Madame Bijoux

As stated by other reviews, this is strictly a watch for Jennifer O'Neill fans.

This feels like someone wanted to do a modern detective noir along the lines of Elliot Gould's The Long Goodbye, Gene Hackman's Night Moves etc, with intrigue, ambiguous characters, sexual tension, suspense and the usual twist, turns, red herrings and chicanery that a good 70s crime film needs.

However someone forgot to tell the writer that most people don't have a clue about the goings on in high stakes insurance investigations, and that other than being very convoluted it's also incredibly dull.

Coupled with the film feeling like an episode of Columbo, with Donald Sutherland as your cocky overly sure of himself investigator (Though he is enjoyable to watch), the film misses the mark by a long long way.

Robert Duvall takes a small turn, and makes you wish he filmed a few more action thrillers and reminds you to rewatch the Outfit, Killer Elite, and The Eagle Has Landed.

Jennifer O'Neill is stunning and probably the main reason you'll watch the movie, possibly the reason it got made. If they put out a directors cut with 30 mins extra of her driving the Ferrari or Maserati then I'd definitely queue up to buy it.

Very light entertainment, something to stare at.

Andy Hammon (Donald Sutherland) steals a diamond necklace from a criminal type. He's a newly hired mechanic working for Paul Booth. He gets fired after flirting with the bosses' daughter Paula Booth (Jennifer O'Neill). They get into a car chase and he offers her the $3M necklace. It turns out that the Booths are fences working with Peter Brinker (Eric Braeden). Police detective Ford Pierce (Robert Duvall) is frustrated with Andy Hammon who is actually working with the insurance companies looking to collect his 10%.

It's a lot of Florida. It's a lot of sunshine and water. It's trying to be a stylish thriller. It seems to be spending a chunk of change. Sutherland seems to be playing around with the material. It has the potential but it ends up as a muddle. There are questionable choices all the way through the movie. I don't know why they are measuring the jewels in a moving RV other than injecting some unnecessary action. I don't know why the plot goes from Florida to Chicago. I'm never certain what is happening at any one time. I look up director Tom Gries and am not surprised that he is mostly a TV director. He's trying to give the visual style but doesn't have the skills to pull it off. That's the movie in a nutshell. It's trying to be a flashy big budget thriller but it doesn't have it.

Is this a great movie? Well, no, it's not. But what's really amazing here is that we are able to see it at all. Thanks, Prime! As a kid in the 70s and 80s, and continuing on as a young adult into the 90s, I was pretty sure I had watched just about every action/adventure/cops&robbers flick that came out between 1960 and 1995. At least the ones that had any kind of a star. I had never even heard of this one until I saw it available included with Prime. It's the kind of movie I would have loved as a kid. At this point, I'm sophisticated enough in my judgement of a film to realize that this one is a mess. And while many of the plot points don't seem to make a lot of sense, the film moves along steadily towards what you imagine will be some kind of an interesting conclusion. The ending, along with many other parts of the film is a bit strange, but somehow satisfying. Not much of this movie goes as expected. It's uneven, but it does keep you more interested that a standard formulaic offering. I really enjoyed the performances of the three main stars. Donald Sutherland is sure fun to watch, even if the character did something no real person would ever do about every ten minutes. Jennifer O'Neill has a great energy in every movie I've seen her in. Robert Duvall! He was super solid in a movie where everything else was kind of all over the place. To really enjoy a movie like this, a big part of it has to come from just wanting to see what was going on in the business in 1973. What did the world look like? How was everyone dressing? What were they driving? What were these actors doing in between making really good movies? If you've got an inquiring mind, and really want to know, check this movie out. If not, try something from the 90s.

Jennifer O'Neill is a top-end jewelry fence in Florida. When a pricey set of hot rocks goes through her hands, insurance investigator Donald Sutherland is on the case. Sparks fly between the two.

The production of this film was clearly inspired by THE THOMAS CROWN AFFAIR. This movie, however, lacks all the heat and style of that earlier movie. There's little chemistry between the two performers, the music is 1970s chick-a-boom, the camerawork by Lucien Ballard is workmanlike but unimaginative, and director Tom Gries largely wastes a good cast that includes Robert Duvall Patrick Magee and Dana Elcar. All the performances are minimalistic, with insurance executives empty suits saying banal lines as if they are of great import. Sutherland has a few flares of humor, Miss O'Neill is exceedingly lovely, but it's an uninspiring movie.

Dr. Bombay is wrong about this film being made for TV.

It was always intended to be a feature, produced by the General Electric subsidiary, Tomorrow Entertainment. It suffered along the way from problems with the script and was delayed several times.

Alan Trustman, a lawyer and the author of the film, remained mostly in Boston during development, which hindered the process of fixing the script.

While Tomorrow Entertainment did indeed produce many fine TV movies, Lady Ice was one of two features developed by the company. The other was Gravy Train, a bit of cult classic. After the limited success of these films the company concentrated on TV movies.