Papillon
- 1973
- Tous publics
- 2h 31min
Un homme se lie d'amitié avec un autre criminel alors qu'ils commencent à purger leur peine sur une terrible île pénitentiaire, ce qui incite l'homme à élaborer un plan pour son évasion.Un homme se lie d'amitié avec un autre criminel alors qu'ils commencent à purger leur peine sur une terrible île pénitentiaire, ce qui incite l'homme à élaborer un plan pour son évasion.Un homme se lie d'amitié avec un autre criminel alors qu'ils commencent à purger leur peine sur une terrible île pénitentiaire, ce qui incite l'homme à élaborer un plan pour son évasion.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 victoires et 2 nominations au total
Vic Tayback
- Sergeant
- (as Victor Tayback)
Avis à la une
Watching Papillon today it occurred to me that the film it most resembles is Birdman of Alcatraz. Both Steve McQueen and Burt Lancaster were sent to prison for murder convictions although allegedly McQueen was innocent. Both were based on true characters who wrote, in the case of Lancaster ghost wrote, their own memoirs of their time in the joint and the films are based on those books. And certainly both men were rebel spirits.
In Lancaster's case it's an internal rebellion against the rules of the penal system. Of course in the work he did developing those bird remedies, he rehabilitated himself in a way that 'the system' did not understand.
But in the case of Henri Charriere aka Papillon for the butterfly tattoo on his chest, he just wants out of the penal colony at Devil's Island and makes many attempts to get shed of the place. The film is about his many attempts and his refusal to quit no matter what is done to break him. Devil's Island in the Thirties was not any better than it was when Alfred Dreyfus was doing his time in the tropical prison. Still McQueen is resourceful enough as you will see.
McQueen though he's far from French has the rebel persona that really fits this part. Had he been younger and this been a French production I could have seen Jean Gabin in the role. It's one of McQueen's best roles and he holds your interest throughout this nearly three hour film.
Leading an impressive supporting cast is Dustin Hoffman who plays what we would now call a white collar criminal. He becomes a devoted acolyte of McQueen seeing he's going to need friends himself if he's to survive Devil's Island. He also wants to escape in the worst possible way.
Later on we see Hoffman in a different light as if completing the Birdman of Alcatraz analogy, Hoffman's role is similar to that of Telly Savalas who's a tough character when we first meet him in Birdman, but later becomes acclimated to prison life. Hoffman has worked himself into a nice situation relatively speaking on the Island and has resigned himself that this is his home for better or worse. It's a very good performance by Hoffman as his character changes during the film.
I'd really recommend seeing both Birdman of Alcatraz and Papillon back to back. It's a good prison doubleheader for a rainy afternoon.
In Lancaster's case it's an internal rebellion against the rules of the penal system. Of course in the work he did developing those bird remedies, he rehabilitated himself in a way that 'the system' did not understand.
But in the case of Henri Charriere aka Papillon for the butterfly tattoo on his chest, he just wants out of the penal colony at Devil's Island and makes many attempts to get shed of the place. The film is about his many attempts and his refusal to quit no matter what is done to break him. Devil's Island in the Thirties was not any better than it was when Alfred Dreyfus was doing his time in the tropical prison. Still McQueen is resourceful enough as you will see.
McQueen though he's far from French has the rebel persona that really fits this part. Had he been younger and this been a French production I could have seen Jean Gabin in the role. It's one of McQueen's best roles and he holds your interest throughout this nearly three hour film.
Leading an impressive supporting cast is Dustin Hoffman who plays what we would now call a white collar criminal. He becomes a devoted acolyte of McQueen seeing he's going to need friends himself if he's to survive Devil's Island. He also wants to escape in the worst possible way.
Later on we see Hoffman in a different light as if completing the Birdman of Alcatraz analogy, Hoffman's role is similar to that of Telly Savalas who's a tough character when we first meet him in Birdman, but later becomes acclimated to prison life. Hoffman has worked himself into a nice situation relatively speaking on the Island and has resigned himself that this is his home for better or worse. It's a very good performance by Hoffman as his character changes during the film.
I'd really recommend seeing both Birdman of Alcatraz and Papillon back to back. It's a good prison doubleheader for a rainy afternoon.
This movie is a punch in the stomach, really shocking, the makeup, scenery, clothing, performances especially Steve Mcqueen, are amazing.
I was really intrigued watching the movie and couldn't stop thinking, why do we humans subject ourselves to degrading situations like that? The disproportion of the crime committed to the penalty, subjecting the individual to madness. For anyone like us who has never experienced life in prison, some scenes are sometimes revolting, as much as it is there, something legal in terms of law, I believe that it is not morally acceptable to subject people to such misery and suffering, in my view it would be death is better than literally losing mental control, physical health in every aspect.
Anyway, the film portrays very well what happened on Devil's Island, really shocking, it reminded me a little. Idi i smotri (1985), a film from which I was really uncomfortable with such fidelity to reality.
I was really intrigued watching the movie and couldn't stop thinking, why do we humans subject ourselves to degrading situations like that? The disproportion of the crime committed to the penalty, subjecting the individual to madness. For anyone like us who has never experienced life in prison, some scenes are sometimes revolting, as much as it is there, something legal in terms of law, I believe that it is not morally acceptable to subject people to such misery and suffering, in my view it would be death is better than literally losing mental control, physical health in every aspect.
Anyway, the film portrays very well what happened on Devil's Island, really shocking, it reminded me a little. Idi i smotri (1985), a film from which I was really uncomfortable with such fidelity to reality.
The true story of Henri Charriere (nicknamed "Papillon" because of his butterfly tattooed chest), a Frenchman falsely accused of murder and sent to French Guiana's inescapable penal colony. Charriere spent years trying to escape from this mosquito-ridden, malaria-prone hellhole, but every attempt somehow went awry. On many occasions, the recaptured Charriere was sent into solitary confinement and only survived thanks to his incredible mental strength. Ultimately, the authorities lost hope of taming his urge to break out, so they abandoned him on Devil's Island, a tiny land mass where guards were not needed since the constantly ferocious surrounding sea was ample deterent for any would-be escapees.
Franklin J. Schaffner directs this film quite well, capturing the appalling prison conditions vividly and getting a wonderful, multi-layered performance from Dustin Hoffman as Charriere's friend, convict Louis Dega. However, McQueen struggles with the demands of the lead role. Yes, he's physically accurate in the part and during the escape sequences he looks convincing. However, during the quieter moments, McQueen looks distinctly uncomfortable, and his natural "cool" persona doesn't equate with the humiliated, tormented character he is supposed to be playing. The subsidiary characters are great, especially the guy with the tattooed face who attributes his ugly tattoos to an evening of drunkeness, and Anthony Zerbe as a grossly disfigured leper who asks Papillon to share a cigar with him.
Best sequence? Probably the one where McQueen and another escapee flee through the rainforest from some soldiers, using natural jungle-based narcotics to preserve their energy levels.
Franklin J. Schaffner directs this film quite well, capturing the appalling prison conditions vividly and getting a wonderful, multi-layered performance from Dustin Hoffman as Charriere's friend, convict Louis Dega. However, McQueen struggles with the demands of the lead role. Yes, he's physically accurate in the part and during the escape sequences he looks convincing. However, during the quieter moments, McQueen looks distinctly uncomfortable, and his natural "cool" persona doesn't equate with the humiliated, tormented character he is supposed to be playing. The subsidiary characters are great, especially the guy with the tattooed face who attributes his ugly tattoos to an evening of drunkeness, and Anthony Zerbe as a grossly disfigured leper who asks Papillon to share a cigar with him.
Best sequence? Probably the one where McQueen and another escapee flee through the rainforest from some soldiers, using natural jungle-based narcotics to preserve their energy levels.
I saw "Papillon" on its initial release in 1973 and I found on rewatching recently that I had forgotten most of it. I am not sure what that says about the film, but after decades I was only left with the general impression that a prisoner's life on Devil's Island was horrible.
The story is true to some degree. Whatever its authenticity, the film is impressive in its depiction of a horrible reality--for Devil's Island did exist. And it is a filmic testament to the human spirit and its desire for freedom. Much of the credit goes to Steve McQueen and Dustin Hoffman, who played the two leads. If one is measuring McQueen's acting ability, it might be wise to start with his portrayal of the titular Papillon. Hoffman, on the other hand, has many other tours de force to his credit.
Among the canon of prison films, "Papillon" is certainly first rate. Personally, I prefer "Cool Hand Luke" or "Bridge on the River Kwai", but "Papillon" presents a stark captivity with little dialogue, relying on the camera's close investigation of the minutiae of daily existence as reflected in the prisoners' faces and their bearing. Did McQueen or Hoffman deserve the Oscar for Best Actor? They might have split the vote if both were nominated, but each probably deserved a nomination.
The story is true to some degree. Whatever its authenticity, the film is impressive in its depiction of a horrible reality--for Devil's Island did exist. And it is a filmic testament to the human spirit and its desire for freedom. Much of the credit goes to Steve McQueen and Dustin Hoffman, who played the two leads. If one is measuring McQueen's acting ability, it might be wise to start with his portrayal of the titular Papillon. Hoffman, on the other hand, has many other tours de force to his credit.
Among the canon of prison films, "Papillon" is certainly first rate. Personally, I prefer "Cool Hand Luke" or "Bridge on the River Kwai", but "Papillon" presents a stark captivity with little dialogue, relying on the camera's close investigation of the minutiae of daily existence as reflected in the prisoners' faces and their bearing. Did McQueen or Hoffman deserve the Oscar for Best Actor? They might have split the vote if both were nominated, but each probably deserved a nomination.
Usually, after reading a long book filled with many interesting adventures, watching a two-hour film later winds up being a big disappointment. There is no way a film can give you anywhere near the info you glean from a book, especially one over 500 pages as is the case with "Papillion." Yet, despite most of Henri Charriere's incredible feats of survival, ("Papillion" was Charriere's nickname) this movie is above average and basically does the book justice. The movie runs about two-and-a-half hours and gives enough of a flavor to have the viewer appreciate - at least to some degree - the brutal trials and tribulations Papillion went through in real life.
If you enjoyed this film, the book is a "must-read" for you and very highly-recommend You won't believe all the things Charriere experienced: good and bad. In real life, the man escaped something like eight times and each time went through hell.
Steve McQueen, playing "Papillion," was excellent. He was particularly good at showing the physical effects of years of solitary confinement. By the way, in real life, Charriere was much younger went sent to jail than McQueen was at the time this movie was shot. Papillion should have been played by a younger actor, but who's going to complain when you get an actor of McQueen's caliber?
Dustin Hoffman also was great as Papillion's friend, "Louis Dega," who had a bigger role in the movie than he did in the book. For the most part, Papillion had a number of friends, all helping him over the years. Hoffman also provided some good comic relief to the movie and, heaven knows, it needed it. Take it from someone who has read the book: this is a grim story, worse than what you saw on screen here.
Nevertheless, thanks to the two leading actors and the wonderful work by Director Franklin Schaffner and Cinematograher Fred Koenekamp, this long film entertained. No, it wasn't the caliber of the book, but it's didn't insult it, either, and is definitely worth a look.
If you enjoyed this film, the book is a "must-read" for you and very highly-recommend You won't believe all the things Charriere experienced: good and bad. In real life, the man escaped something like eight times and each time went through hell.
Steve McQueen, playing "Papillion," was excellent. He was particularly good at showing the physical effects of years of solitary confinement. By the way, in real life, Charriere was much younger went sent to jail than McQueen was at the time this movie was shot. Papillion should have been played by a younger actor, but who's going to complain when you get an actor of McQueen's caliber?
Dustin Hoffman also was great as Papillion's friend, "Louis Dega," who had a bigger role in the movie than he did in the book. For the most part, Papillion had a number of friends, all helping him over the years. Hoffman also provided some good comic relief to the movie and, heaven knows, it needed it. Take it from someone who has read the book: this is a grim story, worse than what you saw on screen here.
Nevertheless, thanks to the two leading actors and the wonderful work by Director Franklin Schaffner and Cinematograher Fred Koenekamp, this long film entertained. No, it wasn't the caliber of the book, but it's didn't insult it, either, and is definitely worth a look.
Le saviez-vous
- AnecdotesSteve McQueen insisted on performing the stunt where he jumps off a cliff into the water. McQueen once said that it was "one of the most exhilarating experiences of my life".
- GaffesIt is highly implausible (and never explained) why the escaped trio would need to sail their boat all the way to Honduras, a country in Central America and several thousand miles away from French-Guiana. Why not sail along the coast due south to Brazil or north-west to Venezuela? In fact, in the autobiographic novel on which the movie is loosely based, Papillon (Henri Charriere) eventually escapes to Venezuela.
- Versions alternativesSome American prints of this film run 132 minutes, instead of 150.
- ConnexionsFeatured in The Ultimate Stuntman: A Tribute to Dar Robinson (1987)
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- How long is Papillon?Alimenté par Alexa
Détails
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 53 267 000 $US
- Montant brut mondial
- 53 267 000 $US
- Durée
- 2h 31min(151 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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