Le piège

British agent Joseph Rearden (Paul Newman) meets his superior MacKintosh and Mrs Smith who direct him to steal diamonds from mysterious mail deliveries. He gets arrested after an anonymous tip and sentenced to 20 years in prison. He joins Slade, a KGB mole in British intelligence, in a prison escape. They are drugged and brought to a vast secret organization. Meanwhile, politician Sir George Wheeler (James Mason) rails against the government and MacKintosh informs him of infiltrating the escape organization.

The first act is rather stale. John Huston directs the material in a standard manner. The trial is boring. It would have worked much better to start with Newman arriving in prison. His intelligence background should be revealed much later as a shocking twist. The pacing and plotting is rather slow and methodical. It is competently made and it has the great Paul Newman. It's well into the second half when they finally have a car chase. Otherwise, the drama is rather limited.

John Huston ("The African Queen" "The Maltese Falcon" "The Treasure of the Sierra Madre") directs this spy thriller scripted by Walter Hill ("The Driver" "48 Hrs." "Undisputed") which stars a top tier cast that includes Paul Newman, Dominique Sanda, James Mason, and a host of British actors who you're sure to recognize. There's also photography by Oscar winning cinematographer Oswald Morris and music by multiple Oscar winning composer Maurice Jarre. Sadly, what ends up on screen is dullsville. Newman plays a British secret agent who pretends to be an Australian criminal who later pretends to be Canadian, in order to infiltrate a secret spy organization run by villainous James Mason. The dullness of the film may be explained by some behind-the-scenes politics. Walter Hill was in the process of suing Warner Bros. but came to an agreement to adapt this book, which he halfheartedly did in order to complete his obligation. Hill later stated he only wrote the first half of the film and the rest was re-written by Huston and others, with the script not even completed two weeks into shooting. Cinematographer Oswald Morris also reported that Huston was rather disinterested in the film, showing up late to set and that Morris and crew were the ones who had to set up the shots for the day and catch up the unprepared Huston when he did finally show up. Newman was also reportedly disappointed at Huston's lack of enthusiasm for the project. Given all that, it's understandable that this spy thriller is rather lifeless. Still, Mason and Newman are compulsively watchable and even a disinterested Huston is still a better than most, so although lackluster, "The MacKintosh Man" is still watchable. Also, I think this is probably the first and only time you'll ever see Paul Newman coldcock a dog and drown it.

Not your usual late '60's, early 70's Paul Newman flick, where he was cast in more overt starring roles, a la "The Sting" or "Butch Cassidy". The Paul Newman here is more understated and anti-heroic which provides a welcome change to film goers like me who enjoy seeing the Hollywood biggies downplaying their box-office charm by taking on less glamorous, more substantive roles. This political melodrama takes place primarily in a European/British Isles setting, with an all European cast except for Mr. Newman. He portrays an agent who infiltrates a diamond smuggling ring to try to smash that ring's core. During the course of the film, he is pretty well beat up and bandied about by his antagonists, not leaving his pretty boy image much to thrive on. His contact agent, Mrs. Smith (Dominique Sanda), becomes his love interest, not as a torrid screen love affair but more of an quasi-platonic one, where the job at hand takes precedence over the romantic involvement.

The plot and story line is developed nicely by Mr. Huston, who takes us on a European tour that starts in London, then works its way to Ireland and finally to Malta. James Mason does his usual yeoman's job in his rendition of the pompous Sir George Wheeler, the right wing politico big wig who may have his own share of illegal dalliances. Although Mr. Newman is, in fact, the main character, the entire cast comes across very well as more of an ensemble effort, with no one role really outdoing another. It seems that Mr. Huston lent his directorial hand very deftly when it came to letting the film itself be the focal point rather than just one or two actors hogging the spotlight. Not a well known film, perhaps, but one that deserves viewing nonetheless, due in no small part to a most interesting conclusion.

Hitchcock appears to be the ghost that is haunting John Huston in this flick. Or should we say that it is Huston's homage to Hitchcock that we have here, and which seems to either spice up, or overburden the film, depending on who the viewer is. The cinematography, lowkey brown color palette and restrained performances -- allowing the vivid "action" to move the plot-- all have shades of the later Hitchcock movies like "Topaz" or the one with Newman himself in it, "Torn Curtain." In fact Hitchcock made only one more film after the 1973 date of "Mackintosh Man," so we are witnessing something which could be interpreted as an effort on Huston's part to continue that legacy. Some specific parallels are, for example, Newman's struggle in the river to strangle the killer-dog set on him during his escape echoing the struggle in the farmhouse to kill the Russian agent ("Torn Curtain"). Or the mad car chase over rocky Irish roads by Newman and Sanda, mimicking the inevitable car chases patented by Hitch in various of his early b/w films, such as "The Man who Knew too Much (w/ Donat)" or "Young and Innocent".

Another parallel can be seen in the casting. Besides Newman himself, there is Huston's selection of the mysterious Dominique Sanda, one of Europe's most sensuous stars, whose appeal mirrors Hitchcock's obsession with the cool blonde beauty of Grace Kelly, Eva Marie Saint or Tippi Hedren.

Then, too, we have the eloquent James Mason in a late role commanding the opening of the film in the House of Lords by holding forth in the grand manner. But we should guess that he is here a Hitchcockian anti-hero, one in the mold of Phillip Vandamm from Hitch's monumental "North by Northwest." More parallels could be drawn, but for the mise-en-scene, Huston does one up on Hitch by actually filming in Ireland and Malta.

As for the plot it appears to have the tempting multilayered complexity of a typical English thriller, such as those in which Michael Caine appeared before he was swallowed up by Hollywood. If there are plot densities, we are after all, dealing with agents and double-agents, and things can get knotted up. In what other country than England could upperclass spies -- traitors-- be celebrated in literature and movies like the agents Philby or Blunt? Newman's adversaries are gentlemen, but not what they seem to be. We even get an idea of what an English prison is like and the quantities of laundry that they do. Last of all, who is Mrs. Smith? A name deliberately chosen for its opaqueness. Is she convincing as Mackintosh's daughter, or is she merely an agent, and not even a double agent? Yes, there are holes in the plot, but overall, the performances and Newman's Great Escape make up for the plot weaknesses.

Of four ****, three and a half. Still a must for fans of the director Huston, or the stars Newman, Mason or Sanda, and the many supporting stalwarts of British b/w postwar movies and Masterpiece Theatre productions.

Thrilling and exciting picture with an extraordinary duo , Paul Newman and Dominique Sanda , they form an awesome pair in this interesting flick . This is an entertaining movie full of all usual trimmings : car pursuits , fistfights , noisy action , getaway and capture . It deals with a member of British Intelligence named Reardon (Paul Newman) who undergoes a risked assignment ordered by Mackintosh (Harry Andrews) . As he is recruited , assuming a fictitious criminal identity and allows himself to be caught , imprisoned, and freed in order to infiltrate a spy organization led by a mysterious leader (Michael Hordern) . Reardon have to expose a communist traitor and he also must catch him . The intrigue involves a Conservative Member of the British Parliament, Sir George Wheeler (James Mason) , who is best known for his frequent political diatribes on the British government . Meanwhile , Reardon goes in action , being helped by a beautiful agent (Dominique Sanda in her first Hollywood movie for French actress) .

A cold war spy thriller with all the edge-of-seat ingredients : suspense , thrills , a complex intrigue , twists and turns . Intriguing and thrilling script , being one of the first produced screenplays of Walter Hill who later became an action thriller director . Paul Newman is first rate as a secret agent assigned a dangerous mission accompanied by a beauty Dominique Sanda . Wily and excellent , as always , James Mason as a cunning Parliament member with dark aims . This is the first of two movies that actors Paul Newman and James Mason made together , the other was Verdict . It's also the second of two movies that director John Huston and actor Paul Newman made together , he first was The judge Roy Bean , made the previous year . Supporting cast is frankly magnificent , such as Ian Bannen , Nigel Patrick , Michael Hordern , Percy Herbert , the last film of Noel Purcell and Niall MacGinnis and special mention to Harry Andrews as Mackintosh . This film and its source novel were loosely based on the identification, defection and escape from Wormwood Scrubs Prison in 1966 of Russian spy George Blake who was working in British intelligence as a double agent but was not one of the Cambridge Five spies . Colorful and evocative cinematography by Oswald Morris filmed on location in London , Ireland and Malta . Enjoyable musical score by the great Maurice Jarre , including a catching leitmotif .

The motion picture was well produced by John Foreman who financed various Huston films such as The Man Who Would Be King ; being stunningly directed by the great John Huston at his best . Director John Huston made this spy movie not longer after he had helmed another espionage film , Kremlin's letter . The picture was made in a good time of the 70s and 80s when Huston resurged as a director of quality films with Fat City, (1972 ), the afore-mentioned The man who would be king (1975) and Wise blood (1979). He ended his career on a high note with Under volcano (1984), Honor of Prizzi (1985) and Dublineses (1987). Rating : 7 above average , worthwhile watching , though P.G. , parents guide , for its violence and beatings . This is one of John Huston's main films , a model of his kind , the spy genre , definitely a must see if you are aficionado to thriller film . Huston broke a new ground with this landmark movie , providing exciting scenes and unforgettable dialogs .