NOTE IMDb
7,7/10
740
MA NOTE
Ajouter une intrigue dans votre langueA homicide detective begins to suspect that the black teenager accused of murdering two white girls is being framed by his fellow detectives.A homicide detective begins to suspect that the black teenager accused of murdering two white girls is being framed by his fellow detectives.A homicide detective begins to suspect that the black teenager accused of murdering two white girls is being framed by his fellow detectives.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Primetime Emmys
- 3 victoires et 4 nominations au total
José Ferrer
- Jake Weinhaus
- (as Jose Ferrer)
Avis à la une
I agree with the other comment on this-I feel this is an excellent film and, when i voted for this film I noticed that many of the high votes were by people roughly the same age as me (18) who, like me, probably don't remember when this was originally shown- I feel this speaks volumes about how relevant and engaging this film remains after all these years... and don't get me wrong - I have hardly ever seen Kojak but this film as it stands on its own makes sense and is very good. I wont spoil the film but I'll just say that I also like how the film doesn't really have a definite answer and leaves the viewer to agree or disagree with the ending. I'd recommend buying this if you can as It's a good price these days but still a great film.
Effectively the pilot for the long running TV detective series 'Kojak", this TV movie is actually far more than that, being a dramatisation (with names changed) of an important case in American legal history, in establishing the rights of a defendant to have their legal rights read to them before answering questions relating to the offence.
Not that it helped the young unemployed black victim here, subject to a monstrous miscarriage of justice which sees him charged with three murders and an attempted rape he patently didn't do, who ended up serving time despite the efforts of in particular Kojak (a composite of the actual officers who bravely stood up for the accused) and an experienced defence attorney played by Jose Ferrer after the original court appointee (played by Robert Walden, later Joe Rossi in "Lou Grant") palpably fails him.
The direction eschews showiness and documents with fly-on-the-wall realism, the seamy methods of a so-called respected police force to pin a crime on the first donkey who comes along.
Fans of the TV series will be surprised to see none of the excellent supporting cast which made the show such a success in the 70's, like Dan Frazer and Kevin Dobson, although Telly's brother George, later the hang-dog Stavros gets a bit part as a newspaper reporter. Kojak himself isn't the finished article either as we see him act in ways he never would later on, such as violently losing his temper with a suspect, getting up close and personal with a past lover and even just working as a lone wolf much of the time. Savalas himself is excellent, already displaying the intensity of his character in his fine Italian clothes, although at this stage in his development catch-phrase and lollipop-less.
I read up on the "Career Girls" murders case which begot this drama and commend the makers for staying true to the story and bringing to light an unacceptable weakness in US justice. The fact that it led to a TV series as good as any to ever come of American television was just a bonus, albeit a very good one.
Not that it helped the young unemployed black victim here, subject to a monstrous miscarriage of justice which sees him charged with three murders and an attempted rape he patently didn't do, who ended up serving time despite the efforts of in particular Kojak (a composite of the actual officers who bravely stood up for the accused) and an experienced defence attorney played by Jose Ferrer after the original court appointee (played by Robert Walden, later Joe Rossi in "Lou Grant") palpably fails him.
The direction eschews showiness and documents with fly-on-the-wall realism, the seamy methods of a so-called respected police force to pin a crime on the first donkey who comes along.
Fans of the TV series will be surprised to see none of the excellent supporting cast which made the show such a success in the 70's, like Dan Frazer and Kevin Dobson, although Telly's brother George, later the hang-dog Stavros gets a bit part as a newspaper reporter. Kojak himself isn't the finished article either as we see him act in ways he never would later on, such as violently losing his temper with a suspect, getting up close and personal with a past lover and even just working as a lone wolf much of the time. Savalas himself is excellent, already displaying the intensity of his character in his fine Italian clothes, although at this stage in his development catch-phrase and lollipop-less.
I read up on the "Career Girls" murders case which begot this drama and commend the makers for staying true to the story and bringing to light an unacceptable weakness in US justice. The fact that it led to a TV series as good as any to ever come of American television was just a bonus, albeit a very good one.
This generation of film makers are afraid to make something like this now. Distributors wont touch it.This should not have been a TV movie. Academy award worthy across the board here. The direction, the cinematography, one heck of a script, and you can take your pick of the actors whose performances went past the heart and right for the gut. The subject matter supporting the Kojak mythology puts the film right up there with any top civil rights documentary. I first saw it as the " The 3:30 movie" on channel seven in Chicago back in 74.I didn't know what I was looking at until I studied the King event. Abby Mann later wrote and directed "King" but this script is as close as you will get to a saturated gritty matter-of -fact telling of a story that still rightly embarrasses the legal system. I always wondered why the networks never bothered to show it again. I see why...and so will you.
I came across this movie whilst channel surfing and boy was I pleasantly surprised. I was expecting an episode of the TV series but instead got a gritty 70'd classic. This a low down story of Police and the systems corruption which is still relevant today. Telly Savalas is superb as Kojack the only decent cop in New York who is prepared to see the set up that is taking place. A slow reveal with excellent supporting cast makes this a recommendation for everyone. This is truly an undiscovered gem that if it was a cinema movie would still be lauded today. This is a movie that really needs wider exposure. Now how to I go about getting the to show it at the BFI?
"Kojak:The Marcus-Nelson Murders" was a made for television movie that premiered as a CBS Special Presentation on March 8,1973. It was based on the book by Selwyn Raab(who was a reporter for the New York Times)titled "Justice In The Back Room". Written by Abby Mann and Directed by Joesph Sargent,this Emmy-winning television drama was based on the 1963 Wylie-Hoffert "Career Girls Murders". The crime involves the brutal rape and murder of two young professional women in Manhattan. The movie serve as the basis as the pilot for the "Kojak" television series starring Telly Savalas. An African-American male by the name of Lewis Humes(Gene Woodbury)was arrested for a crime that he did not commit. To find the real killer,Lt. "Theo" Kojak conducts a second investigation with a different team of detectives(Ned Beatty, William Watson)along with his superior officer Sgt. Dan McCartney(Bruce Kirby). After illegally obtaining a confession,the police have identified the real suspect in the murders which exonerated the suspect and identified the culprit,who was a Puerto-Rican junkie.
"Kojak:The Marcus-Nelson Murders" was a gritty and intense police drama with a subtext focusing on institutionalized prejudice and the civil rights and suspects and witnesses. The opening and closing titles of the film emphasize that it was a fictional account of the events that led to the creation of "Miranda" rights by the U.S. Supreme Court in 1966. As for the TV-Movie on which the series "Kojak" was based on,there was no other actor out there that did it better than the great Telly Savalas. The supporting cast features Chita Rivera,to Tol Avery, Robert Walden,Jose Ferrer,Val Bisoglio,Lorraine Gary and Allen Garfield,many of these stars would make guest appearances later on for the "Kojak" television series during the early-to-mid 1970's.
"Kojak:The Marcus-Nelson Murders" was a gritty and intense police drama with a subtext focusing on institutionalized prejudice and the civil rights and suspects and witnesses. The opening and closing titles of the film emphasize that it was a fictional account of the events that led to the creation of "Miranda" rights by the U.S. Supreme Court in 1966. As for the TV-Movie on which the series "Kojak" was based on,there was no other actor out there that did it better than the great Telly Savalas. The supporting cast features Chita Rivera,to Tol Avery, Robert Walden,Jose Ferrer,Val Bisoglio,Lorraine Gary and Allen Garfield,many of these stars would make guest appearances later on for the "Kojak" television series during the early-to-mid 1970's.
Le saviez-vous
- AnecdotesThe film is based on an actual case known as the "Career Girl" murders that happened on 28 August 1963. It was the date on which Martin Luther King delivered his "I Have A Dream" speech, as mentioned in the film.
- GaffesWhen Lt. Theo Kojack drives to Lewis Humes's party, a camera shot inside his Ford Torino shows the car has a plastic, sport side-view mirror on the driver's door. When he arrives and parks to proceed to the party, the Torino now has a metal, square, chrome, side-view mirror on the driver's door.
- Citations
Jake Weinhaus: That's a nice woman, Saul. She managed to say goodbye even though I told her I couldn't save her son.
- ConnexionsFeatured in The 25th Annual Primetime Emmy Awards (1973)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Der Mordfall Marcus-Nelson
- Lieux de tournage
- St Johns Pl and East New York Avenue, Brooklyn, Ville de New York, New York, États-Unis(Patrolman Stabile first finds Lewis Humes - north corner - then phones from police callbox - east corner of East New York Avenue and Strauss St.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 5min(125 min)
- Mixage
- Rapport de forme
- 1.33 : 1
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