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IMDbPro

Les décimales du futur

Titre original : The Final Programme
  • 1973
  • Tous publics
  • 1h 21min
NOTE IMDb
5,4/10
1,2 k
MA NOTE
Les décimales du futur (1973)
ComédieFantaisieScience-fictionThrillerComédie noire

Ajouter une intrigue dans votre langueA trio of scientists plan to create a self-replicating, immortal, hermaphrodite using the Final Programme developed by a dead, Nobel Prize-winning scientist.A trio of scientists plan to create a self-replicating, immortal, hermaphrodite using the Final Programme developed by a dead, Nobel Prize-winning scientist.A trio of scientists plan to create a self-replicating, immortal, hermaphrodite using the Final Programme developed by a dead, Nobel Prize-winning scientist.

  • Réalisation
    • Robert Fuest
  • Scénario
    • Michael Moorcock
    • Robert Fuest
  • Casting principal
    • Jon Finch
    • Jenny Runacre
    • Sterling Hayden
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    1,2 k
    MA NOTE
    • Réalisation
      • Robert Fuest
    • Scénario
      • Michael Moorcock
      • Robert Fuest
    • Casting principal
      • Jon Finch
      • Jenny Runacre
      • Sterling Hayden
    • 28avis d'utilisateurs
    • 35avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Photos71

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    Rôles principaux19

    Modifier
    Jon Finch
    Jon Finch
    • Jerry Cornelius
    Jenny Runacre
    Jenny Runacre
    • Miss Brunner
    Sterling Hayden
    Sterling Hayden
    • Maj. Wrongway Lindbergh
    Harry Andrews
    Harry Andrews
    • John
    Hugh Griffith
    Hugh Griffith
    • Professor Hira
    Julie Ege
    Julie Ege
    • Miss Dazzle
    Patrick Magee
    Patrick Magee
    • Dr. Baxter
    Graham Crowden
    Graham Crowden
    • Dr. Smiles
    George Coulouris
    George Coulouris
    • Dr. Powys
    Basil Henson
    • Dr. Lucas
    Derrick O'Connor
    Derrick O'Connor
    • Frank
    Gilles Millinaire
    • Dimitri
    Ronald Lacey
    Ronald Lacey
    • Shades
    Sandy Ratcliff
    Sandy Ratcliff
    • Jenny
    • (as Sandy Ratcliffe)
    Mary MacLeod
    Mary MacLeod
    • Nurse
    • (as Mary Macleod)
    Sarah Douglas
    Sarah Douglas
    • Catherine
    Delores Delmar
    • Fortune Teller
    • (as Dolores Del Mar)
    Sandra Dickinson
    Sandra Dickinson
    • Waitress
    • Réalisation
      • Robert Fuest
    • Scénario
      • Michael Moorcock
      • Robert Fuest
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs28

    5,41.1K
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    Avis à la une

    MetalMiike

    Where's The Final Programme?

    This is one of those spectacular misfires; Fuest has taken Moorcock's splendid book and cut everything down to the bone so much that what remains is only the irrelevant sci-fi plot that was basically a throwaway excuse to hang all the elements of the book together. For this there really is no excuse; the next two books were available at the time the film was in production (the last was not publish until 1977) and if anyone had bothered to read them, they would have realized that Jerry Cornelius ain't James Bond. This a cheap Bond rip-off. The books were trans-dimensional, time hopping wonders; they had an arrogance of plot structure that really captured the complexities of multi-dimensional realities. This is a chase movie. It has a conventional three-act structure and, worst still, it ditches all the characters vital to the novel (or amalgamates three, four or five of them into one). It misses out on Moorcock's views of sexual liberation and worst of all Fuest has absolutely no idea what his source material is about. After seeing the Dr. Phibes movies I thought him to be an entertaining and imaginative director. After seeing this I realize his style has nothing to do with imagination but a talent for making do with low budgets. The Final Programme was made for around £600,000. Not inconsiderable for the time but it is wasted in every frame on trivia. For example, an early chapter of the book revolves around a massive assault on Jerry's father's Chatauex in Normandy by a team of crack armed mercenaries with hundreds of casualties; here it is reduced to a bit of mild house breaking just outside London. Jon Finch's Cornelius is the only plus point about it (he was, after all, a friend of Moorcock) and what the books really need is $400 million throwing at them (they have to be filmed back-to-back), faithful adaption, and a director like Alejandro Jodorowsky. The books have recently been reissued in a bind-up as "The Cornelius Quartet". Read them; you'll be going back to them for years to come trying to unravel all the different strands. The film has no strands.
    7Hey_Sweden

    A very tasty world.

    A simplification - albeit a rather offbeat one - of one book in a series of novels by Michael Moorcock, "The Final Programme" may work better for people who haven't read the novel. Therefore, they can appreciate it for what it is, and not fret about what it isn't. This viewer admits that it took a while to grab hold for him personally, but it's just quirky enough and provocative enough to make for a reasonably entertaining movie. I would be surprised if it didn't have some sort of cult following by this point.

    Jon Finch ("Frenzy") is front and centre here as the character Jerry Cornelius, a sardonic scientific genius living in a world on the possible brink of apocalypse. He gets involved in the hunt for some valuable microfilm. It contains a revelatory formula (devised by his late father) for creating a self-replicating human being, and possibly a new Messiah. Jerry must deal with a comely but conniving computer expert (Jenny Runacre, "The Witches"), and the machinations of his weaselly brother Frank (Derrick O'Connor, "Lethal Weapon 2").

    The first-rate supporting cast includes Sterling Hayden ("The Godfather") in a brief cameo as a wheeler-dealer American major, Harry Andrews ("The Hill"), Hugh Griffith ("Ben-Hur"), the stunning Julie Ege ("Creatures the World Forgot"), Patrick Magee ("A Clockwork Orange"), Graham Crowden ("The Company of Wolves"), George Coulouris ("Citizen Kane"), Ronald Lacey ("Raiders of the Lost Ark"), and Sarah Douglas ("Superman" and "Superman II"). Finch is amusing as a protagonist who's always quick with the pointed comments, and Runacre is enticing as the woman determined to see her plan through. (She also has a tendency to *consume* her lovers.)

    Complete with sex, nudity, action, and a bit of globe-trotting, "The Final Programme" also benefits from the striking visual approach by production designer / screenwriter / director Robert Fuest, whose other 70s feature films include the "Dr. Phibes" movies, "And Soon the Darkness", and "The Devils' Rain". Bizarre and stylish, it can get goofy at times, but it's definitely not boring.

    Seven out of 10.
    5Bunuel1976

    THE FINAL PROGRAMME (Robert Fuest, 1973) **

    An ambiguous adventurer becomes involved with an experiment designed to overcome the impending extinction of the human species. One from the "What were they thinking?!" school of film-making: much like John Boorman's contemporaneous ZARDOZ (1974), this is yet another good-looking but uncontrolled attempt at a 'trippy' post-apocalyptic scenario that ends up being embarrassingly campy – and, here, wasting a fine veteran cast (Sterling Hayden, Patrick Magee, George Coulouris, Harry Andrews and Hugh Griffith) into the bargain – none of whom appear in any scenes together. The main role of Jerry Cornelius had been offered to Mick Jagger (who rejected the script as "too weird"!) and Timothy Dalton before Jon Finch stepped in and basically stopped his promising film career dead in its tracks; in hindsight, it is understandable not only that novelist Michael Moorcock hated this adaptation but also that his prolific literary creation never returned in any further cinematic adventure since! For the record, the supporting cast also features Jenny Runacre (as Cornelius' supremely annoying androgynous acolyte), Graham Crowden, Ronald Lacey, Sarah Douglas and Julie Ege...but every earnest effort on anybody's part is stifled by the film's relentless visual and aural assault on the viewers' senses. Interestingly, the former is reminiscent of A CLOCKWORK ORANGE (1971) and the latter features Eric Clapton among the session musicians! When Roger Corman picked up the film for U.S. distribution, he not only trimmed it by 11 minutes but also retitled it as LAST DAYS OF MAN ON EARTH to (reportedly) little effect.
    drifkind

    John Steed drops acid

    A shortened version of the film first released as The Final Programme, from Michael Moorcock's novel of that name. Jerry Cornelius is the perfect universal hero/anti-hero in a disintegrating world. His search for his father's invention involves him with his mad brother Frank and the sinister programmer, Miss Brunner. The acting is over the top (one reviewer described it as "rug-chewing"), hip, and outrageous. The flip, self-mocking style owes a great deal to The Avengers, The Prisoner, and possibly even the Beatles.
    7kinetica

    Slick trip

    Sort of like Zardoz crossed with Planet of the Apes.

    The film is well acted, well shot, and the plot holds together... even though the Nazis are dragged in a bit, but not to the detriment of the film.

    It is allegorical, and rather clever twist on some poetry for those who have taken Humanities classes in school.

    Worth a look if you are new to film, and are looking for something out of the ordinary, that requires a bit of knowledge to hang with.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      A few years after making this film, Sterling Hayden was interviewed for a British magazine and insisted that Robert Fuest was his favorite director, the best he had ever worked with. As Hayden has only one scene in this film, and almost certainly took no longer than a couple of days to film it, perhaps less, and as he also spoke in the same interview about his work with Stanley Kubrick, John Huston, Bernardo Bertolucci, Robert Altman and Nicholas Ray, it may be that he was being sarcastic.
    • Citations

      Nurse: It's much easier to run a hospital with all the patients sleeping.

      Jerry Cornelius: Easiest way to run the world, for that matter.

    • Connexions
      Featured in Nightmare Theatre's Late Night Chill-o-Rama Horror Show Vol. 1 (1996)

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    FAQ

    • How long is The Final Programme?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 mars 1976 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Final Programme
    • Lieux de tournage
      • Desierto de Tabernas, Almería, Andalucía, Espagne
    • Sociétés de production
      • Anglo-EMI Film Distributors
      • Goodtimes Enterprises
      • Gladiole
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 21 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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