Le magnifique

Seriously underappreciated comedy with one of the finest and funniest opening "twists" this filmgoer has ever seen. Belmondo is at his comic and athletic best and Bissett is gorgeous and perfectly cast as a student doing a research paper on pulp-fiction authors (Belmondo). To say much more would spoil the imaginative twists and turns in this film. If you can find it, watch it!

If you like Belmondo in this you might also enjoy "Up to His Ears" (1965)

The CineZonk

Bob Sinclar is the greatest secret agent in the world : he is handsome, strong, intelligent, unstoppable ... and he doesn't exist. You're irritated by the perfection of James (Bond) ? check this movie.

This movie looks old, and most of its jokes don't work as well as it worked 31 yrs ago, yet, this movie has to be seen. It is short, and there are some great findings (and some stuff are still funny too). Actually the concepts in the movie are better than the movie itself IMHO, but it's still a nice movie. When I was a kid I LOVED that movie so much !!!

BTW, I guess that the name Sinclar comes from who was James Bond at this time (Roger Moore) that was Simon Templar and Lord Sinclair on TV.

I almost forgot : if you're a man ... or a lesbian, Jacqueline Bisset is a sufficient enough reason to watch the movie.

" - coucouroucoucou coucouroucoucou

• VOS GUEULES !!!

• cou ... ou ..."

Check it out.

As a spy parody, we already have a nice movie, cutting for a 7/10. But this movie doesn't stop there and adds another layer, intertwining the story of Bob Saint Clar, the perfect spy, with the one of its creator, the writer François Merlin, and raises the level one step higher.

It goes also with a nice duo of actors: Belmondo enjoying himself, and ourselves, and Jacqueline Bisset - previously James Bond girl - which shines on the movie with her double role.

Without disclosing the story, you'll have a very good time.

There are some cornball aspects to this film, but it also incredibly inspired in many ways. It is best not to read a bunch of summaries of the plot, just watch it and revel in the imagery which is fantastic in many parts. Belmondo is fantastic as is Jacqueline Bisset. If you already found sixties spy/agent films campy, this film will be a wonderful release, but also a haunting pastiche of dark humor on the whole genre. The jokes are layered very thick, not all of them hit, but compared to the campy schtick done in hollywood, this is shakespearean.

Albanian agents are smuggling missile platforms into Mexico. An American agent is devoured by a shark in a phone booth. Superspy Bob St. Cloud is sent to Acapulco to investigate. There he meets the beautiful Tatiana, but their romance is interrupted when they are attacked by an army of Albanian scuba divers, armed with machine guns. In the middle of the carnage, a cleaning woman pushes a vacuum cleaner up the beach. She enters the door of a small beach house where...

In a shabby Parisian flat, Francois Merlin, writer of cheap fiction, is pounding out his forty-third spy novel. He sees a young sociology student through the window of a nearby flat. Though he's never met her, she becomes part of his novel.

From this beginning French director Philippe de Broca (King of Hearts) creates a bizarre comedy of frustrated desires and fantastic dreams. Like Walter Mitty, Merlin creates a fantasy life within his novels far more exciting than his own.

French film star Jean-Paul Belmondo shows great versatility in a duel role as the campy hero Bob St. Cloud and the burnt-out Francois Merlin. Jacqueline Bisset is the vampish spy, Tatiana, as well as Christine, the sociology student who studying the popular appeal of Merlin's escapist novels. Vittorio Caprioli also plays a dual role as Bob St. Cloud's arch-enemy, the evil Colonel Karpoff, and as Merlin's smarmy publisher Georges Charon.

De Broca is a master of light comedy and his film careens wildly through moments of high camp, pathos and outright slapstick, as the story switches back and forth between the fantasy of Merlin's novel to the reality of his own life. In the end Merlin must battle his own fictional alter ego, as well as his publisher, for the love of the fair Christine.