barrett - brilliantly played with menace by Henry Woolfe - fleeces him for his cash and sells him a blind greyhound instead! Barrett fleeces him again later in the film but I won't spoil it. Let's just say his embezzlement became more ambitious!
Look out for the location shots of White City stadium. It was one of the biggest stadiums in the UK, was built for the London Olympics of 1908 and hosted all manner of sports including speedway, greyhounds and rugby league (in the 1930s, being the home of the short-lived London Highfield) before being torn down in the mid-1980s. The site is now occupied by the massive extension to BBC Television Centre. The local tube station is still called White City.
If you're a fan of the original TV series then you'll enjoy both of these films although they are both very different. That series was of course one of the first comedy-dramas seen on TV seamlessly blending slapstick with biting social commentary and sometimes tragedy. Not wanting just to be a long TV episode, the first film tries to be a little more serious, a little more drama than comedy. Some people fund that a bit unpalatable at the time so the second film goes the other way being more of a traditional comedy film.
When you watch the first film you might wonder how on earth this is classed as a comedy because it is very dark. It does have its funny moments but overall it is quite emotionally draining as we're witness to Harold's life falling apart aided by his father's pretty horrible cruelty and mental torture. Besides YES releasing CLOSE TO THE EDGE, 1972 was not a happy year for the UK and this film gives us a voyeuristic insight into how depressing things were back then for the majority of people. Although it's heavy going at times and you're more likely to cry than laugh, it is enjoyable and satisfying. What makes this extra special is Carolyn Seymour as the girl who captures Harold's heart. She plays a stripper in a seedy club and as someone who takes her clothes off for a living she is of course very attractive but because she's such a great actress, she's also instantly likeable even though she's actually not that nice. Her character is just so real so much so that you can perhaps empathise with her most of all.
As a result of the negative backlash against the first film, the next one, in my opinion went too far the other way. Although maintaining the spirit of the original show this one decides to be a comedy and indeed it is a very funny comedy. If you're a Steptoe fan then this will make you laugh but maybe because I'm a miserable old git, I prefer the first one.
When you watch the first film you might wonder how on earth this is classed as a comedy because it is very dark. It does have its funny moments but overall it is quite emotionally draining as we're witness to Harold's life falling apart aided by his father's pretty horrible cruelty and mental torture. Besides YES releasing CLOSE TO THE EDGE, 1972 was not a happy year for the UK and this film gives us a voyeuristic insight into how depressing things were back then for the majority of people. Although it's heavy going at times and you're more likely to cry than laugh, it is enjoyable and satisfying. What makes this extra special is Carolyn Seymour as the girl who captures Harold's heart. She plays a stripper in a seedy club and as someone who takes her clothes off for a living she is of course very attractive but because she's such a great actress, she's also instantly likeable even though she's actually not that nice. Her character is just so real so much so that you can perhaps empathise with her most of all.
As a result of the negative backlash against the first film, the next one, in my opinion went too far the other way. Although maintaining the spirit of the original show this one decides to be a comedy and indeed it is a very funny comedy. If you're a Steptoe fan then this will make you laugh but maybe because I'm a miserable old git, I prefer the first one.
Albert and Harold Steptoe return to the big screen in another adventure that could well have spanned a shorter television episode. As always Harold needs money and his decision to claim the life insurance of his father before he has died leads to a very odd and surreal set of events. Odd to say the least, the finale includes a series of macabre but funny misadventures such as being trapped inside a coffin? Top marks for humour with the training of the greyhound in earlier scenes but woeful for the scenes with Diana Dors and also wooden the rag and bone fraternity. Another 1970s transition that does not quite make it. The British series was far more carefully written and beautifully acted by the two main players and is consequently highly recommended.
Countless comedies from the seventies produced movies, Rising Damp, For the love of Ada, Are you being served? One thing they all had in common, was they were all poor compared to their respective shows. Fortunately the two Steptoe movies were excellent, and this was the best of the two.
The script is terrific, it's laugh out loud funny, and both characters are totally in character, another flaw with spin off movies. The dialogue is punchy and caustic, but it's the multitude of hilarious moments, that makes this so good, my third choice would be Albert snaring his neighbour, second would be Harold taunting his father with the mannequin's head, but best bit is the coffin scene, who on Earth wouldn't laugh out loud.
It's a favourite film of mine, that stands the test of time. It's a joy from start to finish. 10/10
The script is terrific, it's laugh out loud funny, and both characters are totally in character, another flaw with spin off movies. The dialogue is punchy and caustic, but it's the multitude of hilarious moments, that makes this so good, my third choice would be Albert snaring his neighbour, second would be Harold taunting his father with the mannequin's head, but best bit is the coffin scene, who on Earth wouldn't laugh out loud.
It's a favourite film of mine, that stands the test of time. It's a joy from start to finish. 10/10
Yes, i know the ring in the manure scene is from the first movie but i couldn't resist. The first film is ok, if a bit uninspiring. It has it's moments. But the second film is peak Steptoe. I must have seen it a hundred times, but it's still great to put on and chill out to.
With a lot of the series episodes disappointingly only surviving as really poor quality home recordings, plus the Christmas specials being butchered on the official dvd, Steptoe and Son Ride Again stands as one of the most enjoyabe highlights from the entire show.
A real shame that there were no more movies, so many good ideas were possible. The Desperate Hours and Divided We Stand would have made excellent feature length movies. As great as they are, 30 minutes feels a bit of a waste of pure comedy gold.
Only Fools & Horses and One Foot in the Grave would later (re) prove that you can easily stretch out a sitcom to an hour or more without it feeling slow. The longer format allows a comedy show to breathe, or at least it does if you do it well. Steptoe and Son Ride Again and the Porridge movie were earlier examples of how it can work a real treat. 94 minutes flies by when you're having fun!
With a lot of the series episodes disappointingly only surviving as really poor quality home recordings, plus the Christmas specials being butchered on the official dvd, Steptoe and Son Ride Again stands as one of the most enjoyabe highlights from the entire show.
A real shame that there were no more movies, so many good ideas were possible. The Desperate Hours and Divided We Stand would have made excellent feature length movies. As great as they are, 30 minutes feels a bit of a waste of pure comedy gold.
Only Fools & Horses and One Foot in the Grave would later (re) prove that you can easily stretch out a sitcom to an hour or more without it feeling slow. The longer format allows a comedy show to breathe, or at least it does if you do it well. Steptoe and Son Ride Again and the Porridge movie were earlier examples of how it can work a real treat. 94 minutes flies by when you're having fun!
Le saviez-vous
- AnecdotesThere had been plans for a third Steptoe film, but they were abandoned after this film performed less well at the box office than its predecessor.
- GaffesWhen Albert visits Harland butchers, the lady in the hat jumps forward in her queue position between exterior and interior shots.
- ConnexionsFeatured in Diana Dors: Britain's Blonde Bombshell (2022)
- Bandes originalesGod Save the Queen
(uncredited)
trad.
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Détails
- Date de sortie
- Pays d’origine
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- Aussi connu sous le nom de
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- Durée
- 1h 39min(99 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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