4 commentaires
- morrison-dylan-fan
- 16 juil. 2012
- Permalien
This movie is pretty lame.Interesting story but boring.Heinz Hopf who plays one of the main crooks is as good as always but the rest of the cast is nothing to cheer about.I didnt like this movie at all.No suspense and no real action.
Only reason to watch this movie is because it is Swedish and very hard to come by.I will never watch it again.
Only reason to watch this movie is because it is Swedish and very hard to come by.I will never watch it again.
- rugbyspelaren-2
- 23 juin 2002
- Permalien
This Swedish film was a commercial and critical failure at its release in Sweden in 1972. Perhaps the time was not mature for this type of strange crossover film. SMUTSIGA FINGRAR is a mix of police thriller-filmnoir-sleaze-(unintentional comedy). It is modeled after American thrillers of the time, yet the screenwriter seem slightly ignorant of the genre. The characters are very stereotyped to the point of being caricatures. Yet this doesn't matter as the film becomes an explosive mix of thriller and comedy.
To be best appreciated, one needs to know Swedish, as the hilariously funny lines said doesn't translate well into English, lines that were made to sound hip and tough at the time, but come out as awkward and cheesy: "Släck fanskapet" (in English it reads something like: 'Put the jerk out'). Someone wrote in an review that the lines sounded as if they were taken out of a 1940's film, which is not that far from the truth.
The film is crammed full of thriller clichés: The bad-guys are headed by an psychopathic,suave,elegant,almost aristocratic master criminal who uses quotes in French like "Il est mort" (he is dead). His henchmen are of very low intelligence,sadistically brutal,and psychotic. Their adversaries, the two good guys of the plot are girl-photographers that are both quite naive yet do their best to unravel the crime and its instigators.
The jazzy music score by Georg Riedel is very good, slightly reminiscent of the Seventies Blaxploitation flicks, with good use of brass. The cinematography is quite good and well-lit, and lovers of colorful Sixties/Seventies Pop Art Design get their share here.
SMUTSIGA FINGRAR may fail to be taken seriously as a drama/thriller, yet it is the most entertaining film of its kind I've seen. Suspense,drugs,murder,sex,abuse,nudity,torture,car chases and badly staged fist fights. Also see if you can spot sex starlet Marie Ekorre who appears briefly in a bordello scene.
If you're tired of boring Hollywood thriller, then this Scandinavian gem is for you. It is a genre rarity that is not to be missed!!
To be best appreciated, one needs to know Swedish, as the hilariously funny lines said doesn't translate well into English, lines that were made to sound hip and tough at the time, but come out as awkward and cheesy: "Släck fanskapet" (in English it reads something like: 'Put the jerk out'). Someone wrote in an review that the lines sounded as if they were taken out of a 1940's film, which is not that far from the truth.
The film is crammed full of thriller clichés: The bad-guys are headed by an psychopathic,suave,elegant,almost aristocratic master criminal who uses quotes in French like "Il est mort" (he is dead). His henchmen are of very low intelligence,sadistically brutal,and psychotic. Their adversaries, the two good guys of the plot are girl-photographers that are both quite naive yet do their best to unravel the crime and its instigators.
The jazzy music score by Georg Riedel is very good, slightly reminiscent of the Seventies Blaxploitation flicks, with good use of brass. The cinematography is quite good and well-lit, and lovers of colorful Sixties/Seventies Pop Art Design get their share here.
SMUTSIGA FINGRAR may fail to be taken seriously as a drama/thriller, yet it is the most entertaining film of its kind I've seen. Suspense,drugs,murder,sex,abuse,nudity,torture,car chases and badly staged fist fights. Also see if you can spot sex starlet Marie Ekorre who appears briefly in a bordello scene.
If you're tired of boring Hollywood thriller, then this Scandinavian gem is for you. It is a genre rarity that is not to be missed!!
After his drugged-out sister jumps off a building, the son of a wealthy judge, along with his journalist friend and his girlfriend, decide to go after the gang who was using the innocent girl as an "angel" to sell drugs to other innocent kids. Starting with a babbling audiotape his sister made while high, he traces the drug source to a gangster with the unfortunate name of "Harry Balski" (Heinz Hopf). The gangster in turn repeatedly tries to kill him and kidnaps his girlfriend. . .
This is a 70's Swedish crime thriller. It obviously owes a lot to American and Italian crime thrillers from the era, but compare to those the violence here is much more oblique. And unlike the more notorious Swedish crime film "Thriller--a Cruel Picture" (which was actually banned in Sweden and pretty much everywhere else) there is not a lot of graphic sex (where American and Italian films often used graphic violence to compensate for a lack of explicit sex, Swedish films often used graphic sex to compensate for a lack of violence). Still, this is a worthwhile film. It still has a very perverse and depressingly sleazy atmosphere. It's also very realistic in a way. The protagonist does not immediately turn into a tough guy when his sister gets killed--he usually gets his butt kicked, and survives only due to luck and the incompetence of his opponents. The mob boss, rather than being pure evil, is actually rather adverse to violence and has little control over his crazed, drugged out, and generally incompetent crew. One would-be assassin only pretends to kill the protagonist and then tries to extort money from the boss. Another hood is a babbling junkie who draws all kinds of attention to himself as he and his partner attempt to dump the tied-up, unconscious hero into the bay.
Actor Heinz Hopf played more sinister creeps in other Swedish exploitation films like "Exposed" and the aforementioned "Thriller". He is intentionally somewhat sympathetic here, trapped between his own crazed and incompetent underlings and the truly corrupt, powerful people who are behind him. Swedish director Arne Matson had a career as a "respectable" Swedish director, but eventually started dabbling in more exploitative fare like the Franco Nero lolita-sploitation film "The Girl" and this. He certainly knows what he's doing, and that really comes through, even with the low-budget and hacky English dubbing.
This is a 70's Swedish crime thriller. It obviously owes a lot to American and Italian crime thrillers from the era, but compare to those the violence here is much more oblique. And unlike the more notorious Swedish crime film "Thriller--a Cruel Picture" (which was actually banned in Sweden and pretty much everywhere else) there is not a lot of graphic sex (where American and Italian films often used graphic violence to compensate for a lack of explicit sex, Swedish films often used graphic sex to compensate for a lack of violence). Still, this is a worthwhile film. It still has a very perverse and depressingly sleazy atmosphere. It's also very realistic in a way. The protagonist does not immediately turn into a tough guy when his sister gets killed--he usually gets his butt kicked, and survives only due to luck and the incompetence of his opponents. The mob boss, rather than being pure evil, is actually rather adverse to violence and has little control over his crazed, drugged out, and generally incompetent crew. One would-be assassin only pretends to kill the protagonist and then tries to extort money from the boss. Another hood is a babbling junkie who draws all kinds of attention to himself as he and his partner attempt to dump the tied-up, unconscious hero into the bay.
Actor Heinz Hopf played more sinister creeps in other Swedish exploitation films like "Exposed" and the aforementioned "Thriller". He is intentionally somewhat sympathetic here, trapped between his own crazed and incompetent underlings and the truly corrupt, powerful people who are behind him. Swedish director Arne Matson had a career as a "respectable" Swedish director, but eventually started dabbling in more exploitative fare like the Franco Nero lolita-sploitation film "The Girl" and this. He certainly knows what he's doing, and that really comes through, even with the low-budget and hacky English dubbing.