L'Or noir de l'Oklahoma

Amusing film by the great producer and director Stanley Krmer , including an attractive and interesting screenplay written by Marc Norman . It's oil boom time in Oklahoma and Lena Doyle (Faye Dunaway) , a man-hating , strong-willed woman has a struggle on her hands : the big oil companies don't appeal the fact that she's working a potentially profitable oil well . Reluctantly, Lena has to accept the aid of her estranged father Cleon (John Mills) , and Mason (George C. Scott) , the man he contacts to help . The three form an unlikely alliance against the oil trusts that are represented by a nasty ex-general (Jack Palance) and his big guys (William Lucking , Cliff Osmond) . But together are determined to defend the lone wildcat rig , as the good guys contend the bad guys and put up a terrific facing .

This is a wild raunchy rip-roaring yarn , an agreeable picture that has comedy , fights , shootouts , mildly enjoyable situations , nonthinking amusement and likable performances . Enjoyable acting by Faye Dunaway and Geoge C. Scott , both of whom steal the show , she as a hard-bitten, stubborn feminist and he as an obstinate drifter . Enjoyable relationship among three protagonists : Lena hates men , Mason stunningly played by George C. Scott , giving a brilliantly comic acting , he is out for himself , and Lena's father wonderfully acted by John Mills is attempting to make up for a lifetime of neglecting his daughter . Furthermore , a good support cast as Harvey Jason , William Lucking , Cliff Osmond and special mention to Jack Palance playing an unforgettable villain . Colorful cinematography in Panavision filmed on location in Ospital Ranch, Stockton, California, USA , being compellingly photographed by Robert Surtees , an excellent cameraman expert on superproductions as Ben Hur , Quo Vadis , Cimarron , King Solomon's Mines , among others . Atmospheric and lively musical score by Henry Mancini , Blake Edwards' usual .

This old-fashioned motion picture was well produced and directed by Stanley Kramer . He directed 14 different actors in Oscar-nominated performances .He was a notorious producer and director who gave big successes . Kramer formed his own production company in 1947, in conjunction with Carl Foreman .He had a reputation for being frugal, working well within his budgetary limitations . Many of his films reflected social or political concerns and were often controversial . Stanley was consequently tagged as a "message film maker" and "Hollywood's Conscience" . Among his most popular films are : The pride and the Passion¨, ¨On the beach¨, ¨¨ Judgment at Nuremberg¨, ¨Ship of fools¨, ¨World is mad , mad ,mad¨ and ¨Guess Who's Coming to Dinner¨ . However , ¨Oklahoma crude¨ resulted to be a flop at box office though nowadays is well considered . rating : Above average . Worthwhile watching .

Oklahoma Crude reminds me of movies like Cat Ballou (Jane Fonda, Lee Marvin) and There Will Be Blood (Daniel Day-Lewis) - the story is about the rough early days of oil drilling, a kind of late Western movie with a good shot of comedy elements and action. Production is great and the cast (Faye Dunaway, George C. Scott, Jack Palance) including the supporting cast does well. No masterpiece but a decent and entertaining movie about some unlucky underdogs taking on the big fish in the pond.

Director Kramer was always much maligned by the critics (he and Pauline Kael never traded Christmas gifts). His 'important' films were considered placid, threadbare, and manipulative. His films on race relations like THE DEFIANT ONES and GUESS WHO'S COMING TO DINNER treated the issue in a very simplistic and tasteful way. Giving one the impression that he was more interested in not offending anyone and being acceptable than actually making a real movie.

However this one, which is one of his later and least known efforts, tends to break that mold. For Kramer it is actually quite edgy. He still tries to tackle the issue of the day, in this case feminism and a womens place in a mans world, but he does it in a much more sophisticated way. He looks at the issue from different angles and surrounds it with a sense of fun and irreverence. Things aren't quite as obvious as with his other films and the characters are more interesting and quirky.

Basically it is a revisionist western with strong willed Dunaway hiring drifter Scott to help protect her property from greedy land baron Palance who wants the land for it's oil. Really though that is all just an excuse to show how although both sexes deserve equal rights there are still many differences between them and how one really does need to other because of this. It also shows the little intricacies that come about when a man and women work together compared to when two men or two women work together.

The two leads are perfect. Both have always had very strong on screen personas, yet here Scott deftly underplays his, which makes for a very interesting on screen chemistry. Palance however as the heavy is completely wasted simply because he is not given enough screen time.

Overall this is a fun picture that is well paced and should, if anything, keep you entertained. It doesn't really push the limits enough to be a classic, but it does have a few memorable moments.

A few of those moments come with some snappy exchanges. At one point Dunaway softens a bit and tries to explain to Scott why she has been so cold to him. She says "I know I have been a bitch, but this world can be very hard place for a women." Then Scott without missing a beat says "Well it can be a hard place for a man too." There's also a conversation where Dunaway explains why she would like to have both the male and female sex organs. Her answer to how she would go about satisfying herself is a good one.

I saw this movie in high school and have been waiting for a video release ever since. The screenwriter, Marc Norman, created a masterpiece, and Stanley Kramer directs one of his best movies ever. A great mix of intelligent dialogue, social critique, and sexual politics.

If you're a fan of David Mamet or HBO's "Deadwood," then you'll love this vulgar and profane bit of Americana. The leads play against type and pull off some really great performances. Scott and Dunaway are terrific together; too bad they never paired up again.

If you think this is a one-off, consider this: Marc Norman would go on to win an Oscar for "Shakespeare in Love." Mr. Norman, can you use your clout to get a DVD release?

This is a great little allegory about the constant struggle between artistic filmmakers (drilling for oil) and the finance people who stand around the edge of the set, taking pot shots, while waiting for the gusher to pay off.

Arguably the best latter-day Stanley Kramer film (i.e. made during his lean 1969-79 period); being a light-hearted romp with a mean streak, it might also be his oddest. It features an eclectic cast, with both George C. Scott (as a drifter) and John Mills (as Faye Dunaway's estranged father) shining in their comical roles; Dunaway herself (in an unflattering black wig) and Jack Palance (as a menacing thug, what else?) are also well-cast. Henry Mancini's flavorful score (and song) adds to the film's eccentricity, given its proliferation of foul language and occasional bouts of violence. In essence, patchy but generally enjoyable - and occasionally uproarious (Scott's priceless reaction to Dunaway's Third Sex speech and the second Scott-Palance confrontation). I had this on a VHS of wretched quality for years (though the quality of Robert Surtees' cinematography is still evident), but only watched it now to commemorate Palance's passing.