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Notre agent de Harlem

Titre original : The Spook Who Sat by the Door
  • 1973
  • Tous publics
  • 1h 42min
NOTE IMDb
7,2/10
1,8 k
MA NOTE
Lawrence Cook in Notre agent de Harlem (1973)
A black man plays Uncle Tom in order to gain access to CIA training, then uses that knowledge to plot a new American Revolution.
Lire trailer2:27
1 Video
35 photos
ActionCrimeDrama

Ajouter une intrigue dans votre langueA black man plays 'uncle Tom' in order to gain access to CIA training, then uses that knowledge to plot a new American revolt.A black man plays 'uncle Tom' in order to gain access to CIA training, then uses that knowledge to plot a new American revolt.A black man plays 'uncle Tom' in order to gain access to CIA training, then uses that knowledge to plot a new American revolt.

  • Réalisation
    • Ivan Dixon
  • Scénario
    • Sam Greenlee
    • Melvin Clay
  • Casting principal
    • Lawrence Cook
    • Janet League
    • Paula Kelly
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    1,8 k
    MA NOTE
    • Réalisation
      • Ivan Dixon
    • Scénario
      • Sam Greenlee
      • Melvin Clay
    • Casting principal
      • Lawrence Cook
      • Janet League
      • Paula Kelly
    • 23avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 2 nominations au total

    Vidéos1

    Trailer
    Trailer 2:27
    Trailer

    Photos35

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    + 30
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    Rôles principaux52

    Modifier
    Lawrence Cook
    • Dan Freeman
    Janet League
    • Joy
    Paula Kelly
    Paula Kelly
    • Dahomey Queen
    J.A. Preston
    J.A. Preston
    • Dawson
    Paul Butler
    • Do-Daddy Dean
    Don Blakely
    Don Blakely
    • Stud Davis
    David Lemieux
    David Lemieux
    • Pretty Willie
    Byron Morrow
    Byron Morrow
    • General
    Jack Aaron
    • Carstairs
    Joseph Mascolo
    Joseph Mascolo
    • Senator Hennington
    Elaine Aiken
    Elaine Aiken
    • Mrs. Hennington
    Beverly Gill
    • Willa
    Bob Hill
    • Calhoun
    Martin Golar
    • Perkins
    Jeff Hamilton
    • Policeman
    Margaret Kromgols
    • Old Woman
    Tom Alderman
    • Security Officer
    Stephen Ferry
    • Colonel
    • Réalisation
      • Ivan Dixon
    • Scénario
      • Sam Greenlee
      • Melvin Clay
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    7,21.7K
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    10

    Avis à la une

    10fox_orvngs

    Greatest guerrilla movie ever made

    This is one of the undiscovered treasures of cinema people, if you haven't seen it you need to. They never paid for one permit and they did this movie for about $90,000USD, but they don't skip a beat. Same editor as Schindler's List; if you watch the movie you can tell why Spielberg uses this guy, he is a master.

    Even if you don't agree with the films message you have to agree that this is one of thee finest made independent films in existence, and considering the subject matter it is a surprise this film was ever shot, because the book had a pretty hard time getting published too.

    I think this film is everything Melvin Van Peebles wanted SweetBack to be.
    tmpj

    A Vastly underrated and under-viewed Black Film !

    I have seen this film on several occasions ( though not lately), have spoken to its author , and have known several of its cast members, the most notable of which would be Lawrence Cook and Paula Kelly. For a time the film was withdrawn from circulation, though it was briefly brought back in a limited release in the late 1980s. It was made on a shoestring budget. The subject matter was so controversial that the then Mayor of Chicago would not allow it to be filmed in the city, which is where Greenlee had sought to film it. Gary, Indiana had to be the stage, instead. Despite the obvious budget ( and therefore technical) limitations--not to mention the dearth of then well known names--the film is highly effective. Many a movie patron who sat through it went home feeling somewhat--perhaps considerably--less secure about himself and the world around him. I loved the film.
    nuport

    All POWER TO the PEOPLE!!

    This interesting drama hits dead on point for those of who dream of a better government and a better America .In the film ,a racist politician losing in the polls and fearing the loss of the so-called Negro vote decides to give the people a few crumbs off the table by allowing some black men to be recruited into the CIA. Certain under handed deals are made to insure none of these men will succeed ,however one guy makes it through all the rigorous training and educating. And in an incredible graduation scene (see it to believe it!)is congratulated for being the 1st of his race into the CIA. The films budgetary restraints are apparent throughout, but the entire cast deliver good performances most convincingly the main character.I won't spoil it suffice to say the guy gets to put all the training to very good use,as he resigns from the racist system and sets out to make real change for his community. I would give this 15*s
    10BookerII

    The greatest of all African-American movies.

    I viewed this film in a Pan African Studies class at California State University, Northridge in 1993. Professor James Dennis who was a Civil Rights activist who made the Mississippi Freedom Rides told us this was the best film about and by African-Americans, and I agree with him wholeheartedly! I would like to get this video and show it in the classes I teach in history. This film was ahead of its time. Sam Greenelee is a very good writer and captures the essence of the struggle for African-Americans.
    8christopher-underwood

    A big surprise!

    A big surprise! I wasn't expecting anything as intelligent or exciting as this. More craft than one would expect of a low budget outing from largely first timers and it barely puts a foot wrong. None of the glam of the more obvious candidates for best black film, this just gets on and does it's job. This being the film's theme in many ways - just do it! There are many, like the writer on the DVD interview, who wonder why so little has been achieved in the US by this community and this marvellous movie is certainly food for thought for many around the world whether they be the oppressed or the oppressor who cannot figure out how the balance of power never seems to change. A really must see film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The actor who played Pretty Willie (David Lemieux) was a member of the Black Panthers and later became a Chicago police detective.
    • Citations

      [after being told he and the other light-skinned gang members are to rob a bank]

      Pretty Willie: All the yellow nigga's, right?

      [His anger coming to a slow boil]

      Pretty Willie: Look, man, I am TIRED of that! I am not passing! I am BLACK! Do you hear me, man? Do you understand? I am BLACK! I am a NIGGA', you understand me? I was BORN Black, I -LIVE- Black, and I'm gonna die, prob'ly -BECAUSE- I'm Black, because some Cracker that -KNOWS- I'm Black, better than -YOU-, Nigga', is prob'ly gonna put a BULLET in the back of my head!

    • Connexions
      Featured in Trailer Trauma Part 4: Television Trauma (2017)

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    FAQ17

    • How long is The Spook Who Sat by the Door?Alimenté par Alexa
    • Where can I stream this?

    Détails

    Modifier
    • Date de sortie
      • 23 décembre 1981 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Spook Who Sat by the Door
    • Lieux de tournage
      • 63rd Street & Cottage Grove Avenue, Woodlawn, Chicago, Illinois, États-Unis
    • Société de production
      • Bokari
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 998 351 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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