NOTE IMDb
6,3/10
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MA NOTE
Un veuf et ses deux fils tombent sous leur charme de leur ravissante maîtresse de maison et décident tous les trois de la séduire en utilisant leurs propres méthodes.Un veuf et ses deux fils tombent sous leur charme de leur ravissante maîtresse de maison et décident tous les trois de la séduire en utilisant leurs propres méthodes.Un veuf et ses deux fils tombent sous leur charme de leur ravissante maîtresse de maison et décident tous les trois de la séduire en utilisant leurs propres méthodes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 3 nominations au total
Avis à la une
Although this movie is ostensibly a comedy, I personally found it pretty perverse and disturbing at times. Laura Antonelli is a maid who comes to work for a grieving widower and his rather disturbed adolescent son. She soon finds herself engaged to marry the widower but at the same time being sexually black-mailed by the son. She finds a way to turn the tables on the latter (although you'll hardly feel to sorry for him).
The idea of a young boy losing his virginity to his stepmother-to-be seems pretty perverse, especially today, but there's also a scene where the boy and his overweight friend spy on the latter's slumbering and half-nude sister (who he later takes on memorably sexy bike ride). The sister is played by a young Tina Aumont, so you not only get a double dose of incest but a little Lolita with your Madonna.
This is the movie that made Antonelli an international sex star and features the famous scene where she's standing on a ladder in a short skirt and no underwear, but frankly she's a lot more memorable in other films I've seen like "Venus in Furs", "The Divine Nymph", "The Venetian Lady", and even Lucio Fulci's "The Eroticist". This also doesn't really quite make it as a comedy (although these dark and perverse continental variations are almost always preferable to the painfully unfunny American and British variety). It functions somewhat as a coming-of-age film I guess, even if the disturbed young protagonist isn't necessarily a very sympathetic character. You could do worse I suppose.
The idea of a young boy losing his virginity to his stepmother-to-be seems pretty perverse, especially today, but there's also a scene where the boy and his overweight friend spy on the latter's slumbering and half-nude sister (who he later takes on memorably sexy bike ride). The sister is played by a young Tina Aumont, so you not only get a double dose of incest but a little Lolita with your Madonna.
This is the movie that made Antonelli an international sex star and features the famous scene where she's standing on a ladder in a short skirt and no underwear, but frankly she's a lot more memorable in other films I've seen like "Venus in Furs", "The Divine Nymph", "The Venetian Lady", and even Lucio Fulci's "The Eroticist". This also doesn't really quite make it as a comedy (although these dark and perverse continental variations are almost always preferable to the painfully unfunny American and British variety). It functions somewhat as a coming-of-age film I guess, even if the disturbed young protagonist isn't necessarily a very sympathetic character. You could do worse I suppose.
If you enjoy rapid-fire wit this film pleases like few others. Unfortunately some versions of English subtitles do not capture many of the best lines. There is some full frontal nudity at the end but most of the eroticism and comedy comes from two of the three brothers who are being driven crazy by the hot new maid, through no fault of her own. The youngest boy is also funny as the oblivious locomotive not interested in propriety. The father and two brothers fall in love and lust and while she is trying to be loyal to the widower dad, one of his sons cannot stop provoking and enticing her. He is also the most interesting character suffering with raging hormones, inexperience and a Machiavellian streak.
it has all ingredients of an Italian comedy. but it is not exactly one of them.it has the chaotic slices of Meridional life style but it is not the story of its characters. because the key is not the humor, not the eroticism but the interesting and realistic image of a teenager impulses. a film about a metamorphose. step by step. different ages, dark humor drops, few beautiful scenes and seductive atmosphere. nothing special but useful for a style for discover the life as a form of adventure. a film who preserves the flavor of its period and gives a right definition about the eroticism in a time who dreams revolution. and a good performance by Alessandre Momo.
This film is excellent! does away with norms and moral regulations that seem to be the norm these days even in independent cinema, where things must in the end be "right" or explained from a psychobabble ethical point of view blah blah..
This movie surprised me in that in a very beautiful magnificent yet simple way explores the desires of youth with humor and honesty, fantastic ending, great acting, gorgeous visuals and I loved the soundtrack!!
I would love to see this in HD because the color treatment is great and that soundtrack would be amazing to have.
This movie surprised me in that in a very beautiful magnificent yet simple way explores the desires of youth with humor and honesty, fantastic ending, great acting, gorgeous visuals and I loved the soundtrack!!
I would love to see this in HD because the color treatment is great and that soundtrack would be amazing to have.
This movie epitomizes the dreams of many young bucks--having your way with the sexy nanny. I don't believe, however, that this movie should be categorized as a Comedy... it's not the kind of movie you should watch with your family, but it's a great reminder of the animal in all of us.
Le saviez-vous
- AnecdotesThere is a scene in the film where the father played by Turi Ferro tries to bribe his son Nino (Alessandro Momo) by buying him the motorcycle that he wanted so badly, even though the boy is not old enough to ride the vehicle. Nino does not accept the offer and justifies it by saying that motorcycles are very dangerous. In a sad, macabre coincidence, actor Alessandro Momo died the following year in a motorcycle accident - and when he was 17, that is, not yet legally authorized to ride the vehicle.
- ConnexionsEdited into Lo schermo a tre punte (1995)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 109 133 $US
- Durée
- 1h 37min(97 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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