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Shaft contre les trafiquants d'hommes

Titre original : Shaft in Africa
  • 1973
  • 16
  • 1h 52min
NOTE IMDb
5,9/10
3,4 k
MA NOTE
Shaft contre les trafiquants d'hommes (1973)
Home Video Trailer from Warner Home Video
Lire trailer2:56
1 Video
63 photos
ActionAdventureCrimeDrama

Ajouter une intrigue dans votre languePrivate investigator John Shaft is recruited to go undercover to break up a modern slavery ring where young Africans are lured to Paris to do chain-gang work.Private investigator John Shaft is recruited to go undercover to break up a modern slavery ring where young Africans are lured to Paris to do chain-gang work.Private investigator John Shaft is recruited to go undercover to break up a modern slavery ring where young Africans are lured to Paris to do chain-gang work.

  • Réalisation
    • John Guillermin
  • Scénario
    • Ernest Tidyman
    • Stirling Silliphant
  • Casting principal
    • Richard Roundtree
    • Frank Finlay
    • Vonetta McGee
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    3,4 k
    MA NOTE
    • Réalisation
      • John Guillermin
    • Scénario
      • Ernest Tidyman
      • Stirling Silliphant
    • Casting principal
      • Richard Roundtree
      • Frank Finlay
      • Vonetta McGee
    • 33avis d'utilisateurs
    • 52avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Shaft in Africa
    Trailer 2:56
    Shaft in Africa

    Photos63

    Voir l'affiche
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    Voir l'affiche
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    + 56
    Voir l'affiche

    Rôles principaux23

    Modifier
    Richard Roundtree
    Richard Roundtree
    • John Shaft
    Frank Finlay
    Frank Finlay
    • Amafi
    Vonetta McGee
    Vonetta McGee
    • Aleme
    Neda Arneric
    Neda Arneric
    • Jazar
    Debebe Eshetu
    Debebe Eshetu
    • Wassa
    Spyros Fokas
    Spyros Fokas
    • Sassari
    • (as Spiros Focas)
    Jacques Herlin
    Jacques Herlin
    • Perreau
    Jho Jhenkins
    • Ziba
    Willie Jonah
    • Oyo
    Adolfo Lastretti
    Adolfo Lastretti
    • Piro
    Marne Maitland
    Marne Maitland
    • Col. Gondar
    Frank McRae
    Frank McRae
    • Osiat
    Zenebech Tadesse
    • The Prostitute
    Avelio Falana
    • Ramila's Son
    • (as A.V. Falana)
    James E. Myers
    • Williams
    Nadim Sawalha
    Nadim Sawalha
    • Zubair
    Thomas Baptiste
    Thomas Baptiste
    • Kopo
    Jon Chevron
    • Shimba
    • Réalisation
      • John Guillermin
    • Scénario
      • Ernest Tidyman
      • Stirling Silliphant
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs33

    5,93.3K
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    Avis à la une

    6lastliberal

    An unworthy sequel

    Shaft assumes more of the Bond mantle in this film by going undercover to find out who is running the slave trade out of Africa into Europe. However, it really is too much of a stereotype to Shaft and takes away some of what makes him special.

    Shaft, Richard Roundtree again, of course, belongs uptown across 110th street. That's his turf, and putting him in a robe with a stick is just too much.

    This film just went too far, past where the imagination can stretch, in letting Shaft win. Yes, it was letting Shaft win, as he couldn't possibly have dodged all the attempts made on his life and still have energy to magically bed Vonetta McGee, and Yugoslavian Neda Arneric.

    Having said that, there were some very good moments in the film, and it is still worth the time to see Roundtree in action.
    Bobs-9

    Whitey's perspective

    As an urban white kid in the 1970s, I just sort of ignored the Shaft movies. Too ethnic, too threatening – the usual crap. Afterwards, they were just sort of forgotten. But the fictional character John Shaft, who was once a scary black icon for many white Americans, now seems to enjoy almost universal affection as an indelible part of American pop culture.

    After all these years, I finally got around to watching all three Shaft movies for the first time, all in one weekend, from the new and excellent DVD editions. On buying these DVDs I noticed the video store clerk smiling at them, which prompted me to suggest that John Shaft is a bad mother… He immediately answered with the expected response: `Shut yo mouth.' We had a laugh over that, and it occurred to me that you could probably say that line on the Great Wall of China and still get the expected response.

    These transfers look fresher and sharper than they probably ever looked on the big screen, even in the 1970s. A real treat! No extras aside from the trailers for all three films, which are certainly fun to watch, but the films themselves are so much fun, why complain? A lot has been said about the significance of the Shaft films, and their effect on the black and white communities and their perceptions of each other. I don't feel particularly qualified to address all that, but I will say that these are damn good thrillers by any standard. `Shaft' and `Shaft's Big Score' are gritty urban thrillers showcasing New York City circa 1970s, untamed and unapologetic. They involved dueling gangsters both black and white, hardass NYPD detectives, and of course super-cool, super-bad brother man Shaft caught in the middle, looking out for himself and his buddies. Watch them both back-to-back as I did, and you'll find yourself involuntarily speaking in 1970's slang by the time you're through. Yeah, it's a little cheesy, but so what? It's great fun too. `Shaft in Africa' is a radical departure, wherein Shaft becomes involved in cracking an international slave trading operation. This takes him from New York, to Africa, to Paris for a final confrontation with a James Bondian foreign villain played nicely by British actor Frank Finlay. The colorful locales (Ethiopia, Paris) and badass action make it a great finish to the Shaft trilogy, and needless to say, Richard Rountree brings it off to perfection. Anyone who enjoys the older James Bond films should enjoy Shaft in Africa, as they have a lot in common stylistically.

    One more point: these films were made in the early 70's, which means that when Shaft `gets it on' with a lady, as he inevitably does, we do not see ten minutes of graphic sex. The camera moves away tactfully and we move on to the next scene, much in the style of the old James Bond films of that era, but with a bit more skin visible. The sex scenes are tame by today's standards, but the films were R-rated in their time, and the old trailers for them warn the moviegoer that if you are underage and want to see the film, `you gotta ask yo mamma.'
    7DrSatan

    Better than the original!

    Why do you ask? Its got more one-liners, better (as in more amusing) dialogue, better action. Shaft becomes the poor man's James Bond in this one, doing what amounts to international spying but without the hi-tech tricks of Bond. Great final "Shaft enraged by the slow working justice system" ending. Great title song by the 4 Tops ("Are You Bad Enough") doesn't measure up to the classic "Shaft" but still delivers.
    lawrence-14

    Better stuff from 'the man'

    After the abysmal Shaft's Big Score, this second follow-up to the original 1971 legend is much finer stuff. John Guillermen takes over from blaxplotation maestro Gordon Parks as director and excellently brings freshness to the whole thing, with Richard Roundtree's supercool private eye being sent to Ethopia in order to infiltrate and bring down a ruthless slave-trading scam.

    This entry is wonderfully self-concious in the fact that it all smacks of the Bond saga - even Shaft says it when he finds himself handed a couple of gadgets for his mission. Therefore, there's a strong and largely satisfying formula behind the whole affair. The action is still a little clumsy and quite excessively violent, but in general this is bigger, brighter and funner than what came before it.
    Infofreak

    John Shaft goes James Bond is this final entry in the Shaft series.

    The second movie in the Shaft series ('Shaft's Big Score!') was a big disappointment being a tired retread of the dynamic first Shaft movie, a film which basically created the blaxploitation boom of the early 1970s. 'Shaft In Africa' sees director Gordon Parks and creator/writer Ernest Tidyman replaced by John Guillermin and Stirling Silliphant, a safer more Hollywood team which would hit pay dirt the following year with 'The Towering Inferno'. It doesn't have much of a blaxploitation feel to it, it's more of a James Bond thing with a black Bond, but that's okay, it's entertaining enough, and a definite improvement on the lacklustre 'Shaft's Big Score!' Richard Roundtree once again plays super cool private dick John Shaft. This time he is coerced into going undercover in Africa to try and break a slavery ring run by the evil Amafi (Frank Finlay). Roundtree is one cool mutha, and this movie features more sex and violence than the others, so it's easy to watch. Vonetta McGee ('Hammer', 'Blacula') plays Shaft's main love interest, but he also finds time to bed Amafi's sexy and amoral mistress Jazar (Neda Arneric) along the way. It's a pity that there weren't more Shaft movies after this as you could see the series having a lot of life left in it. Instead Richard Roundtree made a TV series which lasted a couple of years, and then his career started to slide into obscurity. By the 1980s he was mostly playing supporting cop roles in dumb action movies. Why this happened is anybody's guess as Roundtree was, along with Fred Williamson, the coolest and most charismatic of the 1970s blaxploitation stars. Both actors deserved a lot more mainstream success.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      As of 2019, this is the only Shaft feature not directed by an African-American.
    • Gaffes
      Shortly before he boards the ship for France, Shaft is involved in a fight in which his right hand is severely bitten by his opponent, drawing quite a bit of blood. Yet when he boards the ship, his right hand is completely wound free.
    • Citations

      Jazar: How long is your phallus, Mr. Shaft?

      Shaft: My what?

      Jazar: Your cock?

      Shaft: Baby, by now it shrunk down to 20 inches.

    • Connexions
      Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 4 (1997)
    • Bandes originales
      Are You Man Enough
      Sung by The Four Tops (as Four Tops)

      Words and Music by Dennis Lambert and Brian Potter

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    FAQ16

    • How long is Shaft in Africa?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 juin 1974 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Amharique
      • Afrikaans
      • Danois
      • Sarde
      • Français
      • Italien
      • Corse
    • Aussi connu sous le nom de
      • Shaft in Africa
    • Lieux de tournage
      • Addis Ababa, Ethiopie
    • Sociétés de production
      • Metro-Goldwyn-Mayer (MGM)
      • Shaft Productions Ltd.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 142 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 52 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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    By what name was Shaft contre les trafiquants d'hommes (1973) officially released in India in English?
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