Actualités

All titles below begin streaming for free on February 1 unless otherwise noted.

Originals

Action

Earthquake Underground (2/29)

When a massive earthquake submerges several subway cars underground, a group of misfit passengers band together to get to the surface or die trying.

Vice News Presents: Mass Shooting America (2/7)

An unflinching look at the true scope and scale of gun violence in America, as told by those who’ve experienced it first-hand.

Love You To Death: Mommy’S Missing (2/14)

The case of a missing mother reveals twisted family secrets that leave a trail of flames, arrests, and deaths in their wake.

TMZ No Bs: Miley Cyrus (2/24)

Harvey Levin and his team of TMZ experts discuss Miley Cyrus’ meteoric rise to fame and debate her biggest scandals and successes.

Love You To Death: For Love Or Money (2/28)

The shooting of a beloved Cleveland firefighter leads detectives to uncover a shocking plot for money gone very wrong.

Tubi, Fox’s free streaming service, has announced its list of September titles. The Tubi September 2024 slate features new Tubi Originals and numerous action, art house, Black cinema, comedy, documentary, drama, horror, kids and family, romance, sci-fi and fantasy, thriller, and Western titles.

As a leading ad-supported video-on-demand service, the company engages diverse audiences through a personalized experience and the world’s largest content library: over 200,000 movies and TV episodes, a growing collection of Tubi Originals, and nearly 250 Fast channels.

You can watch the Tubi September 2024 lineup for free on Android and iOS mobile devices, Amazon Echo Show, Google Nest Hub Max, Comcast Xfinity X1, and Cox Contour.

You can also watch the service on connected television devices such as Amazon Fire TV, Vizio TVs, Sony TVs, Samsung TVs, Roku, Apple TV, Chromecast, Android TV, PlayStation 5, Xbox Series X|S, and on the Tubi site.

Tubi Originals

Action

Hazard – 9/6

Noah really loves his girlfriend,...

For some audiences, nothing beats the vibe of the Western genre, which involves themes such as historical politics, gunslingers, cowboys, and sheriffs. Western fiction has long been at the heart of the media, and while it is now more niche, many people still consume it sporadically on streaming services such as Tubi.

Furthermore, finding a decent Western is almost effortless, as films in the genre date back more than 100 years. A solid Western can be found on nearly every streaming site, including free Western movies on YouTube, accessible to almost everyone on the planet. That being said, if you're a big fan of the genre, you might prefer a streaming service that consistently adds new Western films and TV shows.

For such audiences, Tubi, an ad-supported platform, has become a go-to destination for all types of Western films in recent years. With that in mind, here is the list of...

William Lucking, the actor best known for his role as biker Piney Winston on the hit series “Sons of Anarchy,” died on Oct. 18 in his Las Vegas home. Lucking was 80.

“Although William often played toughs and strongmen, in his actual life he was an elegant man with a brilliant intellect who loved to argue about politics and current affairs, discuss philosophy and physics and assert fine-pointed opinions about art and poetry,” his wife Sigrid Insull Lucking wrote in an obituary posted on Facebook by his friend and fellow actor Stephen Macht.

Lucking famously played Samcro member Piermont “Piney” Winston on 35 episodes of Kurt Sutter’s FX crime drama “Sons of Anarchy,” from the start of the series through the fourth season (2008 to 2011).

Some more of Lucking’s most notable roles include Army Col. Lynch on “The A-Team” from 1983 to 1984, as well as Bajoran Furel on three episodes of “Star Trek: Deep Space Nine...

William Lucking, who played Piney Winston in FX’s Sons of Anarchy and had 100-plus other film and TV credits during a nearly half-century career, has died, his agent confirmed to Deadline. He was 80.

Lucking died October 18 at his home in Las Vegas. No cause of death has been revealed.

An obituary shared by his wife Sigrid Lucking reads, “Although William often played toughs and strongmen, in his actual life he was an elegant man with a brilliant intellect who loved to argue about politics and current affairs, discuss philosophy and physics, and assert fine-pointed opinions about art and poetry.”

Lucking was born on June 17, 1941, in Michigan and moved with his family to California in the 1950s. With a degree in literature from UCLA, he furthered his theater studies at the Pasadena Playhouse.

Throughout his lengthy career in Hollywood, he portrayed a diverse range of characters on the big and...

A few years ago the editors of Shadowlocked asked me to compile a list of what was initially to be, the ten greatest movie matte paintings of all time. A mere ten selections was too slim by a long shot, so my list stretched considerably to twenty, then thirty and finally a nice round fifty entries. Even with that number I found it wasn’t easy to narrow down a suitably wide ranging showcase of motion picture matte art that best represented the artform. So with that in mind, and due to the surprising popularity of that 2012 Shadowlocked list (which is well worth a visit, here Ed), I’ve assembled a further fifty wonderful examples of this vast, vital and more extensively utilised than you’d imagine – though now sadly ‘dead and buried’ – movie magic.

It would of course be so easy to simply concentrate on the well known, iconic,...

Jeremiah Johnson

Directed by Sydney Pollack

Written by Edward Anhalt and John Milius

1972,

The Western, at its creative and commercial peak – the late 1960s-early 1970s – proved itself an astoundingly pliable genre. It could be molded to deal with topical subject matter like racism (Skin Game, 1971), feminism (The Ballad of Josie, 1967), the excesses of capitalism (Oklahoma Crude, 1973). It could be bent into religious allegories (High Plains Drifter, 1973), or an equally allegorical address of the country’s most controversial war (Ulzana’s Raid, 1972). Westerns could be used to deconstruct America’s most self-congratulatory myths (Doc, 1971), and address historical slights and omissions (Little Big Man, 1970). They could provide heady social commentary (Hombre, 1967), or simple adventure and excitement (The Professionals, 1966). They could be funny (The Hallelujah Trail, 1965), unremittingly grim (Hour of the Gun, 1967), surreal (Greaser’s Palace, 1972), even be stretched into the shape of rock musical (Zachariah, 1971) or monster movie (Valley of Gwangi, 1969).

But...

By Lee Pfeiffer

Years before Michael Cimino released his Socialist-themed Western Heaven's Gate, director Stanely Kramer took a less heavy-handed approach with his 1973 film Oklahoma Crude. Unlike Cimino's dark and message-laden epic, however, Kramer made the political aspects of his film secondary to the lighthearted tone of the story. Faye Dunaway, seen here in the least glamorous role of her career, plays Lena Doyle, a bitter, man-hating independent woman who is determined to make a success of her wildcat oil drilling venture on the plains of Oklahoma during the early 1900s. Beset by the frustration of consistently having her rig dig up dirt instead of oil, she also has to contend with a bigger threat: a major oil company is determined to seize her land by hook or by crook. When she turns down the offer of a buyout from their cut throat representative (Jack Palance), the oil company moves...